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<title><![CDATA[Joar von Arndt - notes]]></title>
<description><![CDATA[Joar von Arndt - notes]]></description>
<link>https://joarvarndt.se//tag-notes.html</link>
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<lastBuildDate>Tue, 20 Oct 2026 18:33:55 +0800</lastBuildDate>
<item>
  <title><![CDATA[A Style Guide]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#the-diaeresis-and-em-dash">The diaeresis and em-dash</a></li>
<li><a href="#acronyms-contractions-brands">Acronyms, contractions &amp; brands</a></li>
<li><a href="#translation">Translation</a></li>
<li><a href="#formatting">Formatting</a></li>
<li><a href="#conclusion">Conclusion</a></li>
</ul>
</div>
</nav>
<hr>

<p class="dcap">
One of the things I find surprisingly interesting is reading the style
guides of different publishers or newspapers. Style guides generally
cover how written content should be structured and presented. They
help make single organisation seem coherent and help writers present
what might otherwise be ambiguous. At the same time they can often be
overly detailed, attacking the creative freedom of the author. Reading
what decisions others have made regarding their styles allow me to
pick and choose what to take inspiration from. Because I am in full
control over what I publish here I can also make liberal use of
Orwell&rsquo;s sixth rule from <i>Politics and the English Language</i>: &ldquo;Break any
of these rules sooner than say anything outright barbarous&rdquo;.
</p>

<p>
These &ldquo;rules&rdquo; are also not simple binary rules as in the ten
commandments, but rather directions of inspiration for how a text
should be written or an idea presented.
</p>

<p>
This, like all website documentation (and most of the things written
here), is a living document. I will update the guide as I go along,
but will not necessarily update any earlier writings to match
up. Further I may not even follow these rules at all — creative
freedom always comes out on top.
</p>


<figure>
<img src="https://www.modernamuseet.se/app/uploads/stockholm/2016/01/peter-tillberg_blir-du-lonsam_1972_f-prallanallsten_1500.jpg" alt="peter-tillberg_blir-du-lonsam_1972_f-prallanallsten_1500.jpg">

<figcaption><span class="figure-number">Figure 1: </span><i>Blir du lönsam, lille vän?</i> (Will You Be Profitable, My Friend?) by Peter Tillberg, 1972. Photo: Åsa Lundén/Moderna Museet</figcaption>
</figure>
<div id="outline-container-the-diaeresis-and-em-dash" class="outline-2">
<h2 id="the-diaeresis-and-em-dash">The diaeresis and em-dash</h2>
<div class="outline-text-2" id="text-the-diaeresis-and-em-dash">
<p>
I first became infatuated with the diaeresis when I used to read <i><a href="https://www.newyorker.com/culture/culture-desk/the-curse-of-the-diaeresis">The
New Yorker</a></i>. Archaic in modern English it consists of two dots (¨)
placed above a &ldquo;normal&rdquo; letter like the in the word naïve or
coöperate.
</p>

<p>
There are legitimate reasons to prefer the diaeresis, but I merely do
because it is rare. I am a natural hipster — I shall not deny it — but
I do think standing out from the crowd is becoming more and more
important these days as people yearn for genuine information and <a href="https://en.wikipedia.org/wiki/Dead_Internet_theory">dead
internet theory</a> becomes more and more real.
</p>

<p>
This is exacerbated by the fact that I like using em-dashes<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> —
something that has apparently become a &ldquo;sign&rdquo; of <span class="small-caps">ai</span> (artificial
intelligence) authorship. To rebelliously use the diaeresis (even
though spellcheckers and <span class="small-caps">ai</span> resist) acts as a proof that the text is
legitimate. I am not saying that this is a sustainable approach —
adding some ¨&rsquo;s to your text is trivial to do — but that does not
really matter. The problem with <span class="small-caps">ai</span> is not really a matter of trusting
if it has been used or not. Instead it is a problem of saturation.
</p>

<p>
<i>Writing</i> is something that necessarily requires effort. Not because it
is hard to come up with grammatically correct sentences or to press
buttons on a keyboard fast enough, but because it requires you to
actively challenge your ideas and to present them in a way that
communicates the essence of that <i>idea</i>, not of the words representing
it. <span class="small-caps">llm</span>s allow for the production of lots of <i>pieces</i> of writing that
are not the <i>product</i> of writing. Showing that you have actually thought
about the subject and actually care is your most important job as an
author in a world with <span class="small-caps">llm</span>s. The diaeresis is a (small) step toward
that.
</p>
</div>
</div>
<div id="outline-container-acronyms-contractions-brands" class="outline-2">
<h2 id="acronyms-contractions-brands">Acronyms, contractions &amp; brands</h2>
<div class="outline-text-2" id="text-acronyms-contractions-brands">
<p>
I expect most acronyms are understood by most readers (take for
example the &ldquo;<span class="small-caps">ai</span>&rdquo; that I have already used in this text) but there is
always someone who has not encountered any given acronym before.<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> I
therefore think it is polite to specify, even when it may seem obtuse.
</p>

<p>
It helps that I &ldquo;read out&rdquo; most acronyms whenever they come up — even
in person — both because I like thinking about what they mean
contextually and to avoid writings things like &ldquo;<span class="small-caps">ssd</span> drive&rdquo;.<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>
</p>

<p>
I generally try and avoid contractions in written text. This is for a
similar reason as with acronyms, if makes me think through what I am
actually writing on a more detailed level. It is however fine to use
when quoting or trying to imitate spoken language — such as in
rhetorical questions.
</p>

<p>
Finally there is the question of brand names. These I deliberately
choose to swim against the grain on. Capitalization of certain forms
is anathema to any degree of respect for the reader. The word &ldquo;iphone&rdquo;
is a description of an object (both physical and cultural) in the
world; the word &ldquo;iPhone&rdquo; is an advertisement. In a few cases this form
of strange writing is required for the sake of clarity or to retain
meaning — Open<span class="small-caps">ai</span> instead of open <span class="small-caps">ai</span> — but oftentimes the end result is
the perpetuation of a consumer society that worships the idea of
objects or services above their actual function.
</p>
</div>
</div>
<div id="outline-container-translation" class="outline-2">
<h2 id="translation">Translation</h2>
<div class="outline-text-2" id="text-translation">
<p>
There is nothing more frustrating than reading a text where the author
has translated Chinese terms or phrases in parentheses (像這樣) but
written it — not even just in pīnyīn, but in pīnyīn <i>sans</i>-diacritics.
This tells the reader next to nothing about what the original word
actually was for all but the most common words, but also <i>does</i> inform
the reader that the author does not even possess a limited
understanding of Chinese (what one might learn in an hour or two of
inquisitive study). This is why I try and always offer translations in
Chinese characters whenever a concept shows up, and allow the reader
to understand the meaning and choose the pronunciation themselves (in
whatever Chinese dialect or language they may choose).
</p>

<p>
Language as a concept is however beautiful. While I am not a master of
languages I do find that using phrases and terms from other languages
(even from ones that I do not speak) enriches the text and gives a
more multifaceted quality. For these I do not usually offer a
translation and merely challenge the reader to try and learn new
things about the world, its history, and the people that reside within
it.
</p>

<p>
Latin is a particular favourite of mine. When writing in Swedish it is
naturally looked down upon to fall back on an English phrase. It shows
how one does not fully command the Swedish language in order to
express oneself fully. But Latin has, in practically all European
languages owing to its ecclesiastical use, formed an exception to
this. It acts as a sort of extension of alternative words or phrases
that can be bothered to create another meaningful and interesting
layer to a text.
</p>
</div>
</div>
<div id="outline-container-formatting" class="outline-2">
<h2 id="formatting">Formatting</h2>
<div class="outline-text-2" id="text-formatting">
<p>
This is partly covered in the <a href="https://joarvarndt.se/website">colophon</a>, but I this website is written
in <a href="https://orgmode.org">Org mode</a>, and as such its structure is somewhat decided by the
medium. Like in markdown or <code>pdf</code>-files each text is a two-dimensional
stand-alone work. Said work may exist in an advanced intertextual
context, but each (most) work is not a <a href="https://joarvarndt.se/tag-video">film</a>, audio file, or video
game.
</p>

<p>
But the website is also not a <code>pdf</code>, and treating it as such would be
incorrect.<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup> Writing for the web requires a different style; one that
is easier to follow and uses shorter paragraphs. Not so short as the
recoiling style of Linkedin would expect, but shorter than that of a
printed book — perhaps a few sentences.
</p>

<p>
I also have a sense of pride for my writing, and so I treat its
presentation with a corresponding level of respect. The design and
appearance of the website is important to me, as I believe it should
be important to you. An example of the opposite would be the former
Swedish prime minister and later also foreign minister Carl Bildt&rsquo;s
blog <i><a href="https://carlbildt.wordpress.com/">Alla dessa dagar</a></i> (&ldquo;All these days&rdquo;). It has a horrendous
appearances in my opinion, and is only saved by the ability to be read
through and <span class="small-caps">rss</span> reader instead of web browser. At the risk of seeming
a bit narcissistic I will quote <a href="https://joarvarndt.se/latex">myself</a>:
</p>

<blockquote>
<p>
If you care about your text you <i>have to</i> care about its presentation.
[…] This is what is required of you as an artist; as an artist in the
sense of a creator of new, radical ideas. If you do not believe that
your work is […] &ldquo;the best in the world&rdquo; you will not have the
confidence to venture out into the world and present it.
</p>
</blockquote>

<p>
Tinkering with the site appearance is therefore an important part of
the writing process. They are however still quite separate activities,
and I do not often mix the two. Rather it is the case of treating your
own text at the level of which you want it to be treated.
</p>

<p>
There are numerous occasions when you are not in control of the
presentation. In those cases nothing can be done. But you should
nevertheless try and be deeply involved in how the work will appear
when presented. Looking it over, ideally with fresh eyes, is the least
you can do before publishing.
</p>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
The biggest take away from this text should not be to copy or emulate
any of these recommendations (but you are of course free to do so).
Instead it is the idea that the content of writing and the style of it
are inseparable. Even matters as different as using one or two spaces
at the end of sentences<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> creates a small difference.
</p>

<p>
Perhaps the choice itself is impossible to be noticed in the writing
process, perhaps it is even stripped away by an editor or export
process, but the deliberate choice made by the writer still matters.
It does so by subtly influencing the content by deliberate choices
made. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Em-dashes — are — very — useful — as — a — middle — ground —
between — commas (,) — and — hard — parentheses () or — full — stops.
They — are — underused — in — a — lot — of — modern — writing.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
As Randall Munroe&rsquo;s <i>xkcd</i> <a href="https://xkcd.com/1053/">pointed out</a>, there are perhaps 10000
people learning something that &ldquo;everyone knows&rdquo; each day. That is
something we should celebrate, not mock.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This is tautological. <span class="small-caps">ssd</span> stands for &ldquo;solid state drive&rdquo; and so
&ldquo;<span class="small-caps">ssd</span> drive&rdquo; would mean &ldquo;solid state drive drive&rdquo;. Another example
would be &ldquo;<span class="small-caps">cd</span> disk&rdquo; — &ldquo;compact disk disk&rdquo;.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Some texts on this website have been written originally to be read
in the form of such <code>pdf</code>:s, and remain structured in such a manner.
This is a consequence of wanting to document my thoughts on topics
that I have written about elsewhere in a place that I control.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The answer is one by the way.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[website]]></category>
  <category><![CDATA[life]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/style.html</link>
  <guid>https://joarvarndt.se/style.html</guid>
  <pubDate>Thu, 08 Oct 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[On an American Suez]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<hr>

<p class="dcap">
A major Anglo-Saxon power begins a war far away from home with the
help of Israel and without the support of its allies. The main
objective is the control of one of the world&rsquo;s most important maritime
trade routes, but the aggressor may have to back down — partly from
the rising oil prices at home. This could either describe the 1956
<i><a href="https://en.wikipedia.org/wiki/Suez_Crisis">Suez crisis</a></i>, when Britain and France invaded Egypt over their
nationalisation of the Suez canal, or the contemporary
Israeli-American bombing campaign and blockade of Iran (&ldquo;Operation
Epic Fury&rdquo;). Is the war in Iran then an American Suez?
</p>


<figure>
<img src="./dithered-iran.png" alt="dithered-iran.png">

</figure>

<p>
There is currently a cultural <a href="https://en.wikipedia.org/wiki/Memetics">meme</a> spreading about the American
empire&rsquo;s<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> decline from dominance. This has many names, and in the
academic <span class="small-caps">ir</span> tradition it is most often refereed to as a transformation
toward a &ldquo;multipolar&rdquo; international system, in contrast to the
unipolar one that followed the collapse of the Soviet Empire(s)
between 1989 and 1991. This feeling, at least in my own personal
experience, seems to be more of an American one above all else. The
otherwise overconfident Yankee who boasts about the <span class="small-caps">usa</span> as that
&ldquo;shining city on a hill&rdquo; has suddenly shrugged back, and now instead
views his nation as being assaulted on all sides, within as without,
by unfair, corrupt, and malicious actors that wish to tear it all
down. By comparison we Europeans seem to (perhaps hopelessly) cling on
to the idea that the <span class="small-caps">us</span> not only has our back — as we do theirs — but
that they will remain the primary superpower for the rest of our
lives.
</p>

<p>
The English and French had performed many wars, operations, and
gunboat displays of force in the past — the Suez war was no different.
What was different was being entirely reliant on another power to
project said force. All industrial nations of the world are reliant on
each other in some regard; no country has been able to become entirely
autarchic<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> without grave sacrifices to their economy and/or military
might. It should therefore be made clear that none of the European
empires were ever safe from reliance <i>in theory</i>, but in practice
standing up against the barbarism of these empires had outsized costs
to whoever did so that most countries were not willing to bear.
</p>

<p>
What changed was the emergence of the two superpowers after the second
world war — The <span class="small-caps">usa</span> and <span class="small-caps">ussr</span>. Britannias reaction to the emergence of
the <span class="small-caps">us</span> was perhaps not so foolish; they had surpassed the <span class="small-caps">uk</span> as the
world&rsquo;s largest economy before even the first world war, but had
always seemed to be reluctant to intervene when necessary outside of
the western hemisphere. What changed after the Suez crisis was
primarily then a change in America&rsquo;s view regarding herself. She now
saw herself as a proper great power, one whose interests should always
be consulted regardless of where in the world an event took place.
</p>

<p>
The Franco-British operation could have continued, but America chose
specifically to insert herself into the affairs of her fellow empires,
and her <i>de facto</i> dominance made it impossible not to obey. The world
may now be in a similar place, it is too early to say.
</p>

<p>
I must confess that I myself was at first a proponent of seeing the
war in Iran as an American Suez; as the death throes of a decaying
empire whose will would not be respected unless enforced through the
barrel of a gun. But the clearest counterexample to this thesis is the
very fact that this war has carried on for as long as it has. If the
<span class="small-caps">usa</span> had declared defeat and retreated, it would no doubt suffer a
significant blow to her prestige,<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup> but it would not sound the death
knell of her global position.
</p>

<p>
Instead what has been made clear is the fact that even if the <span class="small-caps">usa</span> is
retreating, there is no real actor that can take her place. Most
people&rsquo;s minds likely go to the People&rsquo;s Republic of China (<span class="small-caps">prc</span>), but
while they by far are the single state closest to the <span class="small-caps">us</span>&rsquo; global
power, they are in practice nowhere near capable enough at the moment
to fully <i>replace</i> America.<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>
</p>

<p>
The <span class="small-caps">prc</span> is the third largest foreign holder of <span class="small-caps">us</span> treasuries. It
could, particularly in the current environment of slowly increasing <span class="small-caps">us</span>
yields, at any moment threaten a large-scale sell-off of its position
and in doing so bury <span class="small-caps">us</span> hegemony for the foreseeable future.
Committing to this would be incredibly damaging for the <span class="small-caps">prc</span>, as the
liquidity of the market for <span class="small-caps">us</span> treasuries — despite being the world
largest such market — would not be able to absorb this position. In
fact, this is part of what the United States threatened to do <a href="https://en.wikipedia.org/wiki/Suez_Crisis#Responses_by_Western_governments">against
the <span class="small-caps">uk</span></a>.
</p>

<p>
That the <span class="small-caps">prc</span> has chosen not to do this is telling. It means either
that the <span class="small-caps">prc</span> accepts American behaviour toward Iran<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> or that it does
not feel confident in its ability to act as an international hegemon
in the aftermath of such an action. This is similar to the position
that the <span class="small-caps">us</span> itself was in in the late 19th century and early 20th
century. While many of the underlying fundamentals may now be in the
China&rsquo;s favour (and this point is still heavily <a href="https://www.foreignaffairs.com/united-states/china-multipolarity-myth">debatable</a>) there are
still serious obstacles, both material and immaterial ones, for a
world of Chinese dominance.
</p>

<p>
The major one is the nature of the renminbi,<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup> the currency of the
<span class="small-caps">prc</span>. While the dollar has been continually weakening, there is no good
alternative to it. Some have proposed that the renminbi would replace
the dollar, especially after Iranian tolls were paid in it, but this
is pure fiction only founded on the surface-level similarity that the
currency is needed to buy gulf oil. The renminbi will never take the
place of the dollar for as long as the <span class="small-caps">prc</span> maintain strong capital
controls. The fundamental benefit of America&rsquo;s &ldquo;exorbitant privilege&rdquo;
has been that the <span class="small-caps">us</span> makes fancy pieces of paper, and in return gets
oil, raw resources, machined goods, and computers. This deal does not
work if you are not allowed to send the fancy pieces of paper (money)
abroad.<sup><a id="fnr.7" class="footref" href="#fn.7" role="doc-backlink">7</a></sup>
</p>

<p>
What is instead much more likely is a slow decline of the dollar, and
instead a return to a &ldquo;basket of currencies&rdquo;-type global financial
system perhaps utilizing or akin to the International Monetary Fund&rsquo;s
<a href="https://en.wikipedia.org/wiki/Special_drawing_rights">Special Drawing Rights</a>.
</p>

<p>
The <span class="small-caps">prc</span> leadership is also trying to solve a hard dilemma. They are
obsessed with increasing domestic consumption, partly to reduce
reliance on foreign exports, but are at the same time afraid to absorb
the loss in foreign competitiveness that a corresponding strengthening
of the currency would expect. Authoritarian governments have an easier
time artificially maintaining an undervalued currency, since they do
not have to accede to voters about the rising costs of imported goods.
The opposite can be clearly seen in the developments in Japan — a Yen
that is dropping in value drives inflation. As both Lenin and Keynes
say, inflation erodes away at the structure and trust of society; the
trust that would be needed for democratic life:
</p>

<blockquote>
<p>
Lenin was certainly right. There is no subtler, no surer means of
overturning the existing basis of society than to debauch the
currency. The process engages all the hidden forces of economic law on
the side of destruction, and does it in a manner which not one man in
a million is able to diagnose.
</p>

<div class="flushright">
<p>
— Keynes, <a href="https://en.wikipedia.org/wiki/The_Economic_Consequences_of_the_Peace">1919</a>.
</p>

</div>
</blockquote>

<p>
While the <span class="small-caps">us</span> has a history of global military interventions, there are
primarily two similar events in American history: The Iraq and Vietnam
wars. Both were intensely both at home and abroad, and turned into
quagmires of anti-counterinsurgency warfare, a type of war really only
ever won by the British in Malaya. But the primary differences were
again the international situation. The Vietnam war, while largely
unpopular, was more <i>controversial</i>, where there existed a semblance of
geopolitical objectives to be met (the counteraction of communist
interests) and the war thus had international and global allies
supporting it. Iraq also occurred during a unique time period, where
the <span class="small-caps">us</span> was at its strongest position ever attained due to the collapse
of Soviet rule in Europe.
</p>


<figure>
<img src="./dithered-hormuz.png" alt="dithered-hormuz.png">

</figure>

<p>
That is why the situation in Iran is so interesting. It has all of the
semblance of a strong empire bullying weaker nations, but the empire
is sitting atop increasingly shaky foundations. Meanwhile no country
or major international actor is acting like that is the case, because
the consequences of such a fundamentally changed world order are
enormous. Europe, and the rest of the world, would be wise to prepare
for such an eventuality not in order to hasten its occurrence, but to
survive and thrive in its aftermath. ❦
</p>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This undoubtedly exists, although its exact characteristics are of
course free to debate.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
To achieve economic self-sufficiency.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Particularly in the Arab states of the Middle East, whose
reputation of the <span class="small-caps">us</span> hinges on its ability to defend, and deter, an
invasion or military action by the Islamic Republic.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
There is a reason that the American military uses the term
&ldquo;<i>near</i>-peer&rdquo; threat when referring to the <span class="small-caps">prc</span>.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
At least to the point that it is not worth the cost of a fiscal
confrontation with America. This is still a level of <i>acceptance</i>, even
if it is not one of <i>agreement</i>.
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
There are those who erroneously refer to this as the &ldquo;yuan&rdquo;, but
the yuan (元) is merely the unit of the renminbi. In fact, the
currency of the Republic of China (Taiwan) — the New Taiwan Dollar —
has the same romanized name of Yuan, although formally using a
different Chinese character (圓).
</p></div></div>

<div class="footdef"><sup><a id="fn.7" class="footnum" href="#fnr.7" role="doc-backlink">7</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
They are of course not actual pieces of paper but instead
government bonds. But in practice they act as a form of currency creation that is then transferred to other countries in exchange for goods.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[politics]]></category>
  <category><![CDATA[history]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/american-suez.html</link>
  <guid>https://joarvarndt.se/american-suez.html</guid>
  <pubDate>Sat, 19 Sep 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Security Studies for Individuals]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#nuclear-strategy-for-individuals">Nuclear Strategy for Individuals</a></li>
<li><a href="#bellum-omnium-contra-omnes">Bellum Omnium Contra Omnes</a></li>
<li><a href="#diplomacy"><i>Diplomacy</i></a></li>
</ul>
</div>
</nav>
<hr>

<p class="dcap">
Studying at the Swedish Defence University gives you an odd way of
thinking, where everything can be modelled through the lenses of
nuclear strategy, international relations (<span class="small-caps">ir</span>), and the tactics
employed in various contemporary and historical conflicts. These are
also not only subjects for the lecture hall and library, but for the
lunch room and nights out on the town. Such topics are of course
interesting for their own sake, but they also reveal something about
how to deal with conflict more broadly — as one force diametrically
opposed to the interests of the other.
</p>

<p>
Conflict is not only present in the high-stakes world of inter-state
warfare, but in every facet of life. Studying how conflict appears and
is resolved is therefore useful for dealing with all kinds of conflict
on a personal level. This is especially true for the more political
aspects of war. This is why Sun Tzu&rsquo;s <i>The Art of War</i> is so popular
(especially in business circles), war and conflict is always deeply
political and something that primarily exists in the social realm
between people.
</p>
<div id="outline-container-nuclear-strategy-for-individuals" class="outline-2">
<h2 id="nuclear-strategy-for-individuals">Nuclear Strategy for Individuals</h2>
<div class="outline-text-2" id="text-nuclear-strategy-for-individuals">
<p>
Nuclear strategy (<i>id est</i> strategies involving nuclear weapons) is in
many ways the perfect form of analysis for high-stakes conflicts that
are not easily solvable. Much nuclear strategy was developed during
the cold war; when neither the <span class="small-caps">usa</span> nor the <span class="small-caps">ussr</span> saw peaceful
coöperation between the two as a major option. At the same time they
realized that a direct conflict would doom humanity, and did their
best to avoid one. The same sort of ideas are useful when having to,
for example, coöperate with a colleague or classmate on a shared
assignment, where performance is more important than a generally
cordial relation.
</p>

<p>
There is nothing rational about nuclear strategy, but it is an attempt
to approach the matter with a somewhat rational lens. Conflicts
(frozen or hot ones) involving nuclear weapons are always matters of
perception and emotion just as much as they are matters of empirical
dangers and capacities. These are not opposing forces, but must be
used together to full fill your aims.
</p>

<p>
The most famous strategic concept is of course <span class="small-caps">mad</span> — Mutually Assured
Destruction. This is (literally) the nuclear option; the threat that
if your opponent acts, you will massively retaliate and leave the both
of you in a sorry state. Directly referencing <span class="small-caps">mad</span> is however not all
that useful, because the whole idea is to avoid crisis to begin
with. Instead you have to <i>deter</i> action by your opponent such that they
do not dare act to begin with. This is done through the &ldquo;Three C&rsquo;s&rdquo;:
</p>

<ol class="org-ol">
<li>Capability. The ability to actually carry out a threat, even if you
do not intend to. It is of course possible to &ldquo;bluff&rdquo; a capability
that you do not actually posses, but that will dampen your&hellip;</li>
<li>Credibility. How likely you are seen to carry through your threats,
and how likely you are to merely be bluffing.</li>
<li>Communication. Most important of all is of course communication. If
you do not say what you demand, and what you intend to do if those
demands are not met, there is no point in the previous two aspects.</li>
</ol>

<p>
The Three C&rsquo;s quickly rule out certain strategies: Telling your boss
&ldquo;if you don&rsquo;t give me 100000 Euro bonus I will burn down the building&rdquo;
is not a credible threat, even if communicated clearly and something
within your capabilities, because it is a clear overreaction and
moreover does not give either one of you much room to maneuver. If you
do not get your bonus you would have to burn down the building or else
lose all your future credibility (and you are probably not willing to
burn down the building). At the same time your boss is probably not
willing to give you a 1000000 Euro bonus and will likely be forced to
retaliate (by firing you).
</p>

<p>
What you need to do is to deliberately give your opponent an
<i>off-ramp</i>. This might seem counterintuitive — why help your opponent?
But it is intended to increase the likelihood of <i>any deal</i>, rather than
a very unlikely &ldquo;perfect&rdquo; one. You might instead ask for a more modest
sum and be armed (for Capability&rsquo;s sake) with a job offer from a rival
company. That way your boss has an ability to save face (&ldquo;it didn&rsquo;t
cost that much&rdquo; and &ldquo;they were going to leave!&rdquo;) instead of being
forced to fire you.
</p>

<p>
It is a paradox of nuclear warfighting that more nuclear weapons leads
to less destructive strategies. If you only have one nuclear weapon
you are most likely going to use it against a large, rich city (a
strategic target); if you have very many small bombs you instead
target military installations and fleets (tactical targets). In such a
situation the probability of using <i>any</i> nuclear weapons is of course
higher, but the corresponding destruction is also lower. These two
factors combined lead to a much more credible threat. For
interpersonal relations this means that conflict becomes <i>more</i> likely
the <i>lower</i> the stakes are, but that such conflict is much lower-level
that it would otherwise be — neither party has to escalate to <span class="small-caps">mad</span>
straight away. If you do not have a job offer in hand you will not be
as likely to ask for more money.
</p>
</div>
</div>
<div id="outline-container-bellum-omnium-contra-omnes" class="outline-2">
<h2 id="bellum-omnium-contra-omnes">Bellum Omnium Contra Omnes</h2>
<div class="outline-text-2" id="text-bellum-omnium-contra-omnes">
<p>
The aspects discussed above are not unique to nuclear strategy, they
are also ideas used in <a href="https://en.wikipedia.org/wiki/Deterrence_theory">deterrence theory</a> and game theory more
broadly,<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> but they were largely born out of nuclear war because of
the incredible stakes involved. But there are older aspects of warfare
that are all-too-commonly overlooked.
</p>

<p>
One of the most influential treaties on modern military thinking was
the Prussian general Carl von Clausewitz&rsquo;s<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> posthumously published
work <i>On War</i>. His most famous aphorism is of course that &ldquo;War is the
continuation of politics by other means&rdquo;, something that is — as we
have established — due to the social and interpersonal nature of
war. It is therefore that war is merely the final form of a conflict
or debate; one possible method by which to force your adversary to act
in the way that you wish. <i>On War</i> is a very political work, but its
most interesting comments are on how to carry out war itself. His most
succinct quote is thus:
</p>

<blockquote>
<p>
In war everything is simple, but everything simple is hard.
</p>
</blockquote>

<p>
This is the summary of his concept of <i>friction</i> — applicable to almost
all form of human organisation. For Clausewitz, this was the act of
merely moving armies from point A to point B. Doing so was (perhaps
predictably) much harder to do than merely giving an order. What
exactly will cause this friction is impossible to predict, but
managing it is what makes war difficult. This is well-worth
remembering when dealing with large groups of people; it is the
accumulation of small, individually surmountable problems that make
big things hard. This is true regardless of if the problem is waging a
continental-scale war, planning a party, or constructing
infrastructure.
</p>

<p>
Another major aspect of conflict is the <i>fog of war</i>, the chaos and
complexity of a conflict that makes it impossible to know exactly what
is happening as the battle is in its midst. This is naturally true of
other things as well — the gathering of intelligence to act upon is
the first and most critical step in managing any crisis or unforeseen
development. Recently there has been talk of this aspect
&ldquo;disappearing&rdquo;, particularly in the Russo-Ukrainian context, but this
is merely a shift in the fog from the tactical to the operational and
strategic levels.
</p>

<p>
This ties naturally into the last aspect, the fundamental <i>element of
chance</i> present in war. The outcome of a battle is always
unpracticable, and while you can change the odds to be in your favour
you will never know how an engagement will turn out. The Prussian
general <a href="https://en.wikipedia.org/wiki/Helmuth_von_Moltke_the_Elder">Moltke</a> therefore said the following:
</p>

<blockquote>
<p>
The tactical result of an engagement forms the base for new strategic
decisions because victory or defeat in a battle changes the situation
to such a degree that no human acumen is able to see beyond the first
battle. In this sense one should understand Napoleon&rsquo;s saying: &ldquo;I have
never had a plan of operations.&rdquo;  Therefore no plan of operations
extends with any certainty beyond the first contact with the main
hostile force.
</p>
</blockquote>

<p>
&ldquo;[A] plan of operations&rdquo; here means a plan on the level between the
strategic — the large-scale allocation of resources and ultimate
political objectives — and the tactical — the boots on the ground view
of how to win specific battles. You never know how a given battle or
confrontation will play out, and so planning is wasted on the
operational level.
</p>

<p>
To be clear, this does not mean that all planning is unnecessary. Both
the strategic level (what do you want to achieve?) and the tactical
(how do you increase the odds of a favourable outcome?) levels benefit
tremendously from planning. But keeping Moltke&rsquo;s (and Napoleon&rsquo;s)
words in minds means always including a level of flexibility in your
expectations. The enemy always gets a say in war, and because the
nature of war is inherently antagonistic you do not have any way to
influence your opponent other than acting yourself. For your actions
to actually matter you must put yourself out there and act (in a
philosophical sense) in a relation to the world.
</p>

<p>
It is very common to overlook this dialectical aspect of conflict. We
like to think that we are fully in control Even when we can foresee
hardship, we like to think that we are good at predicting <i>what</i>
hardship will come our way.<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup> This is true even when there is no
intelligent opponent (and merely Clausewitz&rsquo; friction) but is made
worse when our adversary is able to move against us. A classic example
would be how the French built the Maginot line along the Franco-German
border, leaving a weak point in the Ardennes that in hindsight the
Germans had to use.
</p>
</div>
</div>
<div id="outline-container-diplomacy" class="outline-2">
<h2 id="diplomacy"><i>Diplomacy</i></h2>
<div class="outline-text-2" id="text-diplomacy">
<p>
The board game <i>Diplomacy</i> is my favourite table-top game.<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup> Playing out
in an alternate pre-<span class="small-caps">ww1</span> world, each player controls one of the great
powers of Europe trying to take control over the continent for
themselves. There are no fixed alliances, and players all take their
turns at the same time — having to decide in advance whether or not to
coöperate (or betray one another).
</p>

<p>
It is a game that has some very interesting implications for computer
play, as negotiation and deception are integral aspects of
gameplay. There have been some very interesting projects, most notable
Meta&rsquo;s <i><a href="https://ai.meta.com/research/cicero/">Cicero</a></i> agent back in 2022. But particularly interesting is how
<i>Diplomacy</i> can never be a solved game. France is clearly the strongest
nation,<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> but will still easily lose if ganged up on. The true gameplay
is not on the board, but in the minds of your fellow players.
</p>

<p>
Playing <i>Diplomacy</i> is also a wonderful way to test yourself and
practice your persuasion as well as capacity for handling
setbacks. You will almost inevitably be betrayed in Diplomacy, and the
situation may very well seem hopeless when it finally happens. But it
is in situations like that where it is important to remember that
conflict is always social, and can be changed depending on how the
facts are framed.
</p>

<p>
Betrayals often beset betrayals (what <span class="small-caps">ir</span>-theory calls <i>bandwagoning</i>)
because a weakened opponent is easier to conquer. When this happens,
it is a true test of one&rsquo;s resolve. The hour may appear dark, and
initial projections likely show your imminent demise within a few
in-game years. This will also become the case if you merely play the
board; but success comes from recognizing how to shift the nature of
the board itself. In Diplomacy this comes from splitting enemy
alliances by appealing to the losing party of your invaders. Real life
is surprisingly similar — groups are always composed of parts with
clashing interests, and in many cases the inter-group dynamics are
much more powerful than any outside threat merely by function of
proximity.
</p>

<p>
I have seen players with only one supply center remaining<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup> claw
themselves back to becoming one of the more dominant countries on the
board. The only way to do this is through grit, determination, and the
help of others.
</p>

<p>
It is equally important to avoid losing the initiative when things are
in your favour as it is to avoid destruction when it is not. This may
be even harder to do than merely surviving, as the natural state is to
perceive a successful power as a threat in any zero-sum game. To do
this you have to continuously support an image of goodness to your
allies and a aura of invincibility to enemies. If either (or both!) of
these begin to crumble it leads to a cascading risk of betrayal and
collapse that culminates the bandwagoning situation described
above. Machiavelli describes this scenario quite well in <i>The Prince</i>:
</p>

<blockquote>
<p>
It is better to be loved rather than feared, or feared rather than
loved? It might perhaps be answered that we should wish to be both:
but since love and fear can hardly exist together, if we must choose
between them, it is far safer to be feared than loved.
</p>
</blockquote>

<p>
❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
<a href="https://en.wikipedia.org/wiki/Thomas_Schelling">Thomas Schelling</a>, a famous nuclear strategist, was also the
recipient of the Nobel Memorial prize in economics in 2005 &ldquo;for having
enhanced our understanding of conflict and cooperation through game
theory analysis&rdquo;.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Clausewitz is especially impactful in the European military
tradition; at West Point Clausewitz&rsquo;s Swizz contemporary Antoine-Henri
Jomini is more popular.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Think of trying to win an <a href="https://www.youtube.com/watch?v=OfxEvW3jihI">earlier argument</a> in the shower. You are
not only in a controlled environment (your imagination) and under no
stress, but you are also fully in control over how your opponent
responds. The element of chance in conflict eliminates this, and makes
responding quickly and elegantly in the moment equally as important as
responding correctly.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
For an introduction on how to play, see <i><a href="https://joarvarndt.se/beginner-diplomacy">A Beginner Guide to
Diplomacy</a></i>.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Demonstrated by having the highest win-rate in recorded games.
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Practically dead, only surviving through the mercy of stronger
nations.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[life]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/adversity.html</link>
  <guid>https://joarvarndt.se/adversity.html</guid>
  <pubDate>Tue, 28 Jul 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[The Trouble with Fusion: Nuclear Fusion Will Not Give Us Infinite Power]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle">Nuclear Fusion Will Not Give Us Infinite Power</h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#how-nuclear-power-works">How Nuclear Power Works</a></li>
<li><a href="#why-it-will-not-fail">Why It Will (Not) Fail</a></li>
<li><a href="#conclusion-or-rather-a-punchline">Conclusion, or Rather a Punchline</a></li>
</ul>
</div>
</nav>
<hr>

<p class="dcap">
Energy is perhaps the most important input of industrial society. Ever
since the taming of fire, mankind has in some sense dreamt of a
infinite source of fuel that could be used to drive all sorts of human
activities — from cooking, transport, the grinding of grain, to the
melting of ore. All these activities require an input in the form of
abstract <i>energy</i>, in each case represented in another form. Where to
best source this energy has however always been changing. First it was
most assuredly the human body itself (through the consumption of food)
but it soon extended to the use of natural forces such as the wind
(presumably through things like sailing) and the power of rivers and
the potential energy bound within. In the mid-twentieth century this
hope turned toward nuclear fission, the splitting of heavy
atoms. Nuclear power is today a fact of society — even if debate rages
on about its practicality or share of grid infrastructure. A long
sought answer to the problems of nuclear fission has been to instead
use nuclear <i>fusion</i>, that produces no radioactive waste and that needs
only as its original input water. But just as nuclear fission did not
give us cheap power nuclear fusion will not.
</p>


<figure>
<img src="./dithered-iter.png" alt="dithered-iter.png">

</figure>
<div id="outline-container-how-nuclear-power-works" class="outline-2">
<h2 id="how-nuclear-power-works">How Nuclear Power Works</h2>
<div class="outline-text-2" id="text-how-nuclear-power-works">
<p>
Nuclear fusion, just like nuclear fission, makes use of the strong
force to harness energy. As can be inferred from its name, the strong
force is incredibly powerful amongst the fundamental forces of the
universe; two orders of magnitude stronger than the electromagnetic
force that governs over chemical bonds. The difference between fusion
and fission is that while fission (and thus contemporary nuclear
power) splits unstable heavy isotopes<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> into smaller ones, fusion
takes isotopes of hydrogen (the lightest element) and merges them
together to create heavier helium. Both of these release energy in the
process, but fusion is considerably harder to succeed in.
</p>

<p>
Sometimes, when talking about <span class="small-caps">llm</span> alignment or the internet, people
will mention &ldquo;instructions for how to make a nuclear bomb&rdquo; as
something very arcane and secret. In fact, it is technically quite
easy — it simply requires a lot of resources.<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> Nuclear power (and
weapons) harness energy by concentrating a lot of fission-material in
a small space. The difficultly in doing this for weapons comes from
how to quickly concentrate this before the explosion rips the bomb
apart, and for nuclear <i>power</i> the difficultly is in controlling the
chain reaction — getting a usable amount of power without letting the
process spiral out of control.
</p>

<p>
For nuclear fusion, the process is reversed. Getting fusion to occur
at all is quite difficult, and even when you can make it happen it is
even harder to (i) create more energy<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup> than was used to create the
reaction and to (ii) extract that energy into some useful form. The
American <i>National Ignition Facility</i> is the only experiment that has
generated a net-positive amount of <i>energy</i> through fusion, and it did
so by firing <a href="https://www.nature.com/immersive/d41586-024-03745-z/index.html">192 laser beams</a> into a small pellet. How does one create
electricity from such a process? An alternative approach, <a href="https://en.wikipedia.org/wiki/Magnetic_confinement_fusion">magnetic
confinement</a>, simply heats a homogeneous mass of hydrogen plasma to
very high temperatures — insulating it from its surroundings by a very
strong magnetic field that keeps it floating in a vacuum. The very
high heat means that ions will strike each other randomly at very high
velocities, fusing together in the process.
</p>

<p>
The reason that the hydrogen atoms need to have a very high (relative)
velocity is so that they can overtake the initial resistance of the
electromagnetic force. Regular hydrogen is only composed of a single
proton, and since it is positively charged it will push away any other
positively charged hydrogen. Simple hydrogen atoms are also incredibly
hard to &ldquo;hit&rdquo; because of their very small size. Using larger elements
— like helium — makes the repelling electromagnetic force even larger,
so instead one uses an isotope of hydrogen that includes either one or
two neutrons, <i>deuterium</i> and <i>tritium</i> respectively. Deuterium is
naturally occurring in small amounts and can therefore be extracted
from plain water in a comparatively simple process, but tritium is
faintly radioactive and thus does not exist naturally on earth but is
only produced in nuclear reactions. Any fusion plant thus needs to
create its own tritium if it wants to be successful commercially.
</p>

<p>
One of the largest problems with contemporary nuclear power is the
(largely unanswered) question of nuclear waste. Of the 31 nations of
the world who posses nuclear power, only Finland has a complete
solution for long-term storage of waste. This is not a problem with
nuclear fusion. Fusion reactions create neutron flux that irradiates
materials, but those materials do not have the same intensities of
radiation as fissile (or formerly fissile) material. The direct
byproducts of fusion, largely helium-3 (an isotope of helium with one
neutron) is not radioactive and can be used in various industrial
applications or vented into the atmosphere.
</p>
</div>
</div>
<div id="outline-container-why-it-will-not-fail" class="outline-2">
<h2 id="why-it-will-not-fail">Why It Will (Not) Fail</h2>
<div class="outline-text-2" id="text-why-it-will-not-fail">
<p>
Fusion will not be built for a long time. There is an astounding and
impressive amount of work being done, much of it useful, but none of
it is even in the same league as a commercial power plant, not to
mention ballparks. As mentioned above, only a single facility has ever
reached a net-positive amount of energy production. Saying that you
will soon be building power plants is like keeping a campfire lit in
the rain using a flamethrower and then saying you are going to build a
coal power plant using your patented 24/7-flamethrower-method.
</p>

<p>
Even then, building futuristic has-yet-to-even-be-done-in-labs
reactors at commercial scale would not give us limitless energy. There
are many levels of break-even in fusion; the most simple one is of
course the question of raw energy, but much of that energy is in
hard-to-harvest forms like radiation of various kinds.<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup> Only the
amount of energy released as heat can be reasonably used to boil water
and drive a steam engine to create electricity. There are enormous
energy losses in this process — fission plants can only harvest a
third of the (thermal) energy produced, leaving ~66% as waste
heat. Beyond that a power plant needs to be able to produce as much
power as was used in the production of deuterium fuels, for the
extraction and transport of lithium-6,<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> the construction and
maintenance of the facility itself, and various utility process
related to all of the above.
</p>

<p>
<a href="https://www.chinatalk.media/p/chinas-fusion-believers">Shrinking the cost</a> of building fusion reactors is meaningless because
their operational costs are so large and their benefits non-existent
for power production (as of yet). The more you run a reactor, the more
energy is <i>lost</i> and the more money you have burned. It is like solving
our flamethrower-campfire by making the charcoal cheaper; it does not
solve the fundamental underlying problem with fusion power which is
that it does not produce energy. From the above article:
</p>

<blockquote>
<p>
Energy Singularity has some advantages. With their stronger magnets,
design experience, and domestic supply chain, they believe their
reactors will be the most cost-effective in the world. [&hellip;] Having
already built a first-in-class <span class="small-caps">hts</span> tokamak under budget and on time, I
trust their estimate.
</p>
</blockquote>

<p>
Lowering costs does not improve your cost-effectiveness if the costs
of your reactor are theoretically infinite. This is fine of course for
research and development, and is thus not useless, but I can easily
build a non-energy-producing fusion reactor myself for a far smaller
budget than <i>Energy Singularity</i>&rsquo;s.
</p>

<p>
But fear not, for we actually have a working form of limitless green
fusion power that can supply the world, is tried-and tested, and has
already been deployed at scale: its called renewables.
</p>


<figure>
<img src="./dithered-solar.png" alt="dithered-solar.png">

</figure>


<p>
The problem with energy production is not whether or not it is
feasible, but at what cost energy can be produced. Another huge source
of power would be if everyone constantly rode electricity-producing
bikes at home, but we have all collectively agreed (through the
market) that there are more beneficial uses of our time and
resources. If you were paid $100 for every hour you spent on such a
bike there would likely be a lot more people doing it — thankfully
there are better ways of producing large amounts of power cheaply. The
main cost of power plants is in their construction, maintenance, and
fuelling (if relevant) but for some reason that is conveniently
forgotten when talking about fusion.
</p>

<p>
All renewable power sources ultimately derive their power from the
largest and most efficient fusion reactor we are familiar with, the
sun. Even fission power, that can in rough terms be summarised as
</p>

<blockquote>
<p>
We found a rock that gets really hot no matter what, and if we put the
rock in water it starts to boil and gives us infinite power.
</p>
</blockquote>

<p>
is quite hard to do commercially because it requires expensive
machinery, safety equipment, and facilities on top of the cost of
obtaining this rock. That building a super-expensive plasma vessel
surrounded by superconducting magnets would be cheaper is absurd. By
contrast wind power has been profitable for centuries — powered by the
sun as wind currents are created through the uneven distribution of
sunlight across the planet.
</p>


<figure>
<img src="./dithered-windmills.png" alt="dithered-windmills.png">

</figure>
</div>
</div>
<div id="outline-container-conclusion-or-rather-a-punchline" class="outline-2">
<h2 id="conclusion-or-rather-a-punchline">Conclusion, or Rather a Punchline</h2>
<div class="outline-text-2" id="text-conclusion-or-rather-a-punchline">
<p>
This is not to say that fusion is &ldquo;doomed&rdquo; or will never succeed, it
is rather just that (i) it is really quite difficult to do as a way to
extract energy and thus will likely not happen soon and (ii) would not
magically be able to supply everyone with cheap power. Fusion has
always been a few-decades away because, while fusion itself is
entirely possible to do in a lab, it is difficult to use as an energy
source. It did not take all that much effort to go from nuclear
weapons to nuclear power (1945–1951) but we have now had fusion bombs
for <a href="https://en.wikipedia.org/wiki/Greenhouse_George">75 years</a> and have yet to produce electricity from it. That the
physics allow for the possibility means that it is hard to comprehend
how nobody has just &ldquo;done it&rdquo; yet, but so far it has escaped the
clutches of the world&rsquo;s most talented engineers for three quarters of
a century. Lewis Strauss said in 1954 that
</p>

<blockquote>
<p>
It is not too much to expect that our children will enjoy in their
homes electrical energy too cheap to meter[.]
</p>
</blockquote>

<p>
This is the same sort of language used to describe a future of fusion
power. It did not come to pass. Electricity seems to be one of the
worst offenders for <a href="https://en.wikipedia.org/wiki/Jevons_paradox">Jevons&rsquo; paradox</a> — it was in fact the production of
coal for energy that Jevons originally refereed to. Instead of
thinking of a future technology that will swoop in and solve all of
our problems with energy (cost, environmental impact, <i>et cetera</i>) we
should focus on the solutions that are available <i>today</i>. The world&rsquo;s
energy system needs reform; it needs to be more integrated, cleaner,
and in many ways larger as well. But most of all further developments
need to be made in &ldquo;the fifth fuel&rdquo;, namely <i>efficiency</i>.
</p>

<p>
Even when fusion power inevitably<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup> becomes a reality, it will likely
fulfil a similar niche as fission plants — used by advanced high-tech
economies to provide stable base-load power and reduce dependence on
energy imports. It will not solve the world&rsquo;s problems
overnight. Nuclear power plants famously take quite a long time to
build, and a delicate high-tech machine like a fusion reactor is no
different. Once commercial power becomes possible it will thus take
many years, perhaps as long as a decade, to get up to speed in
large-scale integration with the grid. Don&rsquo;t hold your breath. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Chemistry/physics-speak for &ldquo;versions of elements&rdquo;.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
And building delivery systems for a nuclear weapon is even harder;
The United States spent more money on the design and construction of
the <span class="small-caps">b-29</span> Superfortress bomber aircraft that ultimately bombed
Hiroshima and Nagasaki than it did on the Manhattan project.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Energy in the strict thermodynamic sense. 
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Like the aforementioned neutron flux, but also X-rays and
gamma-rays.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
An isotope of lithium that is needed for the production of
tritium.
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I say inevitably because it seems like there is steady progress
being made and of course no hard barriers to seeing it solved. Whether
or not it ever becomes a significant share of global power production
is however a different question.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[technology]]></category>
  <category><![CDATA[politics]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/fusion.html</link>
  <guid>https://joarvarndt.se/fusion.html</guid>
  <pubDate>Tue, 31 Mar 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Trust: Or the Liberating Fear of Betrayal]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle">Or the Liberating Fear of Betrayal</h2>
<div id="outline-container-what-is-trust" class="outline-2">
<h2 id="what-is-trust">What is trust?</h2>
<div class="outline-text-2" id="text-what-is-trust">
<p class="dcap">
Choosing to trust is a decision that is much ridiculed today. It is in
many cases easy to see with the benefit of hindsight that it was
foolish to trust someone, but doing so in advance is of course much
harder. In general we are moving in the direction of trusting less and
less; exposure to betrayal is simply too high a price to pay. The
consequences of this ripply out across society with tremendous impact.
</p>

<p>
There are many ways to trust, but often what we trust is a person. In
many cases that person is hidden from us, represented through the
<a href="https://joarvarndt.se/state">state</a> or a firm.<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> Perhaps in an even greater number of cases
(although the internet is making this less and less the case) we are
actually trusting people directly when we believe we are trusting
those abstract entities — in such simple things as the grocery store
employee not being sick when handling our food or the clerk in
delivering our paperwork.
</p>

<p>
I have recently found myself repeatedly enmeshed in discussions about
identity and trust, often (but not exclusively) in technical forms. In
this case obtaining trust is the method of making sure that the
individual is who they say they are. This can be done in numerous ways
like passwords,<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> access to physical items (like keys, <span class="small-caps">sim</span> cards, or
an airgapped machine), and through a combination of the above (access
to a cryptographic private key). But trust really operates on a deeper
level. The point of authentication is to make sure the person carrying
out an action is the one you trust, but it does not build that trust
to begin with.
</p>

<p>
Technological development has led to a general decline in trust. Think
of the telephone; it has generally meant a detachment from the
immediate present, making us more inclined to &ldquo;check up&rdquo; on the
activities of others. The portable (or cell) phone exacerbated this
feeling and made it possible to reach another person practically at
all times. It is a feeling that people of my generation now has had as
our entire lived experience.
</p>

<p>
Today&rsquo;s children do not have the same freedoms that previous
generations did. Growing up I was still free to roam around the
neighbourhood and visiting friends without anybody knowing our exact
coördinates or activities. I got my first phone originally because my
parents wanted some way for me to call them for help when i first
started walking to and from school alone. This is quite a reasonable
use of it, and it does not impose on <i>my</i> freedom if I am the only one
initiating a communication.<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>
</p>

<p>
But the existence of a phone has more consequences, a child with a
smartphone becomes digitized and able to operated on through the
connective web. Them being able to call <i>you</i> inevitably means you being
able to call <i>them</i>, and that makes you aware of this constant ability
to &ldquo;check up&rdquo; on what they are doing. Apple&rsquo;s <i>Find my iphone</i> became
simply <i>Find</i> once it became clear that people were using it (or similar
services) to track loved ones — to constantly &ldquo;check up&rdquo; on how they
are doing instead of simply trusting their own agency.
</p>

<p>
Many people&rsquo;s anxiety and loneliness stems from a fundamental lack of
trust — in others, in themselves, and in other&rsquo;s trust in them. Not
being able to securely expect that the people surrounding you will be
there when you most need it means a world where one has to manage
entirety alone; a <i>bellum omnium contra omnes</i>. Managing to survive (and
thrive!) in such an environment is naturally a challenge, and one that
we humans are not made to deal with as tribal creatures.
</p>

<p>
It is then not strange that we, as non-trusting individuals, choose to
reinforce this tradition by building structures that remove the need
for trust. I have chosen to reject this. This is surprisingly
difficult, it is not natural to trust someone who does not trust you
in return. It leaves you vulnerable to betrayal, and thus is really
only something that is possible to do if you are secure in your
position and confident in yourself. But choosing to unilaterally trust
is a requirement for building a generally trusting society.
</p>

<p>
In numerous developed countries, and at least in the Nordic ones,
self-checkout machines are becoming increasingly common. I have no
doubt that the reason for this is rooted in the ever-increasing
extension of the division of labour (particularly through the
employment of capital), but it has had tremendous ramifications for
trust. It is now possible to maintain one&rsquo;s existence in one of
humanity&rsquo;s most dense concentration — namely <i>the city</i> — without coming
into contact with another person. You can work remotely, or as a lone
delivery driver picking up enigmatic packages and delivering them to
doorsteps, and then get all your basic needs delivered or
machine-scanned yourself. But equally it has made the employees that
are left behind increasingly paranoid and strained.
</p>

<p>
It is my understanding that there has occurred significant increase in
theft following the implementation of these machines. This has led to
workers confronting people who look young (to maintain haphazard age
restrictions on self-service) or for people who bring bags into the
store (who do so in order to carry home the food or items they buy).
The age restrictions are particularly troublesome; alcohol, tobacco,
and cinemas have age restrictions in order to help protect children
for their own sake, but denying them the simple freedom of being able
to skip a long line is a small erosion of democracy.
</p>
</div>
</div>
<div id="outline-container-political-ramifications" class="outline-2">
<h2 id="political-ramifications">Political ramifications</h2>
<div class="outline-text-2" id="text-political-ramifications">
<p>
Still, age restrictions on self-service machines does not spell the
end of liberal democracy. It is however a sign of how our current
state no longer trusts its own citizens. If we can not trust people to
buy all the things they take off the shelf in the grocery store how
can we trust them to pick the right future of our nation and state in
elections?
</p>

<p>
Similarly the expansion of closed-circuit television (<span class="small-caps">cctv</span>) and other
forms of mass video surveillance is also a form of a negative spiral,
where a decreased level of trust leads to more cameras, that in turn
leads to a further erosion. Fear over crime can only be solved in the
long term by a reduction in <i>fear</i> (for crime can never be entirely
eliminated) but this can not be attained if the level of trust in
society remains low.
</p>

<p>
There are few democratic nations in the world today that
have a civil and collected political environment — strict polarisation
has become the norm. Political extremism and division is not the fault
of any one political system. It can not be fixed merely in The United
States, France, Austria, or Japan. It is a flaw with the overarching
system that all of these nations share.
</p>

<p>
Party membership has seen a long decline across the world, and yet
people are in many ways more intensely politically engaged<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup> than
ever before. I find it hard not to interpret this as anything other
than an dissatisfaction with the system of participation. It is not a
mere mechanical system, but also one that is social in nature — it is
a question of feelings and of relations between individuals and
groups.
</p>

<p>
Solving this is thus not a technical question; it can fundamentally
not be solved through the use of statistics or models. Instead we must
tackle it head on, in the grit of intellectual hand-to-hand combat. It
must be dealt with personally and intimately. Jesus said &ldquo;Love your
neighbour as yourself&rdquo;,<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> and it is thus. Love should be given out
unilaterally and unconditionally, with nothing expected in return. The
chief requirement for this is <i>trust</i>, and as long as you put your trust
in others you will be continuously surprised by how much your
investment will pay off.
</p>

<p>
This lays the basis for a radical new democracy. Radical in the
etymological sense of the word — stemming from Latin&rsquo;s <i>radicalis</i>
meaning &ldquo;root&rdquo;. Democracy has always been personal, just as all
politics is personal in that it is acted on through people. Our
abstractions and &ldquo;political systems&rdquo; always have their foundation in
that personal level, of a politics that is done between four eyes. A
truly democratic political system always derives its power from the
people, and can always be changed by the people if it does not serve
their purpose.
</p>

<p>
Sweden is quite a high-trust society — it is a fact commonly quoted by
politicians and academics alike. But even then this trust is not
something that we can take for granted. It must be nurtured and
safeguarded. Were we to give, for example, the police (an institution
in which there is quite high social trust) unwarranted powers it would
inevitably lead to more serious mistakes; &ldquo;power corrupts&rdquo;. By then
that trust in that institution will be gone, and the societal benefits
that come with it as well. For similar reasons it is problematic when
politicians like <a href="https://en.wikipedia.org/wiki/Ebba_Busch">Ebba Busch</a> are disingenuous in debates — not because
of the contents of their statements but because it erodes trust in the
democratic process and creates feelings like &ldquo;well, politicians always
lie&rdquo; when it does not have to be that way.
</p>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
Trusting others does not need to be foolish — you do not need to be a
doormat — but the general baseline in our society can and should be
raised. In general it means giving people the benefit of the doubt, of
not asking needlessly inquisitive questions and giving people the
space and agency they need to accomplish tasks and/or maintain
themselves.
</p>

<p>
I have (unfortunately for environmental reasons) been spending a lot
of time at airports recently. The airport functions as a good example
of a trusting public space. People are free to browse and pick food in
little open stores without being constantly watched through cameras or
corner mirrors, and in a world otherwise filled with <a href="https://en.wikipedia.org/wiki/Hostile_architecture">hostile
architecture</a> are free to sleep on the ample seating available. As long
as you have been &ldquo;vetted&rdquo; to enter the sacred space of the airport you
are automatically assumed to be good, to follow the rules, and to be
<i>trustworthy</i>. This is even more true for the <i>Lounge</i>, whose reputation
and storytelling is based on only the most respectable having access
to this inner chamber.
</p>

<p>
This does not have to remain a exclusive privilege of those fortunate
enough to frequently visit the oases of trust on the outskirts of
major cities. It can be a fundamental value to build our societies
through. And it starts with you. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The synonymous word <i>corporation</i> refers to the embodying of this
abstract being (through the Latin <i>Corpus</i>, body). But the corporation
does not exist physically, it can only leave its mark on the world by
its actions through individual people and agents.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Or &ldquo;security questions&rdquo;. Both are ways to test hidden knowledge
based on the inability to extract data directly out of the human mind.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Keep in mind that me calling does infringe on the recipients
freedom — I force them to drop what they are doing in order to
communicate with me.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Not to mention empowered! The internet has dramatically increased
the political power of those who choose to wield it, as was most
clearly and famously shown in the <a href="https://en.wikipedia.org/wiki/Arab_Spring">Arab Spring</a> but also by more recent
phenomenons/individuals like <a href="https://en.wikipedia.org/wiki/Charlie_Kirk">Charlie Kirk</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Or if you prefer the enlightenment version of the same sentiment:
</p>

<blockquote>
<p>
&ldquo;Act only according to that maxim whereby you can at the same time
will that it should become a universal law&rdquo;.
</p>
</blockquote>

<p class="footpara">
The greatest contribution of Kant&rsquo;s moral philosophy is the
rationalisation of christian morals, and so they are in many ways
analogous to each other.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[life]]></category>
  <category><![CDATA[culture]]></category>
  <category><![CDATA[politics]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/trust.html</link>
  <guid>https://joarvarndt.se/trust.html</guid>
  <pubDate>Mon, 23 Mar 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Russia is Not a Great Power]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<hr>

<p class="dcap">
Russia is not a great power. It is in no way a contender for the
title, and treating it as one of the &ldquo;power brokers&rdquo; of the world
benefits no one except the autocratic regime that hinges its
legitimacy on it but that has simultaneously suppressed the abilities
of the Russian people to attain such a status.
</p>

<p>
One of my favourite comments on the geostrategic environment of the
world (and that I often find myself repeating) is by Sun Liping (孙立平),
a former sociology professor at Tsinghua University. Sun is a generally liberal Chinese thinker with a considerable Wechat following, and in
<a href="https://www.readingthechinadream.com/sun-liping-russia-ukraine-and-the-big-picture.html">a post</a> critiquing the Russian invasion of Ukraine writes:<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>
</p>

<blockquote>
<p>
the United States will not take as its number one adversary a country
whose economic power is merely equal to that of the province of
Guangdong.
</p>
</blockquote>

<p>
This is worth taking into perspective. The size of the American
economy (indisputably a great power)<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> can only be matched by that of
the People&rsquo;s Republic of China (<span class="small-caps">prc</span>) and, if one is so inclined, by
the collective economies of the European Union. Russia is not even
comparable in its share of the global economy. There are two main
arguments for the inclusion of Russia in the great power &ldquo;club&rdquo;:
</p>

<ol class="org-ol">
<li>Its status as a major nuclear power and general military might.</li>
<li>Its position on the United Nations Security Council (<span class="small-caps">unsc</span>)</li>
</ol>

<p>
Let us tackle these things in order. The Russian Federation possesses
more nuclear devices than any other country in the world. While this
does make them a formidable foe in the nuclear arena the raw numbers
masks the strategic balance between the <span class="small-caps">us</span> and Russia. The United
States does not need to have as many devices as the Russians do
because the American arsenal is more advanced — you do not need as
many bombs if you can count on those bombs getting through and hitting
their correct target.<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>
</p>

<p>
Even then nuclear weapons are losing their relevance in (or in some
sense have never been part of) determining a state&rsquo;s great power
status. The Soviet Union never had a clear lead in the nuclear arms
race. Instead the logic of the cold war was based on a clear and
enormous conventional superiority by the communist block in Europe,<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>
one that necessitated the existence of an American nuclear guarantee.
</p>

<p>
Even then, I recently <a href="https://joarvarndt.se/economic-security">pointed out</a> nuclear weapons have made the quick
and immediate conquest of another nuclear state impossible. Instead
conflict has shifted toward the field of economic warfare, and when
direct interstate wars occur it has clearly become a question of
attrition and economic might — as shown by the conflict in Ukraine and
even in some sense even the 2026 war in Iran. This is not all that
surprising, it follows the trend line set by the two world wars. That
Russia has not been successful in vanquishing a much smaller country
(namely Ukraine) — taking longer than it took the Soviets to defeat a
hugely militarized and far larger <i>Germany</i> — is perhaps the clearest
example of Russia&rsquo;s lack of ability to project even hard power.
</p>

<p>
One of the explanations for Russia&rsquo;s invasion is that it is only
natural for a great power to want to involve itself within its &ldquo;sphere
of influence&rdquo;. But one of the clearest lessons from the war is that
Russia <i>is not</i> able to project itself within this sphere. It is at most
a regional power, capable of influencing if not shaping its
neighbours&rsquo; fortunes. Just as Israel is not a great power, despite
both intervening in its region and possessing nuclear weapons, Russia
is not one. Russia is instead more comparable to Pakistan, an unstable
but problematic autocracy with nuclear weapons but a comparably small
economy — only Pakistan has 65% more people than Russia.
</p>

<p>
What is Russia&rsquo;s sphere of influence even supposed to be? The
invasions of Georgia and Crimea have caused their respective countries
to turn against Russia by removing significant pro-Russian voices.
Russia did not even attempt to help its ally Armenia in the
Azerbaijani <a href="https://en.wikipedia.org/wiki/2023_Azerbaijani_offensive_in_Nagorno-Karabakh">conquest of Nagorno-Karabakh</a>. In central Asia Kazakhstan
has sent aid to Ukraine, and in Eastern Europe Russia has no way to
reach Moldova and Finland and Sweden have both become <span class="small-caps">nato</span> members. It
was forced to abandon its close ally in the Middle East when the Assad
regime needed help more than ever; imagine if the United States had
abandoned Israel completely in 1967 or 1973 just because it was busy
with the Vietnam war — it is a sign of a great power that it can
involve itself (directly or indirectly) in conflicts across the globe.
</p>

<p>
Russia&rsquo;s stalled war against an Atlantic-supported Ukraine shows how
Eastern Europe is not in the Russian sphere, but in the European one —
and the Europeans do not even recognize concept of spheres of
influence! Europe is however not a coherent force. It is really a
mistake to compare the European Union&rsquo;s collective resources with
those of what is a single, coherent (if federal) state. But Europe&rsquo;s
resources and power is so much greater than that of Russia that even a
flawed, overly bureaucratic form of coöperation outpaces it
considerably. To paraphrase Sun Liping&rsquo;s excellent observation;
&ldquo;Europe will not take as its number one adversary a country whose
economic power is merely equal to that of four German states&rdquo;.<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup>
Every other German state, and every other <i>country</i> contributes a
superiority over Russia. The Russian economy lies somewhere between
Spain and Italy in size, two European economies that have historically
not seen the greatest of growth.
</p>

<p>
&ldquo;But&rdquo;, you may ask, &ldquo;is it not the size of one&rsquo;s economy when adjusted
for purchasing power-parity (<span class="small-caps">ppp</span>) that matters for war production?&rdquo;
This is a fair argument. Russia is a much poorer country than any
other <span class="small-caps">eu</span> country in nominal <span class="small-caps">gdp</span>/capita terms<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup> and can thus afford to
buy more goods and services within its borders for the same amount of
currency. Even then Europe is dominant — one must merely add a Belgium
or Romania to the German <span class="small-caps">gdp</span> (<span class="small-caps">ppp</span>) to overtake Russia. But having a
high nominal <span class="small-caps">gdp</span> is still more useful; economies today are not
entirely autarchic, not even when it comes to war materiel. Being able
splurge on things from international producers and sources gives a
very clear advantage, and Russia itself has had to trade extensively
for drones and artillery munitions.
</p>

<p>
Returning to the second of the two core arguments there remains the
question of the <span class="small-caps">unsc</span>. First there are two main critiques that should
not be disregarded — the realist take that the United Nations (<span class="small-caps">un</span>) as
a whole is useless and a sham, and the more recent one that posits
that the <span class="small-caps">un</span> is <i>now</i> broken as a result of the actions of the
contemporary American administration.<sup><a id="fnr.7" class="footref" href="#fn.7" role="doc-backlink">7</a></sup> Both of these cases would
mean that the Russian seat at the <span class="small-caps">unsc</span> would already be useless, and
so does not convey any real meaning over its status in the
international system. It is therefore only interesting to examine the
scenario in which the <span class="small-caps">un</span> and <span class="small-caps">unsc</span> <i>are working</i> and <i>are still relevant</i>,
only that they are very conservative instruments.
</p>

<p>
The core problem with the permanent Russian seat is specifically its
permanency. Since <span class="small-caps">ww2</span> only one country can really be said to have
<i>earned</i> its seat at the table: the <span class="small-caps">prc</span> (after supplanting the Republic
of China <a href="https://en.wikipedia.org/wiki/United_Nations_General_Assembly_Resolution_2758_(XXVI)">in 1971</a>). After the second world war it was of course a given
that the Soviet Union, as one of the two foremost victors of that war,
would be considered as one of the reigning great powers. But the
Russian Federation is not the Soviet Union. It is far smaller; both in
population and area; has a considerably less powerful military, and
has lost its international empire. But most important of all — it is
not a continuation of the Soviet Union itself.
</p>

<p>
The second sentence of <a href="https://treaties.un.org/doc/Publication/UNTS/No%20Volume/Part/un_charter.pdf">Article 23</a> of the United Nations Charter
clearly states:<sup><a id="fnr.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>
</p>

<blockquote>
<p>
The Republic of China, France, <i>the Union of Soviet Socialist
Republics</i>, the United Kingdom of Great Britain and Northern Ireland,
and the United States of America shall be permanent members of the
Security Council.
</p>
</blockquote>

<p>
It is important to note that this is the <i>current</i> version of the
charter, and that is has not been amended. Countries are of course
allowed to change their names and political systems — as we already
established it is now the <span class="small-caps">prc</span> and not the <span class="small-caps">roc</span> who represents the
Chinese seat — but the Russian Federation has itself explicitly
renounced that it is a direct successor to the Soviet Union, it is
merely the largest of its remnants who has taken on its
responsibilities. Instead Russia effectively seceded from the Union
when <a href="https://en.wikipedia.org/wiki/Belovezha_Accords">forcibly dissovled it</a>.
</p>

<p>
In legal terms the <span class="small-caps">ussr</span> was precisely a union of <i>sovereign</i> republics
who could legally leave the union at any time — as they ended up
doing. If the members of the <span class="small-caps">eu</span> (another <i>union</i> of sovereign nations)
chose to dissolve it, would Germany become the legal successor state?
Would Belgium? What would it even mean to be the successor to a
supranational organisation? The reason for this confusion is that such
a question does not make sense in the first place; no country would
take the <span class="small-caps">eu</span>&rsquo;s place at the <span class="small-caps">g7</span> or <span class="small-caps">un</span> because it would simply cease to
exist as a legal entity. The same should be the case for the Soviet
Union.
</p>

<p>
In the end it is a matter of international law, and like all laws that
are not practically enforced it is up to us citizens (or in this case
states) to ourselves choose how to interpret it individually. The
Russian Federation is not, and has never been, a great power. The
Soviet Union was. It is therefore prudent (if radical) to make use of
this legal quirk to remove Russia from its fraudulent seat. The
Russian veto does not exist, and states should follow the directives
of the security council even if blocked by Russia.
</p>

<p>
The benefits of being considered a &ldquo;great power&rdquo; are even more vague
than the criteria for being one. But if there is one country that we
would prefer not to grant that benefit it is the Russian Federation,
so if you would stop treating Russia like that, that would <a href="https://joarvarndt.se/russia-great.jpg">would be
great</a>. ❦
</p>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Translation from the original Chinese to English by <a href="https://en.wikipedia.org/wiki/David_Ownby">David Ownby</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This is so much the case that there is considerable discussion
still on whether America remains <i>the only</i> great power, perhaps put
most succinctly by <a href="https://www.foreignaffairs.com/united-states/china-multipolarity-myth">Brooks and Wohlforth</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
It is also this logic that governs how you do not need to build
more nuclear weapons to improve your strategic leverage, you can
instead improve, refurbish, or otherwise <a href="https://media.defense.gov/2023/Oct/25/2003327716/-1/-1/0/AFNWC%20NUCLEAR%20MOD-TRIFOLD-4MAY23.PDF">modernize</a> your arsenal.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
It is sometimes said here in Sweden (although I am writing this
from Berlin) that we are currently in the worst geopolitical
environment since the second world war. But this is not true; during
the cold war the Soviet Union was composed of 15 republics, controlled
a majority of the (non-neutral) coastline of the Baltic, Black and
Caspian seas, had a network of allied nations across Europe, and had a
large conventional superiority that practically guaranteed its victory
in any non-nuclear war on the continent. Not one of those things is
true today — in most cases the situation is reversed.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Namely those of Bavaria, North Rhine-Westphalia,
Baden-Württemberg, and to round it off the small Stadtstaat of Berlin.
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
In 2025 the Russian <span class="small-caps">gdp</span> per capita was 17446 <span class="small-caps">usd</span>, and the <span class="small-caps">eu</span>
country with the lowest <span class="small-caps">gdp</span> per capita (Bulgaria) had a value
of 20426. Bulgarians are in this way 17% more productive than
Russians, and that is without discounting the huge boost in <span class="small-caps">gdp</span>
figures that Russia gets from its large oil industry.
</p></div></div>

<div class="footdef"><sup><a id="fn.7" class="footnum" href="#fnr.7" role="doc-backlink">7</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
What is also sometimes mentioned is the rise of the <span class="small-caps">prc</span>, who does
not have much respect for international law of the &ldquo;liberal
rules-based international order&rdquo;. This rise is said to have resulted
in a relative decline in American power within these international
institutions that it helped build after the second world war.
</p></div></div>

<div class="footdef"><sup><a id="fn.8" class="footnum" href="#fnr.8" role="doc-backlink">8</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Emphasis mine.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[politics]]></category>
  <category><![CDATA[oil]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/russia.html</link>
  <guid>https://joarvarndt.se/russia.html</guid>
  <pubDate>Sat, 21 Mar 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Three Thoughts On Crypto and NFTs]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<p class="dcap">
Writing this in 2026 <span class="small-caps">ad</span> (234 AdR), crypto is solidly in a &ldquo;winter&rdquo;. As
valuations have fallen, so has the intensity of the debate surrounding
the topic. I therefore feel it apt to use this opportunity to briefly
write down my thoughts and opinions regarding this otherwise
contentious topic.
</p>

<p>
First of all I should make clear that I do have a (small) financial
interest in the success of crypto broadly – in that I own a collection
of various cryptocurrencies today valued at maybe a a couple thousand
Euro. I most significantly made a good chunk of money when I bought
€20 worth of Dogecoin in late 2019 as a stupid 14 year old who
remembered that &ldquo;hey, didn&rsquo;t this currency buy a race car at some
point? How crazy is that&rdquo; and thought that I could afford to lose some
money and get a good laugh out of it. That brings me to my first point:
</p>
<div id="outline-container-1-all-memecoins-are-scams" class="outline-2">
<h2 id="1-all-memecoins-are-scams">1. All memecoins are scams</h2>
<div class="outline-text-2" id="text-1-all-memecoins-are-scams">
<p>
This is something that should be established straight away. It might
seem strange to say after having randomly gained quite a bit of money
(for 14 year old) on perhaps the largest memecoin of all time (unless
you consider Bitcoin a memecoin). But it really is clear to those who
are either familiar with crypto and to those outsiders who know very
little. The only group of people arguing against this fact are either
scammers themselves or their victims who have been tricked into hoping
they can &ldquo;make it&rdquo;. That most (in absolute number) cryptocurrencies
are scams is problematic for the success of major currencies, but it
is also a necessary consequence of the ease of creating new
currencies, but it is at the same time not a characteristic unique to
memecoins.
</p>

<p>
Creating a temporarily elevated value for something only to rugpull
those who fell for it can be done with any commodity – ranging from
meme <i>stocks</i> (like those of <a href="https://finance.yahoo.com/quote/AMC/"><span class="small-caps">amc</span></a> and <a href="https://finance.yahoo.com/quote/GME/">Gamestop</a>), to <a href="https://arstechnica.com/tech-policy/2024/04/elon-musk-loses-at-supreme-court-in-case-over-funding-secured-tweets/">legitimate stocks</a>,
and of course even <a href="https://en.wikipedia.org/wiki/Tulip_mania">Tulips</a> in the 17th century Dutch republic – But
memecoins are very potent in this regard. Their largely unregulated
(as opposed to stocks) and entirely digital nature (as opposed to
physical goods) means that they can spread incredibly quickly to
otherwise isolated buyers, and they can be created and abandoned
incredibly quickly.
</p>
</div>
</div>
<div id="outline-container-2-crypto-and-nfts-are-boring" class="outline-2">
<h2 id="2-crypto-and-nfts-are-boring">2. Crypto and <span class="small-caps">nft</span>s are Boring</h2>
<div class="outline-text-2" id="text-2-crypto-and-nfts-are-boring">
<p>
Cryptocurrencies are an incredibly dull topic; a combination of
cryptographic has functions and distributed databases that allow for
decentralised and trustless transactions. Does this sound like a topic
to bring up at a party? Just like how I do not talk about my love of
<code>https</code> or of <a href="https://letsencrypt.org/">Let&rsquo;s Encrypt</a> when going on a date, and likewise I do not
talk about cryptocurrencies.
</p>

<p>
The goal of cryptocurrencies in my view is to act as a form of payment
that is native to the digital, interconnected world we all live
in. Digital Dollars/Euros/Crowns are of course useful, but they are
fundamentally ill-fitting and primarily very centralised. When sending
to someone (a store, a friend, should it even matter?) you go through
a multitude of service companies like stripe, visa, your respective
banks, <a href="https://www.swift.com/">Swift</a> <i>et cetera</i> all to simply send money from A to B. Bitcoin
(and even Monero) is comparatively simple and transparent. That is
generally a good thing since it is a necessity for allowing trustless
transactions. But it is not <i>revolutionary</i>. Crypto will not &ldquo;change the
world&rdquo;, it will be a back-end infrastructure change that a few
companies will do better than preëxisting ones and thus perhaps gain
market share.
</p>

<p>
<span class="small-caps">nft</span>s (Non-fungible tokens) are also dreadfully boring in a good
way. Today proving ownership of something requires a <i>physical piece of
paper</i> in more occasions than you&rsquo;d think. High-end artwork, real
estate, and land are all incredibly valuable, and if that piece of
paper is missing or destroyed<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> that is a very large problem for the
owners. How does one prove ownership then? By getting everyone else to
agree that you are the legitimate owner of that thing. Having everyone
store a copy of that very important paper collectively is practically
what an <span class="small-caps">nft</span> is. It is not some form of digital artwork or
transformational thing. It is therefore ridiculous to say that one can
&ldquo;steal&rdquo; and <span class="small-caps">nft</span> by saving an image; the image is not the token!
Instead the <span class="small-caps">nft</span> is merely a short contract (maybe)<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> pointing to an
<span class="small-caps">url</span> and saying that whoever owns the token is the owner of the
contract.
</p>
</div>
</div>
<div id="outline-container-3-community-does-not-matter" class="outline-2">
<h2 id="3-community-does-not-matter">3. Community does not matter</h2>
<div class="outline-text-2" id="text-3-community-does-not-matter">
<p>
I generally recoil at the mention of &ldquo;community&rdquo; more generally
because my personality is fiercely individualist, but this ties into
the above point. Creating a community around digital currencies or
authentication systems is absurd. As we have established it is
generally not interesting to talk about them, except as to the details
of their specific implementation. Reading about the crypto community
evokes similar feelings as &ldquo;communities&rdquo; that build up around certain
<a href="https://www.gnu.org/philosophy/free-sw.html">free software</a> projects (that have their own Discord server, with
in-project social hierarchies <i>et cetera</i>). This is more a symptom of
our increasingly fractured, isolated, and lonely society where
desperate people look for friendship and warmth when there really
should not exist any such community. The <a href="https://curl.se/"><code>curl</code></a> project is perhaps one
of the most important libraries making up the modern internet – on its
website it is stated that &ldquo;curl is used daily by virtually every
Internet-using human on the globe&rdquo; – and it is developed by thousands
of contributors (although the founder, <a href="https://daniel.haxx.se/">Daniel Stenberg</a>, has by far the
most commits). There exists no <code>curl</code> community, because even though the
project is very interesting and impressive it is merely meant to
fulfil a task of transferring data between computers in various ways.
</p>

<p>
Similarity you are not a member of the crypto community if you are not
involved in the implementation and development of crypto itself or
crypto-adjacent systems – as a free-software developer, proprietary
developer, employee at a bank or anything similar. Investing large
amounts of money may give you clout amongst those who perform actual
work, but it will not itself make <i>you</i> interesting — except from the
perspective of being a source of capital for interesting work. Being a
small-time retail investor does not even grant you those advantages;
you are neither pushing development forward nor funding that
development. Being some kind of &ldquo;crypto&rdquo;-philosopher or hype man is a
fruitless effort since, as mentioned earlier, crypto is innately
boring.
</p>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
These three things are largely the source of all problems regarding
crypto and <span class="small-caps">nft</span> discourse. What makes it so exhausting to read or
listen to is that there are two primary camps; &ldquo;haters&rdquo; who know so
little about crypto that they are not even worth listening to, and
those who are blinded by greed, loneliness, or both and see (or at
least speak of) crypto as either some sort of &ldquo;people&rsquo;s revolution&rdquo; or
a guaranteed way to make 100x returns on your &ldquo;investment&rdquo;. Both of
these groups are sorely mistaken, and the reasons for this are the
ones written above.
</p>

<p>
How to solve this? I see it as primarily a consequence of general
economic despair and malaise, of people hoping for a better life and
for connection through some shared experience. Solving this is not the
task that distributed transaction system should try to do, it is a
wider societal problem whose consequences can be seen in gold hype,
political polarisation, used car prices, gambling advertising, and
much more. As such it is a problem for all of society to try and
solve. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
In a fire or something.  
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
An <span class="small-caps">nft</span> does not have to represent a digital asset, although there
are few good ways of representing digital ownership to begin with. Is
that because digital scarcity is not something that exists and is
created by monopolistic companies? Nooooo that could never be the
case. Nevertheless replacing old piece-of-paper proofs of ownership
with <span class="small-caps">nft</span>s is generally a good idea, mostly because they are
considerably more durable.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[technology]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/crypto.html</link>
  <guid>https://joarvarndt.se/crypto.html</guid>
  <pubDate>Thu, 05 Feb 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Making Beautiful Documents in LaTeX]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#introduction">Introduction</a></li>
<li><a href="#fonts">Fonts</a></li>
<li><a href="#microtypograhy">Microtypograhy</a></li>
<li><a href="#improving-the-footnotes">Improving the footnotes</a></li>
<li><a href="#embellishments">Embellishments</a>
<ul>
<li><a href="#initials">Initials</a></li>
<li><a href="#ornaments">Ornaments</a></li>
<li><a href="#colours">Colours</a></li>
</ul>
</li>
<li><a href="#paper-format">Paper format</a></li>
<li><a href="#conclusion">Conclusion</a></li>
</ul>
</div>
</nav>
<div id="outline-container-introduction" class="outline-2">
<h2 id="introduction">Introduction</h2>
<div class="outline-text-2" id="text-introduction">
<p class="dcap">
As a political science student, writing is a daily activity. And like
any serious writer who cares about their writing, I care about the
presentation and look of my documents. This has evolved, particularly
recently, into an interest in typography — the art of formatting and
shaping text. The source of this interest was originally my discovery
of <span class="small-caps">gnu</span> Emacs&rsquo; ability to convert <a href="https://orgmode.org/">org-mode</a> documents into \(\LaTeX\) ones
back in <a href="https://joarvarndt.se/latex/notes">high–school</a> and even today this is still the basis of my
process. It was accelerated by my increasing tinkering with this very
website, having to design its appearance largely from the ground up.
</p>

<p>
Writing in org-mode allows one to focus much more on the pure textual
content, leaving the formatting for later. Why not write in word and
then copy-paste? Because then you still have to write all of the
formatting rules (like emphasis) by hand – and Emacs (or another
dedicated text editor like vim<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>) is a much more powerful tool for
text editing than any rich-text editor that tries to do formatting and
content at the same time.
</p>

<p>
As my interest in typography has grown I have felt more and more
under-served by the default \(\LaTeX\) article class. If you are not
already using \(\LaTeX\) (or some equivalent like <a href="https://typst.app/">typst</a>) there is likely
nothing you can do that has a bigger impact on your typography than
switching to it<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>.
</p>

<p>
But there is a great amount of labour that has been done to improve
upon the very high baseline that \(\LaTeX\) provides. This here is my
collection of tips on how to give your documents the treatment that
they deserve. Since I quite rarely touch <code>.tex</code>-files directly I do not
like to rely on elaborate macros, even if they sometimes are very
useful to attain the look that one is aiming for. Instead most changes
are implemented as simple one-liner <code>latex_header</code>&rsquo;s in org-mode. There
are also no fancy classes involved, everything is done through the
standard <code>article</code>-class.
</p>

<p>
For this post I have prepared a version of my post on <a href="https://joarvarndt.se/latex/end-of-history.html">the end of
history</a> in <span class="small-caps">pdf</span> format that we will successively improve upon. Over the
course of this post we will turn the document on the left into the
document on the right:
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-1.png" alt="latex-pdf-1.png">

</figure>

<p>
Naturally I should remind the reader of the Latin phrase <i>de gustibus
non est disputandum</i>. What I deem beautiful may not seem the same to
you. I hope however that the information that you find here can be of
use even in the case of disagreement.
</p>
</div>
</div>
<div id="outline-container-fonts" class="outline-2">
<h2 id="fonts">Fonts</h2>
<div class="outline-text-2" id="text-fonts">
<p>
Fonts are what most people think of when they think of typography, and
it (and perhaps line-spacing) is one of the few choices that normal
people make when trying to improve their documents. Fonts are not
everything, but since they do make up the majority of your content (if
not all) they are very important.
</p>

<p>
First I would like to point out that no, <i>Times New Roman</i> (<span class="small-caps">tnr</span>) is not
good enough. In fact, it is actively detrimental to the appearence of
your document. <span class="small-caps">tnr</span> shows how you do not care about typography at all,
and that you are okay with your text sitting side-by-side with all the
other text that has been typeset in <span class="small-caps">tnr</span>. Whenever I see a text in <span class="small-caps">tnr</span>,
I consider it a draft; open to critique and lacking any authority
whatsoever. <i>Calibri</i> also has this characteristic, but at least it does
not try and entertain the thought at being magisterial in any capacity.
</p>

<p>
<i>Computer Modern</i> (<span class="small-caps">cm</span>), the default font used for \(\TeX\) documents, is a
great improvement over <span class="small-caps">tnr</span>, since it confers \(\TeX\)&rsquo;s professionalism
and academic regard to your writing. But it too suffers from simply
being the default – you did not go through the trouble of picking
something yourself after all. Nevertheless, if you must use it (and it
is a fine font by itself) do yourself the favour of putting the
<code>\usepackage{lmodern}</code> and <code>\usepackage[T1]{fontenc}</code> options in your
header. This replaces the default version of <span class="small-caps">cm</span> with <i>Latin Modern</i>, a
programatically derived version that includes many more characters
than the default font.
</p>

<p>
If you want a more interesting font, I highly recommend browsing
through the <a href="https://tug.org/FontCatalogue/">LaTeX Font Catalogue</a> for something that fits your specific
document. Personally I am a fan of <a href="https://ftp.fagskolen.gjovik.no/pub/tex-archive/fonts/kpfonts/doc/kpfonts.pdf">Kp-Fonts</a> and <a href="https://en.wikipedia.org/wiki/EB_Garamond"><span class="small-caps">eb</span> Garamond</a>. To use
them simply add <code>\usepackage{kpfonts}</code> or <code>\usepackage{ebgaramond}</code>
respectively to your header. I invite you to try them out in your
document right now. Here is our document typeset in (from left to
right) the default <span class="small-caps">cm</span>, in Kp-fonts, and in <span class="small-caps">eb</span> Garmanond.
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-2.png" alt="latex-pdf-2.png">

</figure>

<p>
Both of these are good choices, but I am often restricted by page
count<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup> and so I often reach for <span class="small-caps">eb</span> Garamond since it fits noticeably
more text on the page. For that reason it is the font that we will
continue with for the rest of this post.
</p>
</div>
</div>
<div id="outline-container-microtypograhy" class="outline-2">
<h2 id="microtypograhy">Microtypograhy</h2>
<div class="outline-text-2" id="text-microtypograhy">
<p>
Another easy improvement is the utilisation of the <code>microtype</code> package
by Robert Schlicht. It provides a single package for lots of different
microtypographical improvements — typography that is not (immediately)
identifiable to the eye but that contributes to the general appearence
of the text.
</p>

<p>
<code>microtype</code> does not require any configuration at all; it is quite
aggressive<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup> by default but does not do anything that is likely to
break your document. It provides things like:
</p>

<table>


<colgroup>
<col  class="org-left">

<col  class="org-left">
</colgroup>
<tbody>
<tr>
<td class="org-left"><b>Feature</b></td>
<td class="org-left"><b>Explanation</b></td>
</tr>

<tr>
<td class="org-left">Character protrusion</td>
<td class="org-left">Characters with less &ldquo;visual presence&rdquo; like <code>.</code> and <code>—</code> will protrude slightly into the margin</td>
</tr>

<tr>
<td class="org-left">Kerning and spacing</td>
<td class="org-left">Changes the spacing between letters and words. Experimental.</td>
</tr>

<tr>
<td class="org-left">Font expansion</td>
<td class="org-left">Ever so slightly stretches and shrinks letters</td>
</tr>
</tbody>
</table>

<p>
For more information see the <a href="https://texdoc.org/serve/microtype/0">package documentation</a>. These things will
likely not be noticed (that is sort of the point) but will help make
the text feel more &ldquo;proper&rdquo; and reduce hyphenation. To use it, simply
add <code>\usepackage{microtype}</code> to the header and you are good to go.
</p>

<p>
That is at least the advice that the documentation gives. But
amusingly enough, after telling you to load the package in the official
documentation, Schlicht also points out that
</p>

<blockquote>
<p>
if you are not interested in fine-tuning the micro-typographic
appearance of your document (however unlikely this would seem, since
using this package is proof of your interest in typographic issues),
you may actually skip the rest of this document.
</p>
</blockquote>

<p>
Since I am abnormally interested in typographic issues I dutifully
continued on. These options that I present here are then experimental
and, to once again quote Schlicht, &ldquo;do not unconditionally improve the
quality of the typeset text&rdquo;. You have been warned.
</p>

<p>
The first thing I do is to enable kerning, tracking, and spacing
(<code>kerning=true,tracking=true,spacing=true</code>). While these can give some
unappealing effects in some cases I find that they are useful to make
the justification more &ldquo;dynamic&rdquo; so as to respond better when treated
badly. This is especially useful when writing documents in languages
with compound words (in my case Swedish and German) since very long
words can mean that \(\TeX\) has very little room to work with —
creating a lot of hyphenation, a lot of whitespace, or both. Allowing
more, smaller adjustments reduces the risk that any single aspect will
look particularly out of place.
</p>

<p>
I also increase the amount of protrusion that occurs. The default
value of 1000 is reasonable, but as the documentation says I am &ldquo;so
proud of being able to use this feature that [I] want everybody to see
it&rdquo;<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup>. Therefore I increase this from default by 50% to a total
of 1500.
</p>

<p>
The final microtypographical change that I make is increasing the
amount of stretch (and shrinkage) that can be done to
letterforms. This can be quite noticeable — especially on characters
such as <code>O</code> or <code>Q</code> — but it is useful in the same way as the different
forms of spacing mention earlier. For this reason it should only be
increased significantly from the default 20 in combination with the
<code>selected=true</code> option that &ldquo;restricts&rdquo; stretching for these especially
noticeable characters. With this option I can quite boldly put set a
value of <code>stretch=50</code>.
</p>

<p>
This ends up with a call to <code>microtype</code> that looks like this:
</p>
<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\usepackage</span>[kerning=true,tracking=true,spacing=true,factor=1500,stretch=50, selected=true]{<span class="org-builtin">microtype</span>}
</code></pre>
</div>

<p>
With these settings applied our document now looks like this (this
time let us also pick a page with more text):
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-3.png" alt="latex-pdf-3.png">

</figure>

<p>
Other than that we fit more text on the page it is difficult to see
any specific changes — the words simply appear to have shifted across
the page. Look at the text along the left margin to see the protrusion
in effect, especially noticeable at the <code>,</code> along the equation.
</p>
</div>
</div>
<div id="outline-container-improving-the-footnotes" class="outline-2">
<h2 id="improving-the-footnotes">Improving the footnotes</h2>
<div class="outline-text-2" id="text-improving-the-footnotes">
<p>
You may have noticed just from reading this post that I am a big fan
of footnotes. On the web sidenotoes are clearly superior since a
webpage is infinitely scrollable and the footnotes can therefore
appear very far down the page, but a <span class="small-caps">pdf</span> document has many &ldquo;feet&rdquo; at
the bottom of each page. This means that sidenotes are not as
necessary — you can still keep supportive information close at hand —
and I generally prefer to format article-style documents with
symmetrical margins (with asymmetrical ones reserved for things like
books).
</p>

<p>
The default footnotes are fine, but reading the beautiful <code>microtype</code>
documentation made it clear that there is room for improvement. This
is done in two ways: making the footnote reference markers into
proper, non–superscript characters; and moving them into the margin so
that the text does not appear very jagged when many two- or three-line
footnotes are present on one page.
</p>

<p>
These are both done through the enigmatic <code>scrextend</code> package. In addition to merely loading it, I run another simple line in the header that reformats the footnote mark:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\usepackage</span>{<span class="org-builtin">scrextend</span>}
<span class="org-keyword">\deffootnote</span>{0em}{1.6em}{<span class="org-keyword">\thefootnotemark</span>.<span class="org-keyword">\enskip</span>}
</code></pre>
</div>

<p>
If you want to move the footnote marks into the body text (so that
they do not sit inside the margin) you should adjust the numerical
values above.
</p>

<p>
This is what our footnote-heavy first page looks like now<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup>:
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-4.png" alt="latex-pdf-4.png">

</figure>
</div>
</div>
<div id="outline-container-embellishments" class="outline-2">
<h2 id="embellishments">Embellishments</h2>
<div class="outline-text-2" id="text-embellishments">
<p>
At this point we have a document that is in most regards
finished<sup><a id="fnr.7" class="footref" href="#fn.7" role="doc-backlink">7</a></sup>. I would not have any qualms about presenting something
formatted with the above settings as finished. However, one of the
strengths of good typography is making your document stand out from
the rest — even before the reader has been allowed to grapple with
your argument. For this we may add some embellishments of different
sorts.
</p>

<p>
All of this is <i>strictly</i> optional, and may even be harmful to the
typographical quality of your text. But I like it nevertheless, and
would here like to document some ways that you can do this if you feel
like trying it out some time.
</p>
</div>
<div id="outline-container-initials" class="outline-3">
<h3 id="initials">Initials</h3>
<div class="outline-text-3" id="text-initials">
<p>
The first, and my personal favourite, is to add an elaborate <a href="https://en.wikipedia.org/wiki/Initial">initial</a> to
the start of your text. Honestly, it is likely the first thing that
you noticed when I first presented the final document. One does
however have to be careful not to go overboard with this — your
document is a presentation of text, not of fancy ornaments — but a
little goes a long way in making your text stand out from the crowd.
</p>

<p>
Dropcaps (or initials more broadly) are provided by the <code>lettrine</code>
package by Daniel Flap&rsquo;s. Beware — this requires an actual change of the
body text (although I am sure that one could write some emacs lisp to
do this automatically).
</p>

<p>
First we need to load the package in the header using our beloved
<code>\usepackage{lettrine}</code>, but we then also need to specify where (and
how) to apply the initial. For our text we will write the following at
the start of the first paragraph:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\lettrine</span>[lines=3]{F}{rancis Fukuyama is} probably the &#8230;
</code></pre>
</div>

<p>
I find that the default number of lines that the initial will drop
down to (2) is almost always too little; If you are using an elaborate
dropcap you want your readers to be able to see it. A value of 4 is
usually too big however — it should not take up a significant amount
of overall space on the page. This might be different if you use a
larger amount of line spacing<sup><a id="fnr.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.
</p>

<p>
The first argument — the stuff inside the <code>{}</code> — is the letter to turn
into the initial. The second argument is the text that follows and
that should be formatted in small caps (capital letters the size of
lowercase ones). From what I have gathered from reading the <i>Economist</i>
this is usually the first few words of the text.
</p>

<p>
By default <code>lettrine</code> simply makes your first character very large. This is what our document looks like now:
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-5.png" alt="latex-pdf-5.png">

</figure>

<p>
This is a fine improvement, and works well as an eye-catching detail
to a clean and professional document. Stopping here is completely
acceptable. But if you dare there is a whole world of fonts for
specifically this task. 
</p>

<p>
These fonts are practically small artworks on their own, and so one
can quickly become carried away with more and more elaborate
designs. For that reason I will offer a few different choices that are
all increasingly &ldquo;busy&rdquo;.
</p>

<p>
First we have the <a href="https://tug.org/FontCatalogue/zallmancaps/">Zallman Caps</a> font<sup><a id="fnr.9" class="footref" href="#fn.9" role="doc-backlink">9</a></sup>. It can be used by loading the package, making a small one-liner, and then adding it to the Lettrine font hook:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\usepackage</span>{<span class="org-builtin">Zallman</span>}
<span class="org-keyword">\newcommand*</span><span class="org-function-name">\zallmaninit</span>{<span class="org-keyword">\usefont</span>{U}{Zallman}{xl}{n}}
<span class="org-keyword">\renewcommand</span>{<span class="org-function-name">\LettrineFontHook</span>}{<span class="org-keyword">\zallmaninit</span>{}}
</code></pre>
</div>

<p>
Voilà, we now have a beautiful dropcap with leaves and a flower that
still fits in a more strict atmosphere:
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-6.png" alt="latex-pdf-6.png">

</figure>

<p>
But we can of course go further, this time with <i>Goudy Initialen</i>. This
is the font used at the very beginning. It is packed with a lot more
detail, so I usually prefer to increase the height to four lines,
otherwise it reads as scaled-down. To use it we do just have to write
two lines:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\usepackage</span>{<span class="org-builtin">GoudyIn</span>}
<span class="org-keyword">\renewcommand</span>{<span class="org-function-name">\LettrineFontHook</span>}{<span class="org-keyword">\GoudyInfamily</span>{}}
</code></pre>
</div>

<p>
And we get this:
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-7.png" alt="latex-pdf-7.png">

</figure>

<p>
You might think that we are finished there — after all, this is the
font that I told you that we would end up with. But we can go even
further.
</p>

<p>
<a href="https://tug.org/FontCatalogue/baroqueinitials/">Baroque Initials</a> is the initial font of <code>yfonts</code>, a set of old-German
fonts by Yannis Haralambous. Merely the name itself showcases the
baroque hedonism of these fonts. To use them, load the <code>yfonts</code> package
and add <code>\initfamily</code> to the <code>\LettrineFontHook</code>.
</p>

<div class="org-src-container">
<pre class="src src-tex"><code>#+latex_header: <span class="org-keyword">\usepackage</span>{<span class="org-builtin">yfonts</span>}
#+latex_header: <span class="org-keyword">\renewcommand</span>{<span class="org-function-name">\LettrineFontHook</span>}{<span class="org-keyword">\initfamily</span>{}}
</code></pre>
</div>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-8.png" alt="latex-pdf-8.png">

</figure>

<p>
As you may have noticed, this font does not align itself with the top
of the paragraph, but instead sticks out considerably. For this reason
I recommend not using this font with a large <code>lines</code>-value, since its
visual presence on the page grows very quickly. It is probably
possible to &ldquo;fix&rdquo; this (I think this is what is described in the
<a href="https://www.bach.cantatas.com/Pic-Vocal/BWV248-CT05.pdf">documentation</a> (p. 132), but I am not experienced enough to decipher
it). A band-aid solution (or alternative style, depending on how one
sees it) is to move the initial slightly into the margin using the
<code>lhang</code> (short for &ldquo;left hang&rdquo;) option for <code>lettrine</code> like so.
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\lettrine</span>[lines=3, lhang=0.2]{F}{rancis Fukuyama is} probably the &#8230;
</code></pre>
</div>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-9.png" alt="latex-pdf-9.png">

</figure>

<p>
In combination with the hanging footnote numbers I think this looks
pretty good, but a good rule of thumb is that &ldquo;if the reader thinks
something looks wrong, and you did not intentionally make it wrong, it
<i>is</i> wrong&rdquo;. For that reason I do not have it as a &ldquo;standard&rdquo; dropcap,
and it also is quite difficult to read as compared to <i>Goudy
Initialen</i>. I still keep it in the &ldquo;répertoire&rdquo; however.
</p>
</div>
</div>
<div id="outline-container-ornaments" class="outline-3">
<h3 id="ornaments">Ornaments</h3>
<div class="outline-text-3" id="text-ornaments">
<p>
If you still feel a need for a more elaborate emblazoned document
there are options. The <code>pgfornament</code> allows you to insert a great number
of different pre-made embellishments into your document. One way to
make use of these is as a typographical mark to signify the end of
your document. I find that this works quite well in combination with a
drop cap, since it means that the embellishments are spread out across
the pages and not clustered in any one spot, and it also works to
&ldquo;frame&rdquo; the text as having a connected beginning and end.
</p>

<p>
Inserting a symbol is very easy; one merely has to write
<code>\pgfornament{X}</code> where <code>X</code> is a number between 1 and 196, with each
number corresponding to a unique symbol. In practice I have found that one often needs to include the <code>scale</code> option to reduce the size of the symbols, like this:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\pgfornament</span>[scale=0.3]{70}
</code></pre>
</div>

<p>
Let us put this at the end of the document. Since I am writing the documents in org-mode I will wrap this in a block to center it:
</p>

<pre class="example">
#+begin_center
\pgfornament[scale=0.3]{70}
#+end_center
</pre>

<p>
This is the resulting \(\TeX\) code:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\begin</span>{<span class="org-function-name">center</span>}
<span class="org-keyword">\pgfornament</span>[scale=0.3]{70}
<span class="org-keyword">\end</span>{<span class="org-function-name">center</span>}
</code></pre>
</div>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-10.png" alt="latex-pdf-10.png">

</figure>

<p>
It is a bit too close by default, let us add some vertical spacing.
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\vspace</span>{1em}
<span class="org-keyword">\pgfornament</span>[scale=0.3]{70}
</code></pre>
</div>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-11.png" alt="latex-pdf-11.png">

</figure>

<p>
Perfect.
</p>
</div>
</div>
<div id="outline-container-colours" class="outline-3">
<h3 id="colours">Colours</h3>
<div class="outline-text-3" id="text-colours">
<p>
The human mind finds few things more eye catching than the strong and
striking use of colour. Once again, a little goes a long way. Because
we are so drawn to colour we must use it sparingly, lest the contents
of the long, grey text become unappealing. Thankfully we already have
a set of discrete elements whose contribution is merely of a visual
and stylised nature — that being our embellishments from before.
</p>

<p>
We can turn these into a proper colourised versions with the <code>xcolor</code>
package. This comes with a set of predetermined colours, like for example <code>\color{purple}</code>:
</p>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-12.png" alt="latex-pdf-12.png">

</figure>

<p>
I find that this in practice reads as a darker, red or burgundy rather
than purple, in some ways resembling the colour of a stamp or of wax,
and so fits especially well with the clean-edged <i>Goudy Initialen</i>. To
apply colours you just have to write <code>\color{"colour-name"}</code> right
before the element that you wish to colour. For our beloved drop caps
that means changing the header command:
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\renewcommand</span>{<span class="org-function-name">\LettrineFontHook</span>}{<span class="org-keyword">\color</span>{purple}<span class="org-keyword">\GoudyInfamily</span>{}}
</code></pre>
</div>

<p>
It is also interesting to make your own custom colours, particularly
so that there is some connection to the subject matter at hand or to
some organisation. This is done by defining a new colour like this:<sup><a id="fnr.10" class="footref" href="#fn.10" role="doc-backlink">10</a></sup>
</p>

<div class="org-src-container">
<pre class="src src-tex"><code><span class="org-keyword">\definecolor</span>{fhs}{cmyk}{1, 0.22, 0, 0.65}
</code></pre>
</div>


<figure>
<img src="https://joarvarndt.se/latex/latex-pdf-13.png" alt="latex-pdf-13.png">

</figure>
</div>
</div>
</div>
<div id="outline-container-paper-format" class="outline-2">
<h2 id="paper-format">Paper format</h2>
<div class="outline-text-2" id="text-paper-format">
<p>
By default \(\LaTeX\) uses the North American letter format, while the
rest of the world uses the <span class="small-caps">iso</span> 216&rsquo;s <i><span class="small-caps">a4</span></i> as the most common paper for
documents to be printed to. This is easy to adjust however, and one
merely need to add an <code>\usepackage[a4paper]{geometry}</code> declaration to
their header. Apparently <a href="https://www.overleaf.com/">overleaf</a> uses <span class="small-caps">a4</span> by default, but specifying
is never a bad idea.
</p>

<p>
The <code>geometry</code> package also allows you to to tinker with the margins of
your paper, and I always like to do so as a finishing touch right
before officially finishing a document. Having your article end at the
bottom of a page makes it look a lot more planned out and thought
through than one that has half a page of whitespace and the end. If
you do not want to change the margins all too much I also recommend
tinkering with the microtypographical settings — they can have a
surprisingly large impact on the physical length of the text.
</p>

<p>
Another benefit of including ornaments at the end of the text is that
they mask any slight imperfections in paragraph length. They naturally
fill up any whitespace that may be left, and you can resize them and
change their appearence to make them fit into the organically
appearing gap.
</p>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
A core value in my document-preparation philosophy is that it should
be easy to do good work. If making something look nice means
painstakingly manipulating letterspacing or writing an ungodly number
of curly brackets then your typographical system has failed. One of
the wonders of \(\LaTeX\) is that is separates the art of typography
from that of writing and editing.
</p>

<p>
The goal should be to have strong, opinionated, and elegant typography
that gets out of your way when you need it to. It is not the job of
the designer to curate your thoughts, and it is not the job of the
writer to make your document look good<sup><a id="fnr.11" class="footref" href="#fn.11" role="doc-backlink">11</a></sup>. These are two separate
tasks that should be undertaken separately.
</p>

<p>
There are many people that think the above and take away the lesson
that because they are not &ldquo;designers&rdquo; they should not think about the
appearance of their text at all. But that is the wrong lesson. If you
care about your text you <i>have to</i> care about its presentation. At this year&rsquo;s <i>Chaos Communication Congress</i> Frieder Nake said that
</p>

<blockquote>
<p>
Somebody who wants to be an artist must be arrogant. […] The artist
is in a way so stupid that they do not allow self critique.
</p>
</blockquote>

<p>
This is what is required of you as an artist; as an artist in the
sense of a creator of new, radical ideas. If you do not believe that
your work is, as Nake puts it, &ldquo;the best in the world&rdquo; you will not
have the confidence to venture out into the world and present it. To
do this one <i>must</i> be a designer and an artist. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
eww. 
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
It is of course possible to create beautiful documents without
using \(\TeX\), but most people (including you) are not skilled enough
to do so.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Yes, page count and not word count. Even more bizarrely I am
sometimes restricted by <i>both</i> (as in 800-1000 words spread across a
maximum of two pages). Bizarre.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
To the extent that microtypography can be aggressive.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I do not quite think that &ldquo;everyone&rdquo; will be able to see it,
you will still have to look quite hard to see the difference if you do
not know what you are looking for.
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The left picture is now also the microtype&rsquo;d front page.
</p></div></div>

<div class="footdef"><sup><a id="fn.7" class="footnum" href="#fnr.7" role="doc-backlink">7</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I would perhaps add a <code>\noindent</code> at the start of the first
paragraph, although you will soon see why I have not done so.
</p></div></div>

<div class="footdef"><sup><a id="fn.8" class="footnum" href="#fnr.8" role="doc-backlink">8</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I dislike the trend that large linespacing supposedly improves
readability in any way. I personally find the huge amounts of
whitespace distracting — it makes the text appear &ldquo;streaky&rdquo; as opposed
to a more homogeneous grey.
</p></div></div>

<div class="footdef"><sup><a id="fn.9" class="footnum" href="#fnr.9" role="doc-backlink">9</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I discovered this font from Chavdar Dutsov&rsquo;s <a href="https://physica.dev/posts/2021/06/fancy-drop-caps-Latex.html">post on drop caps</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.10" class="footnum" href="#fnr.10" role="doc-backlink">10</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
In this case the official colours of the Swedish Defence
University, my <i>Alma mater</i>, in <a href="https://en.wikipedia.org/wiki/CMYK_color_model"><span class="small-caps">cmyk</span></a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.11" class="footnum" href="#fnr.11" role="doc-backlink">11</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Either an external or your inner designer/writer one.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[design]]></category>
  <category><![CDATA[technology]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/latex.html</link>
  <guid>https://joarvarndt.se/latex.html</guid>
  <pubDate>Thu, 01 Jan 2026 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[A Beginner Guide to Diplomacy]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#the-map-and-the-territory">The Map and the Territory</a></li>
<li><a href="#moving-around">Moving around</a>
<ul>
<li><a href="#hold">Hold</a></li>
<li><a href="#move">Move</a></li>
<li><a href="#support">Support</a></li>
<li><a href="#convoy">Convoy</a></li>
</ul>
</li>
<li><a href="#turns">Turns</a></li>
<li><a href="#country-strategies">Country Strategies</a>
<ul>
<li><a href="#england">England</a></li>
<li><a href="#france">France</a></li>
<li><a href="#turkey">Turkey</a></li>
<li><a href="#russia">Russia</a></li>
<li><a href="#austria">Austria</a></li>
<li><a href="#italy">Italy</a></li>
<li><a href="#germany">Germany</a></li>
</ul>
</li>
</ul>
</div>
</nav>
<div class="intro">
<p>
I hosted a game of the board game <i>Diplomacy</i> during December–January of
2025–&rsquo;26, as usually hosted on <a href="https://www.backstabbr.com/">Backstabbr</a>, for students of the
bachelor&rsquo;s programs at <a href="https://www.fhs.se/en/swedish-defence-university.html"><span class="small-caps">sedu</span></a>. Since there are new players wrote this
short introduction to the rules for them as a starting-off-point into
how to play Diplomacy. I have published it publicly to function as a
short, single-stop resource that you can show to new players. If you
have any critique or feel like there is information missing, feel free
to <a href="https://joarvarndt.se/contact">contact me</a>.
</p>

</div>


<p class="dcap">
<i>Diplomacy</i> is a game about conquering Europe as one of the main
belligerents of the first world war. While it may on a first glance
somewhat resemble <i>Risk</i>, the two are very different; most notably by
the complete lack of random chance as well as by the fact that turns
are all made simultaneously (the consequences of which will soon be
made apparent). Keep in mind however that the true game of Diplomacy
is played not on the map, but in the social interactions and minds of
your fellow players. You will of course need to know how to navigate
the map so as to figure out what possibilities you have (and to avoid
being tricked).
</p>
<div id="outline-container-the-map-and-the-territory" class="outline-2">
<h2 id="the-map-and-the-territory">The Map and the Territory</h2>
<div class="outline-text-2" id="text-the-map-and-the-territory">

<figure>
<img src="https://joarvarndt.se/diplomacy/map.png" alt="map.png">

</figure>

<p>
The most obvious part of Diplomacy is the map of Europe<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> with the
great powers at the turn of the 20th century — England (really the
<span class="small-caps">uk</span>), France, Germany, Italy, Russia, and (Ottoman) Turkey. Each power
starts with 3 units (except for Russia who starts with 4). These are
divided into either armies or fleets, with equal strength.
</p>

<p>
Territories can only be occupied by one unit at a time, and are
divided broadly into land, coastal, and sea territories. Armies can
only stay on land and coastal areas, and fleets only on sea and
coastal areas.
</p>

<p>
Territories with dots or squares are called &ldquo;supply centres&rdquo;. Each
supply centre allows you to maintain more units (more detail under
<code>Turns</code>). The player with 17 supply centres (half of the total 32) wins
the game immediately. Otherwise the game is a draw between the
surviving players.
</p>

<p>
There are three special territories on the map that each posses two
&ldquo;coasts&rdquo;; Spain (Spa)<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>, Bulgaria (Bul), and St. Petersburg (Stp). This
means that while only one unit can be inside one of these
territories, a fleet can only move in or out of it depending on what
coast it is located in. For example, a fleet in St. Petersburg&rsquo;s north
coast (Stp nc) can move to Norway (Nwy) or the Barents sea (<span class="small-caps">bar</span>), but
not to Finland (Fin) or the Gulf of Bothnia (<span class="small-caps">bot</span>).
</p>


<figure>
<img src="https://joarvarndt.se/diplomacy/coasts.png" alt="coasts.png">

<figcaption><span class="figure-number">Figure 1: </span>The Turkish fleet can not move to the Aegean sea even though Bulgaria borders it because it is one the wrong coast.</figcaption>
</figure>

<p>
The territories of Kiel (Kie) and Constantinople (Con) act as canals,
and fleets can travel freely through them even though their coasts are
divided into two parts by Denmark and Bulgaria respectively. This does
not mean that a fleet can pass through them (from <span class="small-caps">hel</span> to <span class="small-caps">bal</span> for
example) in a single turn — they must first pass through the canal
territory.
</p>
</div>
</div>
<div id="outline-container-moving-around" class="outline-2">
<h2 id="moving-around">Moving around</h2>
<div class="outline-text-2" id="text-moving-around">
<p>
One of the critical parts of Diplomacy is that all players make their
turn at the same time — as mentioned in the introduction. This means
that you can enter your orders at any time during the day, and at 6am
the orders of all players are carried out (or <i>adjudicated</i>). You must
coördinate your plans with the other players before this deadline, but
you can never be sure that they will stick by their promises&hellip;
</p>

<p>
Backstabbr offers a &ldquo;sandbox&rdquo; feature, and I can not recommend it
enough. Use it to check if your orders are valid, and what will happen
if your oppenent(s) does different things. Backstabbr allows you to
input incorrect orders — try moving an army from Liverpool to Syria —
but illegal moves will not do anything.
</p>

<p>
How do you move pieces around on the map then? There are three (four for fleets) possible actions for each piece. They are:
</p>
</div>
<div id="outline-container-hold" class="outline-3">
<h3 id="hold">Hold</h3>
<div class="outline-text-3" id="text-hold">
<p>
Do nothing and stay in place. This is usually a bad thing to do
because a piece can often be doing something more productive but it is
essential when needed.
</p>
</div>
</div>
<div id="outline-container-move" class="outline-3">
<h3 id="move">Move</h3>
<div class="outline-text-3" id="text-move">
<p>
Moves the piece into a territory that it borders. Keep this in mind
for fleets, as the coast only borders the part of the touching the
coast (for example, a fleet in Rome (Rom) does not border Venice
(Ven)).
</p>

<p>
If a piece is already in a territory that you wish to move to then
that piece must either leave on the same turn as you enter or be made
to leave <i>by force</i>. This brings us to the next possible move:
</p>
</div>
</div>
<div id="outline-container-support" class="outline-3">
<h3 id="support">Support</h3>
<div class="outline-text-3" id="text-support">
<p>
If a unit wishes to attack another and enter its territory, it must
have help from another unit. This other unit must also border the
territory being attacked, but it does not have to border the other
unit attacking (<span class="small-caps">aka</span> you can only support into territories that you
could also have moved to).
</p>

<p>
Each unit always has a strength of one, and contributes its strength
to the unit it is supporting. If a supporting unit is attacked when it
is supporting, the support is &ldquo;cut&rdquo;. The side with greater support
wins. If the sides have equal strength nothing happens. If both sides
are trying to move to the same territory this is called &ldquo;bounce&rdquo;, and
both units stay in their old territories.
</p>


<figure>
<img src="https://joarvarndt.se/diplomacy/support.png" alt="support.png">

<figcaption><span class="figure-number">Figure 2: </span>Germany succesfully supports Russia&rsquo;s invasion of British-occupied Sweden, with the British fleet retreating to Norway.</figcaption>
</figure>

<p>
Support is done by clicking first on the unit providing support, then
the unit to <i>support</i>, and then on the territory to attack. It is
helpful to use the mnemonic <b>X supports Y to Z</b> (Serbia <i>supports</i> Greece
<i>to</i> Bulgaria). If supporting a unit&rsquo;s hold order, double-click the unit
that you want to support. If you double-click a unit that then uses a
move order, the support won&rsquo;t do anything.
</p>

<p>
If a unit is defeated it will be forced to retreat, giving the other
players a day off. It can retreat to any neighbouring territory that
it could have moved to had it tried. If there are no valid options, it
is destroyed.
</p>

<p>
Keep in mind that you can support other players&rsquo; units, and will
likely need to do so in order to defeat your common enemies.
</p>
</div>
</div>
<div id="outline-container-convoy" class="outline-3">
<h3 id="convoy">Convoy</h3>
<div class="outline-text-3" id="text-convoy">
<p>
This order is unique to fleets. They allow armies to traverse over sea
tiles. A convoy is done by first pressing the army that you wish to
move and then the location to move it to (similarly to support — X
convoys Y to Z). Convoys can be chained together. They are otherwise
identical to holds. Armies should be ordered to move directly to their
destination.
</p>
</div>
</div>
</div>
<div id="outline-container-turns" class="outline-2">
<h2 id="turns">Turns</h2>
<div class="outline-text-2" id="text-turns">
<p>
There are three turns; spring, fall, and winter. Units can move during
spring and fall turns, but they only capture supply centres at the end
of the fall turn (or at the beginning of winter, depending on how you
look at it). On the winter turn, each player builds more units in
their <i>starting</i> supply centres, or deletes units, so that their total
number of supply centres equals their number of units. If a supply
centre is occupied during the winter new units can not be built there.
</p>
</div>
</div>
<div id="outline-container-country-strategies" class="outline-2">
<h2 id="country-strategies">Country Strategies</h2>
<div class="outline-text-2" id="text-country-strategies">
<p>
To give each player a starting point into their strategies I have
quickly written some recommendations for possible opening moves and
general strategies. I have written this before we were given our
countries, so it should hopefully not be deceitful in any way.
</p>

<p>
I highly recommend searching up some &ldquo;opening moves&rdquo; or strategies on
the <i>interwebs</i> as well to get another perspective, as well as reading
what your immediate neighbours are likely to do.
</p>
</div>
<div id="outline-container-england" class="outline-3">
<h3 id="england">England</h3>
<div class="outline-text-3" id="text-england">
<p>
England&rsquo;s primary focus should be to get a foothold on the continent
proper. Its starting expansion should always include an attempt to get
Norway, but it will be helped greatly if France and Germany allow it
to get Belgium. Other than the two western powers it also interacts a great deal with Russia in Scandinavia, whose starting territory of St. Petersburg it will border after it obtains Norway.
</p>

<p>
Maintaining dominance of the seas is critical to avoid an invasion of
Great Britain, and to project power along the many supply centres
straddling the coast.
</p>
</div>
</div>
<div id="outline-container-france" class="outline-3">
<h3 id="france">France</h3>
<div class="outline-text-3" id="text-france">
<p>
Arguably the strongest power, it can quite easily obtain Spain and
Portugal in the first year with no one able to stop her — and can even
argue for a third &ldquo;build&rdquo; by obtaining Belgium. France has to decide
on if it should kill either Britain or Germany long-term, and since
Germany can be attacked on more fronts it is often better to pick
Britain. It also has a lot to do with Italy, but it can be hard to get
armies around the alps or fleets around Iberia without evoking
suspicion. 
</p>
</div>
</div>
<div id="outline-container-turkey" class="outline-3">
<h3 id="turkey">Turkey</h3>
<div class="outline-text-3" id="text-turkey">
<p>
The hardest country to kill, at least quickly. Can get a very strong
alliance with Russia, but is at the same time doomed to be threatened
by their Black sea fleet stuck at Sevastopol with no one else to
attack. The classic choice is to orchestrate a &ldquo;bounce&rdquo; between the
fleets in the first round, allowing both players to move freely
without the other being able to attack year one.
</p>

<p>
Turkey&rsquo;s natural year-one expansions are really only Bulgaria, but if
you can bargain for it you might also be able to get Greece. It is
generally hard to get troops out of <a href="https://en.wikipedia.org/wiki/Anatolia">Anatolia</a>, but that also means that
it is easily defensible.
</p>

<p>
Turkey, Russia, and Austria (sometimes Italy as well) all have a lot
of interests in the Balkans, and controlling the Balance of power in this region will be critical.
</p>
</div>
</div>
<div id="outline-container-russia" class="outline-3">
<h3 id="russia">Russia</h3>
<div class="outline-text-3" id="text-russia">
<p>
Russia has the most units at the start of the game, but this quickly
shows itself as bittersweet. Your two fleets, on almost opposite sides
of the map, are largely stuck — especially the southern one — and you
have the most neighbours out of all corner powers. Russia is then
immediately interested in the dynamics of every place on the map, even
in how Italy or France can weaken your neighbours in Austria and
Britain respectively.
</p>

<p>
Its natural year-one expansions are Romania and Sweden, but gaining
more than that year two quickly gets difficult. Just as for Turkey the
Balkans are of prime interest, but also the game around Scandinavia
together with Germany and England.
</p>

<p>
Playing Russia means trying to balance these two regions against each
other, shifting units between them. If you push all your armies in one
direction you are almost sure to succeed, but you leave yourself very
vulnerable in the other direction.
</p>
</div>
</div>
<div id="outline-container-austria" class="outline-3">
<h3 id="austria">Austria</h3>
<div class="outline-text-3" id="text-austria">
<p>
Austria is one of the three central powers — together with Germany and
Italy — who are all very exposed on all sides. Playing Austria
requires not just balancing the game in the Balkans, but also making
sure that you are not stabbed in the back by Germany or Italy as soon
as you move out of your starting territories.
</p>

<p>
Your natural expansion is Serbia, and you can almost guarantee Greece
by moving your fleet to Albania and then supporting it from Serbia
with your army, although this of course leaves Trieste open to a turn
one attack by Italy.
</p>
</div>
</div>
<div id="outline-container-italy" class="outline-3">
<h3 id="italy">Italy</h3>
<div class="outline-text-3" id="text-italy">
<p>
The same applies to Italy as Austria, you are very exposed to France,
Austria, and Turkey from the start and remainder of the game. You only
have one clear expansion to take year one — Tunis — and will then have
to go into conflict with neighbours that are likely stronger than
you. Remember that the pen is mightier than the sword, and your many
neighbours&rsquo; enemies are equally numerous.
</p>

<p>
If you are feeling particularly ambitious you may even try to get either Austria or (more likely) Turkish support into Greece, getting involved in the profitable misadventures in the Balkans.
</p>
</div>
</div>
<div id="outline-container-germany" class="outline-3">
<h3 id="germany">Germany</h3>
<div class="outline-text-3" id="text-germany">
<p>
Germany, is the weakest part of the &ldquo;western triple&rdquo; (England, France,
Germany) due to its simultaneous status as a central power. Its
central position is however a strength at the same time as it is a
weakness because it can rapidly expand across the map. A brand new
army built in Munich can reach <i>nine</i> other supply centres within just
two moves (<span class="small-caps">aka</span> in one year) — Warsaw, Vienna, Trieste, Venice,
Marseilles, Paris, Belgium, Holland, and Denmark — even more if
counting your starting ones of Kiel and Berlin.
</p>

<p>
Holland and Denmark are your natural expansions, but just as with
France and Britain it would be very valuable to quickly obtain
Belgium. But remember that gifting it to one of them may also allow
you to obtain a valuable friendship. ❦
</p>
</div>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
There are alternative versions for other regions, but it is
traditionally played in Europe.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
A note on the naming and spelling of territories: Sea territories
are spelled in all caps (like <span class="small-caps">mao</span>, Middle Atlantic Ocean, and <span class="small-caps">bla</span>,
Black Sea), while land territories have only the starting letter
capitalized. Starting supply centres are named after cities, while the
others are named after countries. Other land regions are named after
their more broad geographic region (Like Galicia, Burgundy, or Wales).
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[diplomacy]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/beginner-diplomacy.html</link>
  <guid>https://joarvarndt.se/beginner-diplomacy.html</guid>
  <pubDate>Thu, 25 Dec 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Productive Note-taking]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#introduction">Introduction</a></li>
<li><a href="#revolutionary-notes">Revolutionary Notes</a></li>
<li><a href="#implementation">Implementation</a></li>
</ul>
</div>
</nav>
<div id="outline-container-introduction" class="outline-2">
<h2 id="introduction">Introduction</h2>
<div class="outline-text-2" id="text-introduction">
<p class="dcap">
After initially starting to use Emacs back in high school merely for
programming, I naturally began to use it for other tasks such as
document preparation and note-taking. This introduced me to the
surprisingly large overlap between Emacs users and people generally
interested in &ldquo;productivity&rdquo; workflows.
</p>

<p>
This is not all that surprising however. It is partly due to how good
Emacs&rsquo; ecosystem has become for these specific types of tasks (things
like <a href="https://orgmode.org/manual/Agenda-Commands.html">Agenda</a>, <a href="https://www.orgroam.com/">org-roam</a>, <a href="https://protesilaos.com/emacs/denote">denote</a>, and <a href="https://github.com/kaorahi/howm">howm</a> — even org-mode itself — were
all created for these uses) but on a more fundamental level Emacs
allows you to work with any form of text not just efficiently, but
also in a way that is entirely customised to your own preferences and
comforts.
</p>

<p>
As I became more proficient in Emacs and read more perspectives on how
other people organised their notes, I tried to evaluate my views on
note-taking that I had held before. You may have an idea of what it
means to be productive, but this post is instead about another form of
productivity, one that does not have to rely on the powers of <span class="small-caps">gnu</span>
Emacs, but instead of the agent itself, the author.
</p>

<p>
Productivity qua measurement is the amount of goods (or products) that
are produced per unit of time. For this reason it has become common
for people to link improvements in productivity to the aspect of time
specifically. But productivity is even more innately linked to the
product itself, and it is this aspect that I would like to focus on
here.
</p>

<p>
What I choose to call <i>productive</i> note-taking is fundamentally anchored
in not the rate at which one produces notes, or even the quality of
the notes, but instead in mental model that one uses when producing
them. Advocates for Zettelkästen-based systems argue that notes should
form a mental (or sometimes digitally represented) web of thoughts
that links each &ldquo;note&rdquo; with its equals. What I propose here is instead
a form of notes that are different in that they are meant to develop
not some separate bank of data, but to develop the cognitive abilities
of the author, while still creating a tangible work.
</p>
</div>
</div>
<div id="outline-container-revolutionary-notes" class="outline-2">
<h2 id="revolutionary-notes">Revolutionary Notes</h2>
<div class="outline-text-2" id="text-revolutionary-notes">
<p>
The word <i>revolution</i>, while evoking signs of violent rebellion, has its
roots in the term for turning. It of course still means this (as in
the phrase &ldquo;revolutions per minute&rdquo;, <span class="small-caps">rpm</span>) and it is in this sense that
I mean revolutionary notes. I have used it in this sense <a href="https://joarvarndt.se/email.html">before</a>, and
am quite fond of this mixture of images — of a dramatic change that
returns to some earlier state, albeit with new experiences and ideas.
</p>

<p>
I have taken notes almost daily during my many years in the education
system, but have undertaken a more critical view of my use of notes
during the first half of this decade. Almost a year ago I published <a href="https://joarvarndt.se/notes.html">a
piece of writing</a> on my evolving experiments with a Zettelkasten
system, implemented using org-roam. Writing that piece I
subconsciously knew that as soon as it was published I would move away
from the implementation I was writing about into a more holistic
direction, although I was unsure of what shape that would take. After
finishing a course in <i>Contemporary Warfare</i> I feel like I finally have
what I can coherently describe as a solution — to the extent that it
exists as a vestige of my mind.
</p>

<p>
Productive note-taking is productive in the ways that it emphasises
and highlights the importance of the end <i>product</i>. It is note-taking
for the aim of production of a given work, not for the aid of
remembrance or recollection. While these latter elements may play a
part in the production of the work, they are not in and of themselves
goals.
</p>

<p>
When I was still studying mathematics, I noticed a sharp decrease in
my understanding when I redoubled my efforts to produce more
comprehensive notes to help me study. Where I had before been able to
keep pace with the best of my peers, I had now fallen behind to the
middle of the pack. This seemed paradoxical to me — how can studying
harder result in a worse performance? The answer seems obvious now, I
was prioritising the production of more and more notes over my
understanding of the subject material. It is this sort of activity
that productive note-taking seeks to avoid.
</p>

<p>
Sara Imari Walker <a href="https://www.noemamag.com/the-death-of-the-scientist">writes in <span class="small-caps">noema</span></a> about how <span class="small-caps">ai</span> systems fail to fulfill
the role of the scientist because science is a &ldquo;fundamentally
intersubjective&rdquo; act — where theories (as symbolic representations)
are argued out and decided upon in the process of free discourse. When
writing, communicating, and debating we are constantly refining,
creating, and recreating our ideas, performing science as a societal
dialogue. This intersubjective discussion is what things like
journaling try and emulate — and it is also what I propose notes can
do.
</p>
</div>
</div>
<div id="outline-container-implementation" class="outline-2">
<h2 id="implementation">Implementation</h2>
<div class="outline-text-2" id="text-implementation">
<p>
How does one create notes as products? This is a difficult question to
answer generally, and will depend on a variety of factors such as the
subject material, learning method, audience, and personal
preferences. What all techniques should share in common is a
centrality in all activity being motivated by the creation of some
final work.
</p>

<p>
The work that spawned the concrete formula of a productive workflow is
my collection of notes on contemporary warfare. The exam for that
course was structured as an essay about any one of a selection of
broad topics, and in place of literature we were allowed 30 pages (15
sheets) of notes, written either by hand, printed, or a combination of
the two, covering whatever information we wanted<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>.
</p>

<p>
This meant that my studies did not just consist of me reading
Clausewitz all day trying to memorise every word or phrase — the goal
was for me to get a good enough understanding of Clausewitz, Mahan,
and many other thinkers so that I could condense their theories into
this one document. Doing this required a complete understanding of the
topics.
</p>

<p>
Proponents of Zettelkästen often emphasises the ability for their
constructs to function as &ldquo;second brains&rdquo; — perfectly recording and
remembering information that our feeble flesh brains so easily
forgets. But as a philosopher<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> my goal is not to create as much
recorded information as possible, it is for me as an individual to
understand and master the world around me. Having information written
down is useless if I do not remember it, and if I remember it there is
no point in writing it down. <a href="https://monadnock.net/seneca/84.html">Seneca writes</a>
</p>

<blockquote>
<p>
We should see to it that whatever we have absorbed should not be
allowed to remain unchanged, or it will be no part of us. We must
digest it: otherwise it will merely enter the memory and not the
reasoning power.
</p>
</blockquote>

<p>
Productive notes are then not principally meant for consumption, but
instead their initial omission prompts their creation. The author is
required to go out into the world and obtain the relevant knowledge to
produce the work — either through reading the scraps of knowledge left
behind by those who came before<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>, or through creating new
knowledge by living as an agent in the world.
</p>

<p>
Performing this approach does not require any specific hardware or
software since it emphasises the primacy of the authors mind over the
— ironically — product. You can do this with a pen and paper, text
files (written in whatever markup you want), a <span class="small-caps">wysiwyg</span> editor like
Microsoft&rsquo;s <i>Word</i> or even using Zettelkasten. Writing short notes is
also not &ldquo;forbidden&rdquo; as long as they are meant to help record the
information required for implementing the final product.
</p>

<p>
There are no constraints on the shape of the end product either. It may
be in the form of a text document (written in whatever style you would
like), an <a href="https://joarvarndt.se/email.html">email</a>, an interpretive dance, or a physical structure. If
you want a more concrete example <a href="https://joarvarndt.se/samtida-krigf%C3%B6ring.pdf">here</a> are my notes on contemporary
warfare in <span class="small-caps">pdf</span> form<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>. They are written as a single <code>.org</code>-file with a
header for each lecture/topic, and with a few quotes from selected
other works.
</p>

<p>
<a href="https://www.joanwestenberg.com/i-deleted-my-second-brain-692aa40d59d5f06dd5131e43/"><span class="small-caps">ja</span> Westenberg</a> wrote about their experience with building a &ldquo;second
brain&rdquo;, and the anxiety that comes with an ever growing amount of
information that you have to work through and make use of in some way:
</p>

<blockquote>
<p>
The more my system grew, the more I deferred the work of thought to
some future self who would sort, tag, distill, and extract the gold.
</p>

<p>
That self never arrived.
</p>
</blockquote>

<p>
Steve Krouse accuractely points out that <a href="https://blog.val.town/vibe-code">vibe code is legacy code</a> —
code that no-one understands. In the same way notes or written works
that are merely <i>vibed</i> (either written with <span class="small-caps">llm</span>s, copied from a primary
source, or not mentally processed in another way) turn into legacy
information that has to be painfully worked through in order to
actually master the information contained within (to <i>extract the gold</i>,
to use Westenberg&rsquo;s phrasing).
</p>

<p>
The point of productive notes is to make this a unnecessary. I could
easily delete my whole <code>~/Documents/Notes</code> directory today and continue
on with my life, without any feelings of remorse or anxiety, because
the truly important information is that which I already remember. If I
forget something I simply have to search for it again, and in the
process will likely discover new interesting things about the universe
through my lived experience.
</p>

<p>
There is however a reason that I have not deleted my notes directory —
there is genuine value in recorded information — but one has to be
careful to avoid falling into intellectual atrophy. Being discomforted
by having to retread old paths is a conscious method for intellectual
growth. If recording facts was all that was required then one&rsquo;s notes
should merely consist of written down conversations with <span class="small-caps">llm</span>s.
</p>

<p>
If this approach seems like something trivial to you — great! You
might already be doing what I have merely described. It is once again
this that I mean by the revolutionary quality of this technique; it is
a return to the original state and intention of note-taking.
</p>

<p>
If you disagree with me vehemently, have some constructive criticism,
or have some examples of you doing this or anything similar, feel free
to <a href="mailto:joarxpablo@vonarndt.se">email me</a>. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
If this seems like a very large degree of freedom it is because
the exam has been recently changed from a take-home essay where one
has full access to both the relevant literature and the internet as a
whole. The change was a natural consequence of <span class="small-caps">llm</span> use (or at least
perceived <span class="small-caps">llm</span> use).
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The word philosopher has its origins in the Greek words for &ldquo;lover
of wisdom&rdquo; (philos — lover, sophos — wise).
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This is what is properly called <i>research</i>, the searching not for
new groundbreaking knowledge but &ldquo;re-&rdquo;treading the paths others have
already walked.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Beware! They are (almost entirely) written in Swedish and also
have some wicked spelling mistakes that I did not manage to catch
prior to printing due to having some issues with <code>hunspell</code> on <span class="small-caps">gnu</span> Guix.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[university]]></category>
  <category><![CDATA[emacs]]></category>
  <category><![CDATA[technology]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/productive-notes.html</link>
  <guid>https://joarvarndt.se/productive-notes.html</guid>
  <pubDate>Mon, 08 Dec 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Healthy Media Habits]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<hr>

<p class="dcap">
I am not &ldquo;on&rdquo; social media. Both in the sense that I don&rsquo;t have
accounts on them, but even when I do I do not use them. As I have
<a href="https://joarvarndt.se/business_cards.html">briefly mentioned</a> earlier this has some minor consequences, but I will
not discuss them here. Instead I want to describe how I have a healthy
and <i>positive</i> (in the literal sense of the word) relationship with the
internet, social media, and my smartphone.
</p>

<p>
Let us begin with a quick list of things I do not use, and that I
would recommend others not to use as well (in no particular order):
</p>

<ol class="org-ol">
<li>Facebook</li>
<li>Instagram</li>
<li>Snapchat</li>
<li>Reddit</li>
<li>Spotify</li>
<li>Tiktok</li>
<li>Twitter</li>
<li>Bluesky</li>
<li>Mastodon</li>
</ol>

<p>
I do not avoid these for security reason (although just that is enough
to warrant their disuse) but rather for their negative impact on my
quality of life. I was interested in using Mastodon (because I agree
with the technological ideals of the fediverse) but I was repulsed at
the practical implications of actually using a micro-blogging
service<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>. Similarly I tried to use Snapchat for instant messaging
(<span class="small-caps">im</span>) but hated the workflow (and once again, abhorred the privacy
implications). Instead I try to use communication and media
technologies that respect and empower the use rather than try and
control them.
</p>
<div id="outline-container-connectivity" class="outline-2">
<h2 id="connectivity">Connectivity</h2>
<div class="outline-text-2" id="text-connectivity">
<p>
For a period in high school my cellular data stopped working for some
inexplicable reason. This meant that my phone only had an internet
connection when I was at home or had access to some other Wi-Fi
network. At first this was of course incredibly frustrating, but
since I had no time to fix it I simply had to come up with <i>ad hoc</i>
solutions. This forced me to be a lot more intentional when it came to
my media consumption.
</p>

<p>
If you want to consume something when you are out of the house (say on
your commute) this meant that you have to have downloaded it in
advance. <span class="small-caps">pdf</span>s, <span class="small-caps">html</span> documents, music to listen to — it all has to be
pre-planned. Most troublesome however was the inability to use <span class="small-caps">gps</span>.
Instead one had to memorize or write down addresses and routes,
download maps of different areas, and ask strangers for directions.
This last practice has practically dissipated from everyday use, but
it was of course quite common before. This was perhaps one of the most
strongly positive aspects of not being able to find your way around —
it gives you a stronger anchor to your surroundings rather than merely
gliding past a world of extras. Being consciously aware of what media
you are consuming, and for what purpose, also allows you to more
critically evaluate that media, rather than just letting it flow
through you.
</p>

<p>
I think doing something of this sort is a good idea for most people.
It does not involve any major sacrifices in that you still have access
to your tiktok slop feed, but only at home. You don&rsquo;t sacrifice the
security of being able to call for help (you still have your phone)
but you also can&rsquo;t respond to slack messages immediately as they come
in. Instead you have these specific moments of <i>prescence</i> whenever you
are out partying, walking the dog, or just commuting. The knowledge
that you are capable of this stays with you even if you choose to
enable mobile data (or in my case your connection suddenly starts
working one day).
</p>
</div>
</div>
<div id="outline-container-media-updates-smartphone" class="outline-2">
<h2 id="media-updates-smartphone">Media Updates / Smartphone</h2>
<div class="outline-text-2" id="text-media-updates-smartphone">
<p>
The biggest downside of not using social media is not getting regular
updates in things that are <i>going on</i>. The largest issue I had with this
is that I would spend enormous amounts of time trying to read
everything there was to know about everything going on at any given
moment. Not only was this incredibly draining to do, I also realized
that it didn&rsquo;t give me enough time or energy to think about
big-picture trends. The solution for me was twofold:
</p>

<ol class="org-ol">
<li>Stop using news apps and read an actual newspaper.</li>
</ol>

<p>
Reading a newspaper — ideally a physical <i>paper</i> one — creates a hard
cut-off for consuming news. You can&rsquo;t read any more about a topic than
what is in your hand! It also gives you a nice feeling of being
&ldquo;caught up&rdquo; on everything that has been happening. Getting your flow
of information from an actual reputable source is also better than
merely having it filtered through some unknown twitter user. In my
case I read <i>The Economist</i>, a general news paper with some extra focus
on business and politics<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>. I particularly enjoy the number of graphs
and data-driven journalism since I love statistics. Since it is
released weekly I also get to read it at a leisurely pace.
</p>

<ol class="org-ol">
<li>Get updates through <span class="small-caps">rss</span> feeds</li>
</ol>

<p>
Reading on an analog paper is lovely, but there are of course some
things that can&rsquo;t be delivered to physically or that come out on an
irregular basis. These sort of things are best served through an <span class="small-caps">rss</span>
feed in my experience. <span class="small-caps">rss</span> is supported in more places than you might
think, and if not there are often ways to integrate it with an <span class="small-caps">rss</span>
reader<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>. Having a fixed, reverse-chronological list of things to
read (or otherwise go through, <span class="small-caps">rss</span> can be used for formats other than
text) also gives you this feeling of being &ldquo;done&rdquo; that a newspaper
gives you. There is no infinite feed that can get you stuck scrolling
for 6 hours. You can still use get some digital media delivered to
your phone, but won&rsquo;t be glued to it and it will return to &ldquo;just&rdquo; a
communications device after a short while.
</p>

<p>
&ldquo;But what about discovery?&rdquo; I head you say. For this I recommend
Andreas Gohr&rsquo;s <a href="https://indieblog.page">indieblog.page</a> (where you can also find this website).
He has <span class="small-caps">rss</span> feeds to a number of random daily indieblog entries<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>. Not
every random blog post will be interesting, but sometimes you&rsquo;ll find
someone doing interesting things — at which point you can subscribe to
<i>their</i> <span class="small-caps">rss</span> feed. You can read feeds in lots of different ways — I use
<a href="https://news.nononsenseapps.com/">feeder</a> on my smartphone and <a href="https://github.com/skeeto/elfeed">elfeed</a> on my laptops and desktop.
</p>

<ol class="org-ol">
<li>Actually talk to people</li>
</ol>

<p>
Scrolling through your friends&rsquo; social media posts may seem like a
good way to keep in touch with them, but in actuality you are not
creating or maintaining a genuine connection with them — you are
merely interacting with a simulacrum of them. Our brains are not made
for distinguishing the differences between the two<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> but we
nevertheless suffer the consequences. The solution to this? Just reach
out to people that you might otherwise not have. Either message them
directly, <a href="https://joarvarndt.se/email.html">email them</a>, or give them a quick call.
</p>

<p>
There doesn&rsquo;t have to be any stress about it — and in fact there
should not be. Genuine human interaction is by definition messy, and
that is okay. Social media often tries to show the existence some of
perfect social being, the &ldquo;pickup artist&rdquo; that always has the perfect
lines that always work, the influencer with the perfect jokes that
everyone laughs at (while being at a carefully orchestrated
photo-shoot) <i>et cetera</i>. The techniques they are employing is of course
just simple cherry picking, but it is easy to fall for it in the
moment. Embracing the messiness of human conversation — and the cost
and benefits that come with it — is much more rewarding in the long
run.
</p>
</div>
</div>
<div id="outline-container-social-media" class="outline-2">
<h2 id="social-media">(Social) Media</h2>
<div class="outline-text-2" id="text-social-media">
<p>
Social media is in practice not a social endeavour. Instead it is a
form of entertainment, a means to observe things going on. This does
not have to be inherently bad in any way, but it is clear to anyone in
the modern day that social media platforms are not your friend, but
instead want to keep you addicted while they show you more
advertisements. It would be a mistake however to abandon all forms of
media.
</p>

<p>
It has become clearer to me over the period after the <span class="small-caps">covid-19</span>
pandemic that contentedness  — although not happiness — can only be
attained through active engagement. <a href="https://breder.org/having-read">Victor Breder puts it</a> as &ldquo;I love
<i>having</i> read&rdquo;. Happiness can be found easily in the individual moment
through listening to someone else&rsquo;s jokes, social media, sex, or
drugs but long-term contentedness requires effort to be put in. It
requires the mind to be fully occupied with whatever one is doing. It
is straining, and it has to be because it should challenge you.
</p>

<p>
The difference then is not as simple as &ldquo;stop doing X&rdquo;. Watching
instagram reels is not inherently negative, it is possible to be
intellectually stimulated through them, but it is much harder to
misuse a physical book or magazine. I also have no problem with movies
in this regard because if I am sitting down to watch a film I am
entirely focused on the subject matter at hand. A problem would
theoretically emerge if I am merely watching it to &ldquo;pass time&rdquo; or get
some cheap dopamine. The problem merely emerges with one&rsquo;s <i>interaction</i>
with media, not the media itself.
</p>

<p>
But this still does not mean that we should blame ourselves for
failing to restrain ourselves when it comes to these new addictive
technologies. They are genuinely problematic, and you need to identify
where the line is for you and what media you can regularly interact
with without misuse. For me I will confess that this line is quite low
— I found most pure social media platforms too addictive — but it
might be different for you (although I think that it is really quite
low for most people).
</p>

<p>
The methods outlined here work for me, but they are by no means
guaranteed to work for you. Experimenting with different forms of
media consumption is not only one of the most impactful changes you
can make to your life, but it is also quite fun! Optimising this is
also one way to easily challenge yourself — is what you are doing
right now <i>really</i> what will satisfy you? If yes; great! Maybe try and
do more of it? If not; try and identify what caused you to get into
that situation and create frameworks in your life that will
effortlessly guide you away from those activities. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Instead I use my own macro-blogging service! <span class="small-caps">rofl</span> 
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I used to also read <i>The New Yorker</i> to also get a deeper sense of
the cultural &ldquo;goings on&rdquo; but stopped because I found that I no longer
had free time to read books.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Just making a quick search shows how it can be even be integrated with otherwise locked-down services like <a href="https://rss.app/rss-feed/create-instagram-rss-feed">instagram</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I chose <a href="https://indieblog.page/dailyfeed?num=3">3</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This is what creates so-called &ldquo;parasocial relationships&rdquo; between influencers/celebrities and their admirers.  
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[communication]]></category>
  <category><![CDATA[life]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/consuming-media.html</link>
  <guid>https://joarvarndt.se/consuming-media.html</guid>
  <pubDate>Fri, 31 Oct 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Designing Business Cards]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#using-business-cards">Using business cards</a></li>
<li><a href="#designing-the-face-of-the-card">Designing the face of the card</a>
<ul>
<li><a href="#first-draft">First draft</a></li>
<li><a href="#second-draft">Second draft</a></li>
<li><a href="#third-draft">Third draft</a></li>
<li><a href="#fourth-draft">Fourth draft</a></li>
<li><a href="#fifth-draft">Fifth draft</a></li>
<li><a href="#sixth-draft">Sixth draft</a></li>
<li><a href="#seventh-draft">Seventh draft</a></li>
<li><a href="#eighth-draft">Eighth draft</a></li>
</ul>
</li>
<li><a href="#designing-the-back-of-the-card">Designing the back of the card</a>
<ul>
<li><a href="#design-one-just-keep-it">Design one: Just keep it</a></li>
<li><a href="#design-two-adding-some-simple-text">Design two: Adding some simple text</a></li>
<li><a href="#design-three-work-in-the-crest">Design three: Work in the crest</a></li>
</ul>
</li>
<li><a href="#conclusion">Conclusion</a></li>
</ul>
</div>
</nav>
<div id="outline-container-using-business-cards" class="outline-2">
<h2 id="using-business-cards">Using business cards</h2>
<div class="outline-text-2" id="text-using-business-cards">
<p class="dcap">
I usually always carry a few business cards. This is quite uncommon in
this day and age, with the need for remembering phone numbers having
disappeared and with the ubiquity of social media for creating,
sharing, and maintaining contact. But I reject the use of mainstream
social media, partly for ideological reasons but also for practical
ones<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>. This inevitably requires making certain sacrifices when it
comes to what events I can participate in, on how learning about what
people I know are up to, and on how I can communicate with the people
in my life around me. There are some drawbacks that you might expect —
you can not <span class="small-caps">dm</span> someone on instagram if you do not have instagram
yourself — but there are hidden drawbacks that may not be immediately
obvious.
</p>

<p>
People want to communicate in the medium that they like the best, that
is almost tautological. While I am not shy about my feelings about the
wonders of <a href="https://joarvarndt.se/email.html">email</a> I still do not expect others to share them. This means
I that email is usually not an option. But I still want to use open
standards. Thankfully, likely because of their open nature, these
standards are next to ubiquitous. Email is one of them, and <span class="small-caps">sms</span> (and
phone calls) are another. <span class="small-caps">sms</span> is not a great technology by itself
(primarily because it is not encrypted), but it works well enough for
planning meetups where you can continue talking about your secrets in
person. Signal works very well in combination with this, as you can
give out your phone number to people and easily &ldquo;upgrade&rdquo; to an
encrypted connection if your conversational partner has signal. But
people usually do not <i>prefer</i> using <span class="small-caps">sms</span>, and so there will always be
some friction in dialogue. This is the use case that business cards
serve for me.
</p>

<p>
When meeting a new person, they will commonly ask for my {snapchat,
instagram, twitter <i>et cetera</i>} and I will proceed to have a short
conversation where they cycle through the services they use — followed
by me saying I do not use them. Business cards instead allow me to
quickly communicate my preferences without going through a fruitless
conversation, and are usually well appreciated. Since business cards
are so rare in regular interpersonal contexts they serve as a good
conversation starter and are quite memorable as well. The cards
contribute to a memorable interaction, and mean that people are more
likely to keep in touch (since they get to keep the card).
</p>

<p>
My first batch of cards were made in 2023, and I made a total of 250
of them. I usually carry a few (2-5) on my person at all times and
give them out to new people I meet. If I am going to some kind of
networking event I might bring more, but usually not more than will
comfortably fit in my phone or wallet. Having carried them for perhaps
2 and a half years now (and also having run out) I get an average
consumption of:
</p>

<div class="org-src-container">
<pre class="src src-lisp"><code>(/ 250 (* 365 2.5))
<span class="org-comment-delimiter">;;; </span><span class="org-comment">=&gt; 0.273972602739726</span>
</code></pre>
</div>

<p>
So I have on average given out one card every 3-4 days. This does not
mean that I meet someone new that often; what commonly happens is that
I meet lots of new people in a new context, and proportionally give
out lots of cards at once. A common occurance is that I give one
person a card, and then that person shows shows other people (&ldquo;<span class="small-caps">omg</span>
look at what Joar gave me&rdquo;) and then more people ask for them. That
means having to carry cards unnecessarily most days and running out
almost immediately when I do need them. Nevertheless I have found a
target of 5 cards is a good amount.
</p>
</div>
</div>
<div id="outline-container-designing-the-face-of-the-card" class="outline-2">
<h2 id="designing-the-face-of-the-card">Designing the face of the card</h2>
<div class="outline-text-2" id="text-designing-the-face-of-the-card">
<p>
If you are thinking of getting cards of your own I highly recommend
designing them yourself. It is a great opportunity for a truly free
form of creative expression. No one is in charge of deciding how your
cards will look or be shaped other than yourself, and its a way to
express yourself in a new medium. While most printers will give you a
generous bulk discount for ordering large volumes of cards I like that
smaller orders allow you to experiment with new designs and doesn&rsquo;t
put as much pressure on getting it &ldquo;right&rdquo; the first time.
</p>

<p>
With the new second-generation cards I had a few things that I wanted
to do with the design:
</p>

<ol class="org-ol">
<li>Move from a Swedish business card format to a more continental
size<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>. This is the size of credit cards and <span class="small-caps">id</span>s and so will
comfortably fit into people&rsquo;s wallets. This was a very annoying
issue, and I am okay with sacrificing the ability to use certain
business card holders.</li>
<li>Include my whole name. I think &ldquo;Joar Alexander Pablo von Arndt&rdquo;
looks quite striking when written out in full, and so I would like
to include it once again on the card, rather than just the
shortened &ldquo;Joar von Arndt&rdquo;. It is quite long however, and so
requires some creative design work.</li>
<li>Make use of the <a href="https://en.wikipedia.org/wiki/International_Typographic_Style">International Typographic Style</a> or elements from
1960&rsquo;s <a href="https://en.wikipedia.org/wiki/Swiss_Style_(design)">Swiss-style design</a>. This is a deviation from my old design
using the older-looking serif font of <span class="small-caps">im</span> Fell. This might have been
caused by watching the <i>wonderful</i> documentary <a href="https://www.imdb.com/title/tt0847817/">Helvetica (2007)</a>.</li>
<li>Switch to the new provider-independent email address of
&ldquo;joarxpablo@vonarndt.se&rdquo;.</li>
<li>Use the correct domain for this website, rather than redirecting
from my old <a href="https://neocities.org/">neocities</a> domain.</li>
</ol>

<p>
This is the first-generation card that is being replaced:
</p>


<figure>
<img src="./business_cards/BusinessCardGen1Front.jpg" alt="BusinessCardGen1Front.jpg">

</figure>


<figure>
<img src="./business_cards/BusinessCardGen1Back.jpg" alt="BusinessCardGen1Back.jpg">

</figure>

<p>
The line at the top is fun, and has on some occasions sparked
conversations just by itself, but I did not feel a very intense need
to keep it for the next batch of cards as it is quite difficult to
work into another design and also may be a bit too narcissistic. The
texture on the card is from the paper, 300gsm Conqueror laid.
</p>

<p>
Throughout the creative process, I saved eight different designs as
ideas worth keeping around (so that I could continue working on them
or use them as reference). There were of course an infinite number of
variations of these, some of which were different enough so that they
could very well be regarded as new designs of their own. These are the
ones that survived, displayed in as chronological an order as
possible.
</p>
</div>
<div id="outline-container-first-draft" class="outline-3">
<h3 id="first-draft">First draft</h3>
<div class="outline-text-3" id="text-first-draft">
<p>
I first experimented with a portrait design:
</p>


<figure>
<img src="./business_cards/Gen2Draft1.png" alt="Gen2Draft1.png">

</figure>

<p>
The idea was to have the &ldquo;ribbon&rdquo; extend all around the card to give
otherwise two-dimensional card a three-dimensional quality when held
in the hand. I didn&rsquo;t find a way to implement the <span class="small-caps">qr</span> code well into
this however, as the ragged edges made it feel unnatural when facing
up against the edges of the card. I am aware that it is also not
parallel to the ribbon (this was merely a quick draft). I also wanted
to play around with the name as an &ldquo;actor&rdquo; in the design, merging into
its surroundings.
</p>

<p>
I still wanted to work with striking, bold colours that had not
featured on the monochromatic card that I had earlier, and I also
wanted to use the family crest in some way:
</p>
</div>
</div>
<div id="outline-container-second-draft" class="outline-3">
<h3 id="second-draft">Second draft</h3>
<div class="outline-text-3" id="text-second-draft">

<figure>
<img src="./business_cards/Gen2Draft2.png" alt="Gen2Draft2.png">

</figure>

<p>
Here I kept the focus on my first name, so as to make it easier to
remember when meeting me, and had the crest &ldquo;peer in&rdquo; from outside the
frame. This is inspired by a poster made by Armin Hofmann<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>. I found
it a little too busy however, and perhaps might make me look very
nationalistic with all the eagles in focus.
</p>
</div>
</div>
<div id="outline-container-third-draft" class="outline-3">
<h3 id="third-draft">Third draft</h3>
<div class="outline-text-3" id="text-third-draft">

<figure>
<img src="./business_cards/Gen2Draft3.png" alt="Gen2Draft3.png">

</figure>

<p>
Here we are back to the &ldquo;diagonal stripe&rdquo; that I experimented with in
the first draft, although I have given up on the vertical format. The
diagonal text is quite common in Swiss-style design, but these were
perhaps most directly inspired by <a href="https://www.swissted.com/products/adolescents-at-the-starwood-1980">Mike Joyce</a>&rsquo;s redesigned poster for
an Adolescents concert<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>. Here I am also experimenting with splitting
up the name into different parts and also trying to visually
distinguish the middle names from the first and last name.
</p>
</div>
</div>
<div id="outline-container-fourth-draft" class="outline-3">
<h3 id="fourth-draft">Fourth draft</h3>
<div class="outline-text-3" id="text-fourth-draft">

<figure>
<img src="./business_cards/Gen2Draft4.png" alt="Gen2Draft4.png">

</figure>

<p>
Here I trying to use only visual elements, with the actual name taking
up less of the visual attention. This was inspired by designs that
emphasise some arbitrary shape<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup> or textual element
like initials<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup>. My initials, JvA, carry some extra meaning in
Swedish, as they are the same as those of Joakim von Anka (the Swedish
translation of Scrooge McDuck) with the initials prominently displayed
on the side of Scrooge&rsquo;s vault:
</p>


<figure>
<img src="./business_cards/JvA.jpg" alt="JvA.jpg">

</figure>

<p>
This might itself be an idea for a future design, shaping it in the
style of a retro Donald Duck cartoon.
</p>

<p>
The &ldquo;v&rdquo; and &ldquo;A&rdquo; work quite well together owing to their symmetrical
and triangular nature, but the &ldquo;J&rdquo; is quite jarring. This is made
worse by the fact that it descends slightly when typeset in Helvetica
Bold. I was however a fan of using multiple overlapping elements that
combine in visually interesting ways.
</p>
</div>
</div>
<div id="outline-container-fifth-draft" class="outline-3">
<h3 id="fifth-draft">Fifth draft</h3>
<div class="outline-text-3" id="text-fifth-draft">

<figure>
<img src="./business_cards/Gen2Draft5v1.png" alt="Gen2Draft5v1.png">

</figure>


<figure>
<img src="./business_cards/Gen2Draft5v2.png" alt="Gen2Draft5v2.png">

</figure>

<p>
This is when I realized that I do actually have an arbitrary design
to work with; the crest. This design felt quite playful and took some
of the edge off of using a nationalistic crest. But I was still not
happy with the amount of whitespace present in these designs (as can
be inferred from my attempt to break it up with a different background
colour), and I had trouble arranging the crests in a way that I found
satisfying.
</p>
</div>
</div>
<div id="outline-container-sixth-draft" class="outline-3">
<h3 id="sixth-draft">Sixth draft</h3>
<div class="outline-text-3" id="text-sixth-draft">

<figure>
<img src="./business_cards/Gen2Draft6.png" alt="Gen2Draft6.png">

</figure>

<p>
<span class="small-caps">t.s</span>. Elliot famously quipped that &ldquo;Immature poets imitate; mature
poets steal&rdquo;, and so what no matter the skill level I should try and
copy that which I want to emulate. In this case it was a poster by
Hans Neuburg<sup><a id="fnr.7" class="footref" href="#fn.7" role="doc-backlink">7</a></sup> that I particularly liked. Here I also used colours to
mark the different parts of my name like I did in the third draft. I
did however also come into trouble with fitting a <span class="small-caps">qr</span> code somewhere
that looked natural. It also looked a little bit too &ldquo;pre-designed&rdquo;
for my taste, as if I had merely filled in a template online.
</p>
</div>
</div>
<div id="outline-container-seventh-draft" class="outline-3">
<h3 id="seventh-draft">Seventh draft</h3>
<div class="outline-text-3" id="text-seventh-draft">

<figure>
<img src="./business_cards/Gen2Draft7.png" alt="Gen2Draft7.png">

</figure>

<p>
At this point my creative process was perhaps moving in a dialectal
fashion, with me bouncing between more maximalist and minimalist
design (while still staying within the generally minimalist Swiss
style) and converging on a &ldquo;correct&rdquo; style. While the here crest
has been toned down a bit, it still felt a bit too busy, especially
when you put multiple of them on top of each other. For that reason I
wanted to combine it with the most harmonic of shapes, the simple
circle.
</p>

<p>
You can also see the influences from the second draft, with the
primary visual element &ldquo;peering in&rdquo; from outside. The right-side-text
has also remain almost untouched since the fourth draft, still typeset
in Helvetica Bold/Regular.
</p>

<p>
The issue I had here was that the entire card felt very left-heavy,
with dark, intense colours that were not counterbalanced on the other
side. This once again moved me in a more minimalist direction for the
final design.
</p>
</div>
</div>
<div id="outline-container-eighth-draft" class="outline-3">
<h3 id="eighth-draft">Eighth draft</h3>
<div class="outline-text-3" id="text-eighth-draft">

<figure>
<img src="./business_cards/Gen2Draft8.png" alt="Gen2Draft8.png">

</figure>

<p>
This is by far the most minimalist design yet — not featuring a large
visual element and working almost exclusively with text. The biggest
break that this makes is that it is the first design that doesn&rsquo;t use
Helvetica, the typeface that is almost synonymous with Swiss
design. Instead it uses <a href="https://en.wikipedia.org/wiki/Futura_(typeface)">Futura</a> — a famous Bauhaus-style typeface. That
almost the entire card is empty also serves a practical purpose; it
allows me to write small notes or greetings on cards when giving them
away. This was something I did semi-frequently on the original design,
and so it is a good bonus to have on the continued design.
</p>

<p>
The &ldquo;interlocking&rdquo; of different levels of the name gives it some
visual interest, and contributes to the feeling that it is custom-made
rather than just a template, like in the sixth draft. That each name
begins (and ends) on a different vertical line also makes the text
appear more like a proper design rather than just left-aligned text.
</p>
</div>
</div>
</div>
<div id="outline-container-designing-the-back-of-the-card" class="outline-2">
<h2 id="designing-the-back-of-the-card">Designing the back of the card</h2>
<div class="outline-text-2" id="text-designing-the-back-of-the-card">
<p>
Compared to the front, this was quite easy. This side should not try
to &ldquo;compete&rdquo; with the front for attention, but should more just be a
supportive space for additional information, chiefly a <span class="small-caps">qr</span> code to this
website. For this I had three main approaches.
</p>
</div>
<div id="outline-container-design-one-just-keep-it" class="outline-3">
<h3 id="design-one-just-keep-it">Design one: Just keep it</h3>
<div class="outline-text-3" id="text-design-one-just-keep-it">
<p>
The first idea was to simply keep the same back design as on the
first-generation card; but perhaps invert the colours (black <span class="small-caps">qr</span> code,
white background). This was simple, looked clean, and worked well. But
I did feel like I wanted to make it different, if for no other reasons
than that I now had the ability to.
</p>
</div>
</div>
<div id="outline-container-design-two-adding-some-simple-text" class="outline-3">
<h3 id="design-two-adding-some-simple-text">Design two: Adding some simple text</h3>
<div class="outline-text-3" id="text-design-two-adding-some-simple-text">
<p>
The second idea was developed at the same time as the seventh draft,
as can be easily deduced from the colour scheme. This had the added
benefit of not requiring a phone to scan the <span class="small-caps">qr</span> code if you&rsquo;re sitting
at a computer, and also looked quite good.
</p>


<figure>
<img src="./business_cards/Back1.png" alt="Back1.png">

</figure>
</div>
</div>
<div id="outline-container-design-three-work-in-the-crest" class="outline-3">
<h3 id="design-three-work-in-the-crest">Design three: Work in the crest</h3>
<div class="outline-text-3" id="text-design-three-work-in-the-crest">

<figure>
<img src="./business_cards/Back2.png" alt="Back2.png">

</figure>

<p>
The final eight draft ended up being very empty, even if clean. This
made me reluctant to simply leave the back completely devoid of visual
interest, so I wanted to add the crest there instead. This had the
added benefit tying into the design of the website, someone
&ldquo;travelling&rdquo; from the surface of the card to the website would
immediately feel a sense of connection between the two — the crest acts
as a form of identification that these two things have the same author.
</p>
</div>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
Designing your own business cards is not just a fun project, but it is
also practical. It makes you more willing to give them out, that is
why you made them the way they are after all. I highly recommend
anyone to do the same, and please email me if you do — I&rsquo;d love to see
what you have made. I made all of my designs in <a href="https://inkscape.org/">inkscape</a> a wonderful
free-as-in-freedom vector design tool. I printed my cards at <a href="https://www.pixelpalace.se/">Pixel Palace</a>, an independent print shop in Stockholm. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
There are a multitude of reasons for why I do this, and they are
too multifaceted to quickly cover here.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This 85×55mm size is technically not the same as the &ldquo;<span class="small-caps">iso</span>/<span class="small-caps">iec</span> 7810
<span class="small-caps">id-1</span>&rdquo; size of 85.60×53.98mm that is used for credit cards, but it
should work well enough. The Swedish format is 90×55mm, and so is too
wide to fit into credit card holders.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><figure>
<img src="./business_cards/1959-Gewerbemuseum_Basel-Alte_und_neue_Formen_in_Japan.jpg" alt="1959-Gewerbemuseum_Basel-Alte_und_neue_Formen_in_Japan.jpg"> 

</figure></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><figure>
<img src="./business_cards/adolescents_2.jpg" alt="adolescents_2.jpg">

</figure></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><figure>
<img src="./business_cards/pixies_2_1024x1024.webp" alt="pixies_2_1024x1024.webp">

</figure></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><figure>
<img src="./business_cards/smiths_2_1024x1024.webp" alt="smiths_2_1024x1024.webp">

</figure>


<figure>
<img src="./business_cards/channel_3_1024x1024.webp" alt="channel_3_1024x1024.webp">

</figure></div></div>

<div class="footdef"><sup><a id="fn.7" class="footnum" href="#fnr.7" role="doc-backlink">7</a></sup> <div class="footpara" role="doc-footnote"><figure>
<img src="./business_cards/ZürchlerKünstler.jpg" alt="ZürchlerKünstler.jpg"> 

</figure></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[life]]></category>
  <category><![CDATA[communication]]></category>
  <category><![CDATA[design]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/business_cards.html</link>
  <guid>https://joarvarndt.se/business_cards.html</guid>
  <pubDate>Mon, 15 Sep 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[What is Technique?]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#a-definition">A definition</a></li>
<li><a href="#what-characterises-technique">What characterises technique?</a></li>
<li><a href="#should-can-you-do-anything-about-it">Should/can you do anything about it?</a></li>
<li><a href="#why-is-this-not-more-studied">Why is this not more studied?</a></li>
</ul>
</div>
</nav>
<hr>

<p class="dcap">
In recent time I have noticed a considerable number of academic,
policy, and popular works that have all covered parts of the concept
of <i>technique</i>, without naming it as such. At the same time I have
encountered numerous older writers and thinkers who were very much
aware of the concept. I believe this is because of a lack of knowledge
on the topic, and I have written this as a sort of &ldquo;introduction&rdquo; to
thinking about problems of a technical sort.
</p>
<div id="outline-container-a-definition" class="outline-2">
<h2 id="a-definition">A definition</h2>
<div class="outline-text-2" id="text-a-definition">
<div class="introduction">
<p>
Technique is the intentional method by which to accomplish a given goal.
</p>

</div>

<p>
Technique is a broad concept intentionally enveloping broad parts of
human society and daily life. This was not always the case, but over
time it has become so. From my own experience, thinking about
technique seems to have a mainly continental European origin, and so
it has often been mistranslated to English as <i>technology</i>. This is an
infuriating mistake made worse by the fact that technique is a perfect
translation; technology is merely <i>a</i> manifestation of technique, but
technique has many other forms. It has also been given the following
names:
</p>

<ul class="org-ul">
<li>Capitalism</li>
<li>Socialism<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup></li>
<li>Taylorism</li>
<li>Rationalism</li>
<li>High modernism</li>
<li>Effective Accelerationism</li>
<li>Cybernetics</li>
<li>Globalisation</li>
<li>Technological solutionism</li>
<li>The megamachine</li>
<li>Patriarchy<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup></li>
</ul>

<p>
This is not an exhaustive list, far from it actually, but it should
help give you an idea of technique if you are familiar with some of
these concepts. Some of them, especially capitalism, are often blamed
for a great number of ills in the world. But all of the above share a
belief in the enlightenment idea of <i>progress</i> as both a means and an
end in and of itself.
</p>
</div>
</div>
<div id="outline-container-what-characterises-technique" class="outline-2">
<h2 id="what-characterises-technique">What characterises technique?</h2>
<div class="outline-text-2" id="text-what-characterises-technique">
<p>
Technique has been present in human civilization for as long as we can
remember, simple stone tools are a sign of technology and therefore
technique — a tool created for a specified purpose. But it has only
been in the historically recent past that technique has come to
dominate our lives so intensely. Human society has been fundamentally
transformed numerous times in the last three hundred years, and is
exponentially changing more and more as time goes on. This has been
driven by more and more technical development.
</p>

<p>
Technique is only ever interested in expanding. It has nothing to gain
from decreasing. It will only strive to <i>increase</i> efficiency, but often
increase consumption through <a href="https://en.wikipedia.org/wiki/Jevons_paradox">Jevon&rsquo;s paradox</a>. It seeks to consume
more, at higher performance, to produce more. It impacts our thinking
by forcing us to do what is optimal at all times, and punishing us
either materially or mentally if we do not comply.
</p>

<p>
It seems to me that those who witnessed and lived through the second
world war, who saw what came before and what followed, were the most
aware of this phenomenon. Most famously is perhaps the french
philosopher <a href="https://en.wikipedia.org/wiki/Jacques_Ellul">Jacques Ellul</a>, who wrote the book he would be most famous
for in <a href="https://en.wikipedia.org/wiki/The_Technological_Society">1954</a>. But others who commented on this were <a href="https://en.wikipedia.org/wiki/The_Question_Concerning_Technology">Heidegger</a>, and
perhaps most eloquently the Nazi minister of Armaments <a href="https://www.tracesofwar.com/articles/4573/Final-statement-Albert-Speer.htm">Albert Speer</a>,
whose final statement at the Nuremberg Trials is well worth reading
for anyone interested in the troubles of modernity.
</p>

<p>
Being able to recognize technique is valuable in almost every
field. It is even useful in recognizing the forces driving you in
daily life. But I will share some clear examples so that one can
easily recognize how technique manifests itself in the world.
</p>

<ol class="org-ol">
<li>How the clock controls our lives instead of our bodies deciding
when we rest, eat, play, or work.</li>
<li>How the environment is being plundered and extracted for
ever-increasing production, and how the solution seems to be ever
more production in different ways<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>.</li>
<li>How states are continuously working for increased centralization
and control over its population, even when striving for nominally
democratic values.</li>
<li>How programmers are forced to use <span class="small-caps">llm</span> tools to create code faster,
even when that comes at the <a href="https://blog.val.town/vibe-code">cost of long-term sustainability</a>. This
then creates more work, requiring more labour (or capital).</li>
<li>How public schooling has created a standardized system of spelling
and grammar that one is shamed for misusing.</li>
</ol>

<p>
Technique is always interested in solutions, but it does not care for
what problems those solutions create. Instead, new problems are only
opportunities to apply more techniques, expanding it in the process.
</p>

<p>
When Plato speaks of what is commonly translated as an object&rsquo;s or
occupation&rsquo;s <i>craft</i>, he uses the Greek word <i>tékhnē</i> — itself the
etymological origin for &ldquo;technique&rdquo;. In this sense it refers to the
abstract activity, goal, and shape of a method. In Book I of the
<i>Republic</i>, Socrates speaks to Thrasymachus about not just the tékhnē of
horsemanship or of medicine, but also of the tékhnē of ruling.<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>
Technique then does not have to be a purely mechanical practice;
although it oftentimes uses language and similar ideas to accomplish
its aim.
</p>

<p>
The extent to which technique already dominates the world can not be
understated. On a recent trip to Berlin I was flying over Germany,
gazing down upon the fields of Brandenburg when I was struck by a
feeling of the sublime extraction of our world. Every square meter is
used productively in some capacity, whether that be in the form of
agriculture, forestry, or power production from the wind crossing over
the mighty fields. We have already taken control over the entire
planet and are using its resources maximally for our gain,
environmentalism is really only a matter of the sustainability of this
current form of operation, rather than of the entire enterprise.
</p>
</div>
</div>
<div id="outline-container-should-can-you-do-anything-about-it" class="outline-2">
<h2 id="should-can-you-do-anything-about-it">Should/can you do anything about it?</h2>
<div class="outline-text-2" id="text-should-can-you-do-anything-about-it">
<p>
One of the more famous people raging against the advance of technique
was Ted Kaczynski, an American mathematician, primitivist, and
terrorist. His work <i>The Industrial Society and Its Future</i> advocated
for violent revolution against the technical world.
</p>

<p>
The issue with this approach is that Kaczynski was directly using
technique to promote his agenda. Those who make use of technique will
always have the upper hand as they are able to foster more resources
more intensely, out-competing those who refuse to use technique.
</p>

<p>
Another example is the <i>degrowth</i> movement that seeks to reign in <span class="small-caps">gdp</span>
growth and to instead redirect preëxisting resources toward improving
living standards. Even if noble on a first glace, this will not
succeed due to technique&rsquo;s inherent need for expansion. One recent
example of prioritizing living standards over <span class="small-caps">gdp</span> growth was the
<span class="small-caps">covid-19</span> pandemic, but even that was a technical decision.
</p>

<p>
The question posed in the subtitle is actually a trick; wanting to <i>do</i>
something is itself a technical solution. A purely atechnical solution
would be to not do anything at all about anything. Fighting against it
is really to accept defeat as fighting requires the employment of
several techniques.
</p>

<p>
But this does not mean a total nihilistic despair is one&rsquo;s only
option. A reading of Ellul for example is incomplete without including
his religious writings on how to life faithfully in the world —
something that is atechnical for the most part.
</p>
</div>
</div>
<div id="outline-container-why-is-this-not-more-studied" class="outline-2">
<h2 id="why-is-this-not-more-studied">Why is this not more studied?</h2>
<div class="outline-text-2" id="text-why-is-this-not-more-studied">
<p>
First of all it should be established that the study of technique is
by far the most studied subject in human history. The difference is
just that what is studied are special cases of the application of
technique for specific goals; it is a technical form of study. The
only fields that are not technical are those that do not aim for any
sort of goal, product, or accomplishment. Theology can therefore be
both technical or non-technical, depending on the objectives and
methodology.
</p>

<p>
It is an interesting observation that the study of technique achieved
its peak (and quick decline) immediately following the second world
war. My personal belief is that this is because while European and
chiefly German thinkers clearly saw the ugly nature and consequences of
the technical machine when fully employed, those in North America did
not experience qua whole-of-society this force.
</p>

<p>
When the American mode of thought became the dominant one in the west
it reinforced this technique at all costs mindset, just as it did in
the Soviet Union. That Europeans continued the study of technique
after the war (through things such as the Frankfurt Schools
inheritance of Heidegger&rsquo;s technological critiques) undermined their
dominance in the technical world.
</p>

<p>
That the war left the regions most aware of this aspect devastated and
weak (and those left comparatively unharmed proportionally unaware and
strong) is itself a method by which technique expands its employment —
those that more efficiently apply technique will conquer those who do
not. Special attention should not be taken to this specific example
however, it is a general fact that applies to human society for as
long as there has existed anything that could be called as such<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup>. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
That both capitalism and socialism are present here may seem like
a mistake, but they are both heavily technical. Communism is not
inherently technical (see primitive communism), but it can be — as in
the case of <a href="https://en.wikipedia.org/wiki/Fully_automated_luxury_communism">Fully automated luxury communism</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Judy Doyle writes in <i>Dead Blondes and Bad Mothers</i>:
</p>

<blockquote>
<p>
Patriarchy is not just a structure, but an ethos—one that prizes
control and order, the imposition of clean rules on messy realities
[…] Patriarchy aims to clean up the mess. It reaffirms men and their
importance by imposing artificial male-created, standards on organic,
usually female-created flesh. Men subdue and hold dominion over
matter/mater/mothers through the use of tools and rules, artificial
creations that allow one to bring a subject under control while also
holding it at a distance: laws, swords, guns, but also science,
technology, medicine, everything that aims to discipline and subdue
the chaotic female body of the world.
</p>
</blockquote>

<p class="footpara">
I disagree with this being a symptom of patriarchal society
specifically, but Doyle is entirely correct in pointing out these
elements of our current patriarchal society — she just misattributes
this to men controlling what she believes to be an innately chaotic
female world. 
</p>

<p class="footpara">
In fact, men are in many ways more chaotic (quick to anger, violent)
than women.  That men are the rational, calculating sex needing to
tame and control the wild, hysterical woman is itself more of a
patriarchal myth. Feminism itself is in many forms an extension of
technique; the early arguments made by <a href="https://www.jstor.org/stable/3749607">Plato</a> (in the <i>Republic</i>) and
Mill (in <i><a href="https://en.wikipedia.org/wiki/The_Subjection_of_Women">The Subjection of Women</a></i>) are both arguments of a technical
sort.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
In the form of renewable energy, electric cars, and hydroponics. 
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
It is in fact this latter technique that Socrates is most
interested in studying.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
For another example, see the primitive corporatism that allowed
Sparta to vanquish Athens in the Peloponnesian War.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[technique]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/technique.html</link>
  <guid>https://joarvarndt.se/technique.html</guid>
  <pubDate>Wed, 20 Aug 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Land Value in the Digital Realm]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#what-is-the-value-of-land">What is the value of land?</a></li>
<li><a href="#what-is-digital-land">What is digital land?</a></li>
<li><a href="#taxing-digital-land">Taxing Digital Land</a></li>
<li><a href="#downsides">Downsides</a></li>
</ul>
</div>
</nav>
<div id="outline-container-what-is-the-value-of-land" class="outline-2">
<h2 id="what-is-the-value-of-land">What is the value of land?</h2>
<div class="outline-text-2" id="text-what-is-the-value-of-land">
<p class="dcap">
Adam Smith divides the economic forces into three areas for, the
profit obtained from labour, that from capital (or stock), and that
obtained from land. The value extracted from land is here the natural
resources of the earth, the sunshine and rain that lands there
(allowing for agriculture), the timber that can be cut down, or the
ore to be mined. But there is another value that can be obtained from
the land.
</p>

<p>
In the movie <i>Up</i> (2009) the protagonist Carl Fredricksen refuses to let
his villa be demolished despite the large amount of development
occurring around him. Since he owns the land that the house is built
on, the construction companies can not develop it, even as it is
surrounded by soon-to-be skyscrapers. Mr Fredricksen is offered &ldquo;twice
[as much as the] last offer&rdquo;, showcasing the value of the land. But Mr
Fredricksen has not exploited the land at all, he has simply continued
living in his house as the area was developed. So where has this value
come from?
</p>

<p>
It has come from the labour and capital of others, in its proximity to
services provided by the rest of society. This is the observation made
by Henry George, one of the great (but quite overlooked) economists of
the 19th century. The value of land is then partly the natural
resources in and on the land, but the value of the land is also a
social construction originating from how much the rest of society
wishes to make use of that land.
</p>

<p>
When American settler colonialism spread over the North American
continent, the <span class="small-caps">us</span> government gave out the lands settled for free. This
perhaps sounds like an amazing deal today, but it is easy to overlook
the fact that the value of the land was perhaps zero, or at least
close to it. It had no significant infrastructure present, was located
far away from centres of industry and trade, and was surrounded by a
hostile nomadic population. And yet today the value of land in the Las
Vegas Strip, built in the close-to uninhabitable Mojave desert, is
extremely high simply due to the amount of wealth and development in
Las Vegas.
</p>

<p>
While land may have some innate value, the value of land is mostly a
social <i>construction</i> created by the labour and investment of society.
</p>
</div>
</div>
<div id="outline-container-what-is-digital-land" class="outline-2">
<h2 id="what-is-digital-land">What is digital land?</h2>
<div class="outline-text-2" id="text-what-is-digital-land">
<p>
Digital land is however practically infinite. Much like the vast
expanse of the empty American continent, it is mostly worthless, with
a few islands of &ldquo;civilisation&rdquo;. The most obvious example of this are
domain names. <a href="https://google.com">google.com</a> may be the most valuable domain name right
now, but it does not obtain its value from any innate quality, but
merely from the service that is running when one connects to that
domain. <a href="https://gooåle.com">gooåle.com</a> does not have any value, despite being &ldquo;close&rdquo; to
<code>google.com</code>.
</p>

<p>
Short domain names, like the (in)famous <a href="https://x.com">x.com</a> or the more wholesome
<a href="https://x.org">x.org</a> are by some measures valuable due to their rarity<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>, but many
very short domain names are still very cheap. Something that makes a
bigger difference is if the domain is a word in any language, or an
acronym for a series of words (although it turns out many of these are
also <a href="https://gwern.net/tla">unused</a>). That domain names that are words are more valuable makes
clear that their value is of a social nature; had the names and words
been different we would expect different domain names to be
valuable. To summarise, the value of a domain name <i>mostly</i> originates
from what is built on it, not any innate quality, just as the value of
land originates <i>mostly</i> from where it is relative to other valuable
land.
</p>

<p>
But this observation is not limited to domain names, but also to
&ldquo;digital platforms&rdquo;. Facebook does not derive its value from its <span class="small-caps">ui</span> or
its ability for targeted advertisement, but rather from its active
user base. The conceptual location of <i>Facebook</i> derives its value from
the fact that there are many other users there to interact with.
</p>

<p>
This is likely not too surprising for many readers, who may have even
tried to ditch Facebook specifically (or thought about doing so) but
given up due to the fact that &ldquo;everyone else is on there&rdquo;. In
economics, this is called a <a href="https://en.wikipedia.org/wiki/Network_effect">network effect</a>, where the more people use
a service, the more useful it becomes. But this is not always
beneficial to the consumer.
</p>

<p>
When a service has obtained enough market share, it becomes impossible
for the user to change to a different provider, as the dominant player
absorbs all new users with it&rsquo;s huge network effects, causing an
enormous collective action problem with thousands, if not millions, of
individual actors. This inability to switch means that the dominant
player can extract extra costs on to the consumer, either via directly
raising prices or through indirectly exposing them to more and more
advertisement. This is in effect a tax on the consumer, not connected
to the costs of costs of providing a service, but instead a mere
increase in the share of profit.
</p>

<p>
It may not be immediately clear, but much (if not all) of this applies
to land too. As we have already established, land derives its value
from the fact that other people are using it, or at least people
nearby. But what we have not covered is the fact that controlling land
that is in demand — land in cities especially — allows the owner to
charge exorbitant prices to those who wish to make use of it. You can
rent out a plot of land in the middle of Manhattan for much more than
you could a similarly sized plot in the Libyan desert, for example. If
there were two identical hotels in each of those places, the prices I
could charge would both differ. There would of course be running costs
that would be incorporated into the price, and the price in the desert
may even be higher, but the share of profit I could take from the one
located in New York is far greater. This is because my customers are
not only paying for the services of the hotel — the food, the
maintenance of the building, paying the staff — but also for the
labour and investment of all the people surrounding the hotel, who you
might want to visit, for which I do not have to pay anything at
all. This is how digital services expose their quality as land, as a
digital space where the labour of others is used to extract an
artificially high profit without a proportionately high amount of
investment or work.
</p>
</div>
</div>
<div id="outline-container-taxing-digital-land" class="outline-2">
<h2 id="taxing-digital-land">Taxing Digital Land</h2>
<div class="outline-text-2" id="text-taxing-digital-land">
<p>
No human being created land, and so no one has claim to it
originally. In <i>Das Kapital</i>, Marx, as part of his reasoning behind
<a href="https://en.wikipedia.org/wiki/Primitive_accumulation_of_capital">primitive accumulation</a>, describes how the origin of land and wealth
ownership is where &ldquo;conquest, enslavement, robbery, murder, briefly
force, play the great part&rdquo;. Henry George concurs, saying that
</p>

<blockquote>
<p>
Historically, as ethically, private property in land is robbery. It
nowhere springs from contract; it can nowhere be traced to perceptions
of justice or expediency; it has everywhere had its birth in war and
conquest, and in the selfish use which the cunning have made of
superstition and law.
</p>
</blockquote>

<p>
It is then morally unjust <i>not</i> to tax the increased value granted to
land by the rest of society. But digital land is not the same, it <i>was</i>
created by man, and there is no deeply ingrained story of murder and
robbery within it, except perhaps wasted time. Is it then simply the
case that the rent earned on the network effects of digital
communication is the reward earned by those early movers who dared to
risk their money and time? The answer is no.
</p>

<p>
Obviously the entrepreneurs starting these companies should receive a
financial return on their investments (and it may be the case that
they are dominant in their sector simply due to being the best) but
they are not responsible for the returns owing to network
effects. Companies should then be taxed for the value of these
effects, since the users are those responsible for creating this value
in the first place. Some major tech companies have repeatedly
threatened to stop offering their services in the European Union after
certain law proposals like the <span class="small-caps">gdpr</span>, but have chickened out of doing
so. This is because their profit originates from those users, and
their ability to not only use them to create the very value of their
digital land, but at the same time to extract rent from our digital
neighbours&rsquo; presence there.
</p>

<p>
This system of taxation is called a land value tax (<span class="small-caps">lvt</span>), a tax on the
underlying value of the land, excluding any buildings or improvements
to it. This has many benefits, such as the ethical merit of returning
the stolen money to those who deserve it, improving economic growth by
not hurting developers of land (like a property tax does), and
allowing people to live where they want to live by giving workers a
larger share of the value they produce. But one massive benefit is the
ease of collection.
</p>

<p>
Taxes on wealth are famously difficult to collect, as money is easy to
move around or deny possession of. But land is far more difficult. A
plot of land with a given value should return a set amount of money,
or else be seized by the state and sold. Who owns it doesn&rsquo;t matter,
and denying ownership doesn&rsquo;t prevent losing it. Land can not be moved
to a tax haven overseas or hidden away, it is not difficult to
determine what tax jurisdiction it is present in. But digital land
does not exist in <i>any</i> tax jurisdiction. It is a purely anational
concept that transcends the nation state. So who should determine the
tax, and to whom does it belong?
</p>

<p>
Who should collect the tax is comparatively easy, the country where
users are present. A German-focused website should not pay any taxes
to the Indian government, and an internationally used service (like
Facebook) should pay taxes the each jurisdiction corresponding to its
share of users. This has in practice already been proposed under the
name of a <i>Digital Services Tax</i> (<span class="small-caps">dst</span>) although the name might make you
think it is a tax on digital labour rather than digital land. <span class="small-caps">dst</span>s are
quickly becoming increasingly popular, especially in rich-world
countries that lack a significant presence in these digital spaces
such as India, the <span class="small-caps">eu</span>, The Commonwealth, and Israel. That these states
have in practice independently discovered the teachings of Henry
George almost 150 years later, albeit in cyberspace rather than the
real world. If that fact does not convince you, I would recommend you
read <i>Progress and Poverty</i> yourself and
<a href="https://joarvarndt.se/about.html">email</a> me your thoughts on it.
</p>
</div>
</div>
<div id="outline-container-downsides" class="outline-2">
<h2 id="downsides">Downsides</h2>
<div class="outline-text-2" id="text-downsides">
<p>
This is not a perfect solution. An <span class="small-caps">lvt</span> is by comparison far more
elegant, and is less liable to loopholes. One of the elegances of an
<span class="small-caps">lvt</span> is the ease of collection and of its undeniable nature, but a <span class="small-caps">dst</span>
is much harder to &ldquo;pin down&rdquo;.
</p>

<p>
Companies could deny user metrics, and the very fact that one needs to
<i>track</i> users in the first place is problematic. It is not only
concerning from an ethical viewpoint but for technical reasons as
well; and it philosophically contradictory to the Laissez-Faire
evolution of the digital realm that has facilitated its
construction. It is also hard to apply to other forms of digital land
that don&rsquo;t have easy-to-split-up revenues, like cryptocurrencies or
the value of <span class="small-caps">nft</span>s.
</p>

<p>
The implementation is also perhaps more formulated as a response to
digital rent-seeking as a whole, rather than a system to reduce
rent-seeking in collective digital spheres specifically. I am thinking
about these subjects continuously, so do reach out if you have any
solutions or other ideas. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
This is made worse by the fact that only three single-character
<code>.com</code> domains are still available (that being <a href="https://q.com">q.com</a>, <a href="https://x.com">x.com</a>, and <a href="https://z.com">z.com</a>),
the rest being held by <span class="small-caps">iana</span>.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[technology]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/DigitalLand.html</link>
  <guid>https://joarvarndt.se/DigitalLand.html</guid>
  <pubDate>Wed, 06 Aug 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[A Phenomenology of the PRC]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#introduction">Introduction</a></li>
<li><a href="#obstacles-to-travelling-on-the-mainland">Obstacles to Travelling on the Mainland</a>
<ul>
<li><a href="#differing-technological-ecosystems">Differing Technological Ecosystems</a></li>
<li><a href="#the-scale-of-the-great-firewall">The Scale of the Great Firewall</a></li>
</ul>
</li>
<li><a href="#experiences-of-china">Experiences of China</a>
<ul>
<li><a href="#rules">Rules</a></li>
<li><a href="#the-physical-environment">The Physical Environment</a></li>
</ul>
</li>
<li><a href="#conclusion">Conclusion</a></li>
</ul>
</div>
</nav>
<div class="intro">
<p>
This is part of a series of posts written during or shortly after my
visits to the mainland of the People&rsquo;s Republic of China in the summer
of 2025.
</p>

</div>
<div id="outline-container-introduction" class="outline-2">
<h2 id="introduction">Introduction</h2>
<div class="outline-text-2" id="text-introduction">
<p class="dcap">
In my <a href="https://joarvarndt.se/deepseek.html">musings on deepseek</a> I wrote on the general economic environment
in the <span class="small-caps">prc</span>, and how it differs from the central-planning-oriented one
that has come to dominate the view in the west, even if
subconsciously. Here I wish to offer a less &ldquo;big picture&rdquo; perspective,
one that is more focused on the boots-on-the-ground perspective of
travelling around China. It will not be representative of anything
except my own perspective, and they will by definition misrepresent
the truth as it is merely a sample size of one.
</p>

<p>
I travelled in to China in early June 2025 with my girlfriend, and as
of writing this<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> will soon be leaving in early July, having visited
for roughly one month. While here I have been trying to rapidly learn
Standard Chinese, although the extent to which I have been successful
is dubious. I have however learnt a lot, significantly more than I
could have predicted before coming here. The majority of my time was
spent in the capital of Beijing (北京, literally &ldquo;Northern Capital&rdquo;),
but I also took an excursion to Nanjing (南京, literally &ldquo;Southern
Capital&rdquo;), and to the beautiful mountains of Huangshan via Huangshan
City (formerly Tunxi) and the tiny tourist-dependent town of
Tangkuo. I have then been in cities with a population of 22 million, 9
million, 1.5 million, and less than 15000 people respectively.
</p>
</div>
</div>
<div id="outline-container-obstacles-to-travelling-on-the-mainland" class="outline-2">
<h2 id="obstacles-to-travelling-on-the-mainland">Obstacles to Travelling on the Mainland</h2>
<div class="outline-text-2" id="text-obstacles-to-travelling-on-the-mainland">
<p>
In the build-up to travelling, we asked numerous friends and
friends-of-friends who had travelled to the <span class="small-caps">prc</span> if they had any
concrete tips. While of course helpful and welcomed, most where
superficial and therefore largely fruitless<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>. Instead these are some
of the major obstacles I encountered that were not trivial.
</p>
</div>
<div id="outline-container-differing-technological-ecosystems" class="outline-3">
<h3 id="differing-technological-ecosystems">Differing Technological Ecosystems</h3>
<div class="outline-text-3" id="text-differing-technological-ecosystems">
<p>
Despite Chinese claims of trying to &ldquo;open up to foreign tourism&rdquo;, the
de–facto monopoly of wechat for &ldquo;registrations&rdquo; to popular tourist
attractions<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup> (something that appears to be relic of the <span class="small-caps">covid-19</span>
pandemic) is one of the biggest issues as a foreign tourist.
</p>

<p>
Obtaining a wechat account can be surprisingly difficult for a
foreigner since it requires another preëxisting wechat user vouching
for you. Using a foreign phone number may also brick certain
applications that automatically fill in your phone number, since it
then includes a leading &ldquo;+&rdquo; that Chinese phone numbers usually omit. I
am not a fan of the wechat application generally either, since buttons
would commonly not register any input, and the app failed to load any
language other than Chinese for its <span class="small-caps">ui</span>. In comparison alipay generally
worked without any issues and even has a built-in &ldquo;translation&rdquo;
feature that translates its &ldquo;Mini-apps&rdquo; (webpages) into the target
language.
</p>
</div>
</div>
<div id="outline-container-the-scale-of-the-great-firewall" class="outline-3">
<h3 id="the-scale-of-the-great-firewall">The Scale of the Great Firewall</h3>
<div class="outline-text-3" id="text-the-scale-of-the-great-firewall">
<p>
China&rsquo;s &ldquo;Great Firewall&rdquo; is not a secret, but what is less talked
about is its dual nature. Just like a physical wall, it is not just
capable of holding things out, but also of holding things <i>in</i>. More
puzzling is not just the obvious requirement to have a <span class="small-caps">vpn</span> to connect
to western services, but also the fact that mainland websites are
often not accessible with a <span class="small-caps">vpn</span>.
</p>

<p>
I do not know why this is the case but from what little I&rsquo;ve heard of
the technical descriptions of the firewall it doesn&rsquo;t rely on a wholly
separate <span class="small-caps">dns</span> system, so I don&rsquo;t know what causes this (Does China
perhaps block all Mullvad <span class="small-caps">vpn</span> connections from abroad?). It is however
quite interesting as a sort of &ldquo;pull&rdquo; measure to keep Chinese netizens
travelling or living abroad in the Chinese internet, as opposed to the
&ldquo;push&rdquo; method of blocking foreign sites.
</p>
</div>
</div>
</div>
<div id="outline-container-experiences-of-china" class="outline-2">
<h2 id="experiences-of-china">Experiences of China</h2>
<div class="outline-text-2" id="text-experiences-of-china">
<p>
I have found the Chinese people very welcoming and friendly. There is
a noticeable absence in foreigners, not just in my personal
experience, but also in seeing the reactions of the Chinese people to
my presence. It is not uncommon to receive stares when walking around
in public from people of all walks of life, but especially from
children and the elderly. This is more prominent outside of
Beijing. Many would very kindly ask to take pictures, leading more
people quickly working up the courage to ask. This, combined with
general compliments regarding one&rsquo;s appearance, boosted my ego quite a
bit and created an aura of celebrity.
</p>

<p>
There is also what seems to be a complete inability to understand the
existence of other languages among many people, with people continuing
to speak in fast and difficult Chinese despite the obvious limitations
in both my communicative abilities and understanding.
</p>

<p>
This is quite puzzling, as I understand English is still taught in
schools and the English signage, to the extent that it exists, is a
reminder of the broad variety of language across the world. But
perhaps schools teach quite limited English (similarly to the level of
German, French, or Spanish often taught in Swedish schools),
compounded with a lack of opportunities to practice often.
</p>

<p>
Many seemed to have a positive view of Sweden, perhaps as a
consequence of the beautiful name in Chinese — ruidian (瑞典),
auspicious canon. One inebriated Chinese man thought that the Swedes
were great friends of the Chinese people. He was however very sure
that we were eastern Europeans, something even an eastern European
would deny.
</p>
</div>
<div id="outline-container-rules" class="outline-3">
<h3 id="rules">Rules</h3>
<div class="outline-text-3" id="text-rules">
<p>
The biggest surprise to me of all was what I half-heartedly named the
<i>overcontrol</i> of the Chinese. The Chinese generally showed a lack
respect for normative rules, such as standing in line and waiting for
people to disembark the subway before entering. My hypothesis is that
there is such an overabundance of restrictions and formal rules that
people stop thinking in normative ways and subconsciously see
everything not explicitly forbidden as being allowed. This then leads
to a collective action problem, where small actors are forced into
enacting strict rules so as to manage the otherwise lawless
public. The most egregious example of this is the incredible number of
battery-powered megaphones with pre-recorded messages, the overuse of
which has often made it completely impossible to relax in many
places. Public authorities and private enterprise both use this
extensively to hammer in certain specific rules<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>.
</p>

<p>
Security guards at any of the numerous security checks do not feel any
urge to maintain strict vigilance but instead merely wave hand-held
metal detectors around one&rsquo;s midsection, not caring if it goes off or
not. Security guards would often let me pass merely at the sight of an
international passport, incapable of interpreting how to use it in a
rigid machine of identity checks. The level of vigilance decreases
further when one travels further away from the capital, where even in
the provincial capital of Nanjing a security checkpoint let us through
with what we later realised was not a valid registration.
</p>

<p>
Entry into Tiananmen Square has perhaps the strictest security checks
— with bags both X-rayed and manually checked — but even then it would
be trivially easy to bring in a camera and some controversial flags,
or as I did myself: a glass bottle that could have been smashed and
used as a weapon. I guess this is a problem with all security checks,
they are usually easy to circumvent for those actually wanting to do
harm while adding costs and wasting time for everyone else.
</p>
</div>
</div>
<div id="outline-container-the-physical-environment" class="outline-3">
<h3 id="the-physical-environment">The Physical Environment</h3>
<div class="outline-text-3" id="text-the-physical-environment">
<p>
A pleasant surprise I had was the widespread adoption of electric
vehicles (<span class="small-caps">ev</span>s). Not only am I happy for general environmental reasons,
but also for selfish reasons. The share of <span class="small-caps">ev</span>s, especially electric
scooters, means a much lower level of background noise.
</p>

<p>
For this reason walking down the streets of Beijing was very
pleasant. The <span class="small-caps">ev</span>s combined with the large umber of trees — that
reminded me of Berlin — and high buildings meant that the little sound
that was created by traffic was compartmentalised and then muffled.
</p>

<p>
The scooters are also a stark reminder that most people don&rsquo;t need to
own a car, especially not those who live in large cities. Cars should
ideally only be used for transporting goods or large items, are people
should take public transport or smaller vehicles that can criss-cross
around the city.
</p>
</div>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
I generally enjoyed my trip tremendously, although the cost of
accommodation, travel, and administration (such as a visa) made the
initial cost quite high. In comparison it was very cheap to travel
around in the country, as well as to eat out — and the food was very
good. I would like to return again some day, but my economic situation
will likely mean I&rsquo;ll have to wait.
</p>

<p>
I wish the people of mainland China all the best, and was continuously
reminded by the wise words of the French author Victor Hugo that he
wrote when prompted upon his thoughts of the burning of the
Yuanmingyuan (圆明园) in 1860<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup>:
</p>

<blockquote>
<p>
The crimes of those who lead are not the fault of those who are led;
Governments are sometimes bandits, peoples never.
</p>
</blockquote>

<p>
❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
A supermajority of this text was written while I was still in the
<span class="small-caps">prc</span>. It was edited and published after I had returned to Sweden.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
One example being that &ldquo;Tiananmen square is adjectent to the
Forbidden City&rdquo;, something that borders on tautology due to Tiananmen
famously being the entrance to the Forbidden City; the square merely
named after it.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Examples include, but are not limited to:
</p>
<ol class="org-ol">
<li>Tiananmen Square.
<ul class="org-ul">
<li>Mao Zedong&rsquo;s Mausoleum, which lies within the confines of the
square, requires a separate wechat reservation.</li>
</ul></li>
<li>Most major Museums.</li>
<li>The Mausoleum of Sun Yat-sen in Nanjing.</li>
</ol></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The most common announcement I heard was by a wide margin the
reminder to &ldquo;Stand firm and hold handrail [sic]&rdquo; while riding the
escalator in the subway, a lesson that I never expected needed
explicit learning, and otherwise would be quickly learned after
standing slightly too close to the edge a single time. In my month
long stay, I estimate I heard it roughly 600 times.
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The words of which are present at the site of the Yuanmingyuan,
along with a state of Victor Hugo.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[china]]></category>
  <category><![CDATA[culture]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/chinese_phenomenology.html</link>
  <guid>https://joarvarndt.se/chinese_phenomenology.html</guid>
  <pubDate>Fri, 18 Jul 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[A Cohesive Note-taking and Academic Workflow in Emacs]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#why-emacs">Why Emacs?</a></li>
<li><a href="#mathematics-in-emacs">Mathematics in Emacs</a></li>
<li><a href="#humanities-and-the-social-sciences">Humanities and the social sciences</a></li>
<li><a href="#deliverables">Deliverables</a>
<ul>
<li><a href="#group-work">Group work</a></li>
</ul>
</li>
<li><a href="#conclusion">Conclusion</a></li>
</ul>
</div>
</nav>
<div id="outline-container-why-emacs" class="outline-2">
<h2 id="why-emacs">Why Emacs?</h2>
<div class="outline-text-2" id="text-why-emacs">
<p class="dcap">
I have been using <span class="small-caps">gnu</span> Emacs for about three years now. I initially
began using it after completing a semester of introductory programming
classes exclusively in <span class="small-caps">gnu</span> Nano, with a series of shell scripts to
compile and run <code>C#</code> code, and to set up a trio of terminals; one for
code editing, one for compilation, and one to actually run the <span class="small-caps">cli</span>
program I was writing. I had practically created my own little system
for terminal multiplexing. This might sound like hell, and in
hindsight it was. I was not even aware of some of the abilities of
nano to perform syntax highlighting, display line numbers, indent
lines <i>et cetera</i>. I merely needed something quickly to write text in,
and was horrified at my classmates who had to sit idly and wait for
visual studio to start or restart after crashing, it did not help that
visual studio was not even available in platform of my choice. In the
beginning I only needed to write short programs, simple loops, input
and output and the like, and so the simplicity of nano was not in any
way a burden — in some ways it was even a boon due to its quick
startup time and lack of clunky <span class="small-caps">ui</span>. But eventually I found it annoying
having to create and resize my layout of terminals and writing long
commands to get Microsoft&rsquo;s Windows-centric tooling to compile on
Linux became a chore. So I created little scripts to optimize my
workflow. Nothing incredibly complex mind you, just little fixes here
and there. When what is called &ldquo;fall break&rdquo; in Sweden came around I
decided to ditch Nano entirely. I had friends who used Vim, but being
a staunch hipster I decided I couldn&rsquo;t copy them, at least not without
trying the alternatives.
</p>

<p>
And so I started out with <span class="small-caps">gnu</span> Emacs. The approach of an environment I
could extend <i>in-situ</i>, rather than having to deal with a multitude of
different tools obviously appealed to me greatly, having done so
earlier using shell scripts. I completed my assignments much faster
than I was expected to, and used the extra time in class to <a href="https://www.gnu.org/software/emacs/manual/html_node/eintr/index.html">read</a> <i>An
Introduction to Programming in Emacs Lisp</i> from within Emacs, making me
more and more inclined to extend and shape Emacs to my own
needs. Eventually I found out about <a href="https://orgmode.org/">org-mode</a> and started to use it for
very simple notes, quickly jotting down grocery list and project
outlines. The big threshold came when I discovered the in-built
functionality for \(\LaTeX\) exports. I had some early encounters with
latex, but most of my knowledge was limited to what it was
conceptually and how to write <code>\frac{}{}</code>. However, the default <code>article</code>
class that is used when exporting from org-mode looks very nice, at
least compared to what I was writing in LibreOffice or Google Docs. It
is of course possible to get a similar quality in output from a
<span class="small-caps">wysiwyg</span><sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> editor, but the amount of time you&rsquo;d have to put in to do
so is much larger than simply writing the text in org-mode and
pressing <code>C-c C-e l p</code>. This of course does not have any impact on the
quality of output, but as a fan of typography I like to think that a
nicely formatted document enhances ones Aristotelian <i>ethos</i>, in that
your credibility as a writer is improved in the eyes of the
reader. Emacs therefore became relevant in not just my programming
classes and microcomputer classes, but also all classes that involved
some sort of essay or technical writing — Swedish, English, religious
studies, history, engineering, and management. But there were two main
subject that took up a considerable portion of my time where I had to
put my cohesive Emacs workflow aside and resort to traditional
techniques: physics and mathematics.
</p>
</div>
</div>
<div id="outline-container-mathematics-in-emacs" class="outline-2">
<h2 id="mathematics-in-emacs">Mathematics in Emacs</h2>
<div class="outline-text-2" id="text-mathematics-in-emacs">
<p>
For taking notes I started out with a simple <code>notes.org</code> file,
separating subject and topics organically with headers. I would
recommend other to do the same. Initially, simply writing things down
is the goal, and any optimisations will likely result in a <a href="https://xkcd.com/1205/">net loss</a>. I
was inspired by Gilles Castel&rsquo;s next-to famous <a href="https://castel.dev/post/lecture-notes-1/">series</a> of blog posts on
his note taking in LaTeX and vim, particularly his emphasis on &ldquo;no
delay [being] acceptable&rdquo;. Of course, there are significant deviations
in mine and Castel&rsquo;s approaches and, to be perfectly honest, I think
his notes are of a far superior quality. The primary difference is in
medium; while the mathematics are written in latex, I prefer to write
prose in the much lighter syntax of org mode or markdown, no <code>\emph</code> for
me. Instead, I use <code>org-latex-preview</code> and <code>org-fragtog</code> to display latex
inline and use the org documents themselves as notes instead of
exporting them to <span class="small-caps">pdf</span>. Here is an example of a quick step-by-step way
to solve first order differential equations using the integrating
factor:
</p>


<figure>
<img src="https://joarvarndt.se/IntegerandeFaktor.png" alt="IntegerandeFaktor.png">

<figcaption><span class="figure-number">Figure 1: </span>Image detailing the appearance of a section of latex and prose.</figcaption>
</figure>

<p>
While Karthink has <a href="https://karthinks.com/software/latex-input-for-impatient-scholars/#fnref:5">shown</a> that you absolutely do not need to rely on
writing snippets as Castel does, I still take that approach. Karthink
relies heavily on <a href="https://www.gnu.org/software/auctex/">auctex</a>, an amazing suite for writing latex in Emacs,
but most auctex functionality can not be used directly in
org-mode. <a href="https://github.com/cdominik/cdlatex">cdlatex</a>, by the same author as org-mode, is however very
useful through the <code>org-cdlatex-mode</code> minor mode. It allows for
auto-completion of commonly written things like \(^{\text{super}}\) /
\(_{\text{sub}} \text{-scripts}\) and Greek letters. It also creates a
&ldquo;just press tab whenever you want to continue writing&rdquo; workflow that
will move point in or out of delimiters and complete symbols. This
combined with a liberal set of custom expanding templates using
<a href="https://github.com/joaotavora/yasnippet">yasnippet</a> creates a fast and coherent system since yasnippet also uses
<code>TAB</code> as a key by default, meaning that you can spam it throughout
writing, only thinking about the math conceptually as you&rsquo;re listening
to the lecturer.
</p>

<p>
But Emacs is not limited to writing mathematics merely in a
documentary fashion, but also in a practical one. While theoretical
mathematics operate on the syntax of math itself (algebraically),
physics is often times interested in the actual values of the
operations. For this I often quickly wrote mathematics in polish
notation directly, also known as Emacs lisp. I find algebra difficult
in polish notation, and so I usually do it in latex first, only
performing the last numerical calculation in lisp.
</p>


<figure>
<img src="https://joarvarndt.se/LatexPhysics.png" alt="LatexPhysics.png">

<figcaption><span class="figure-number">Figure 2: </span>Algebra being written in latex, while an org-mode elisp block performs the final calculation to 91°C.</figcaption>
</figure>

<p>
This is what I would call the &ldquo;killer app&rdquo; of org-mode compared to
other note taking applications like obsidian or pure \(\TeX\)
files. Being able to instantly tap into a programming language is
really powerful, but it also <i>feels</i> very powerful, even when doing
trivial things. Quickly being able to jot down numerical calculations
(and having them written down for future reference) is quite useful.
While I am sure one can write notes in Jupyter notebooks and other
computational documents I have yet to hear of someone do
this<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>. Emacs&rsquo; configurability means that one can easily adapt it to
one&rsquo;s own needs rather than either writing your own incomplete tooling
or learning someone else&rsquo;s workflow.
</p>
</div>
</div>
<div id="outline-container-humanities-and-the-social-sciences" class="outline-2">
<h2 id="humanities-and-the-social-sciences">Humanities and the social sciences</h2>
<div class="outline-text-2" id="text-humanities-and-the-social-sciences">
<p>
After high school I have taken a break from the hard sciences and
studied a few different subjects at Stockholm University and the
Swedish Defence University. What strikes me as fundamentally different
is that while mathematics builds on itself very clearly, where you
directly use earlier knowledge to explore new topics, the social realm
is a lot more &ldquo;flat&rdquo;. One can jump directly into Foucault&rsquo;s
postmodernism or Hegel&rsquo;s Phenomenology and, while of course missing
valuable context, still enjoy a degree of understanding. Comparatively
it is quite difficult to get any sort of a grasp for quantum
chromodynamics without firm knowledge of the structure of the atom. I
also felt that studying depended much more on obtaining a breadth of
ideas and perspectives rather than sitting down and mastering whatever
new topic the lecture had covered. This then called for a radically
different approach.
</p>

<p>
I ditched my former monolithic &ldquo;one large file&rdquo; approach and instead,
somewhat reluctantly I admit, began using <a href="https://www.orgroam.com/">Org roam</a>. I was critical
toward the preaching I observed being done by users of various
Zettelkästen systems and felt like the idea of a &ldquo;second brain&rdquo;
encompassing all your knowledge were useless. Having used the system
for almost a year now I still feel the same way. It is quite useful to
be able to link ideas, since broad concepts and actors often show up
in multiple areas<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>.
</p>


<figure>
<img src="https://joarvarndt.se/ui-graph.png" alt="ui-graph.png">

<figcaption><span class="figure-number">Figure 3: </span>My org-roam-ui appearence the morning of 2025-02-10, after roughly 9 months of use. I find the graph useless in practice, but fun to see develop. It is still a net-positive in my life.</figcaption>
</figure>

<p>
I also took inspiration from Gregory Stein to create an org-mode
<a href="https://cachestocaches.com/2020/3/org-mode-annotated-bibliography/">bibliography</a> that combines notes of books and articles with their
respective <code>bibtex</code> entries. Here I am back to the monolithic file
approach, with each book or article read merely separated into
different broad categories<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>. I have quite a backlog of saved <code>.pdf</code>
files that I would like to convert to this new bibliography, but I do
not have the time to do it all manually. To start I instead just asked
an <span class="small-caps">llm</span> to convert my hand-written citations for coursework into <code>bibtex</code>
entries and sorted them into the file. I will let it grow organically
from there.
</p>


<figure>
<img src="https://joarvarndt.se/bibliography.png" alt="bibliography.png">

<figcaption><span class="figure-number">Figure 4: </span>A list of org-mode headers separating my topics, with the ones in &ldquo;Nuclear Weapons&rdquo; and &ldquo;Economics&rdquo; open, also showing the summary of <i>The Economic Weapon: The Rise of Sanctions as a Tool of Modern War</i>.</figcaption>
</figure>
</div>
</div>
<div id="outline-container-deliverables" class="outline-2">
<h2 id="deliverables">Deliverables</h2>
<div class="outline-text-2" id="text-deliverables">
<p>
Academia is in the end a forum for the exchange of new ideas, and the
most efficient mode for the spread of ideas <a href="https://graydon2.dreamwidth.org/193447.html">is text</a>. While we may see
some change in the structure of academic writing, particularly for
those less experienced, as a result of large-scale <span class="small-caps">llm</span> usage I doubt
that text will be dethroned as the primary mode of communication for
human society, but this is really a subject too deep to cover in a
text about using Emacs as a student. For the time being writing
reports and essays is still relevant to one&rsquo;s daily life. I of course
do this in org-mode, simply adding some latex headers to the document
when I am done:
</p>

<div class="org-src-container">
<pre class="src src-org"><code><span class="org-org-document-info-keyword">#+title:</span> <span class="org-org-document-title">The Meiji Restoration and Modernisation of Japan
</span><span class="org-org-document-info-keyword">#+subtitle:</span> <span class="org-org-document-info">IR1.1 Seminar 1 Preparatory Assignment
</span><span class="org-org-document-info-keyword">#+author:</span> <span class="org-org-document-info">Joar von Arndt
</span><span class="org-org-meta-line">#+options: toc:nil</span>
<span class="org-org-meta-line">#+latex_header: \usepackage[a4paper, top=2in, bottom=2in, left=1.7in, right=1.7in]{geometry}</span>
<span class="org-org-meta-line">#+latex_header: \usepackage[activate={true,nocompatibility},final,tracking=true,kerning=true,spacing=true,factor=1100,stretch=10,shrink=10]{microtype}</span>
<span class="org-org-meta-line">#+latex_header: \usepackage[T1]{fontenc}</span>
<span class="org-org-meta-line">#+latex_header: \usepackage{lmodern}</span>
</code></pre>
</div>

<p>
For longer assignments I usually use a two-column layout. I tweak the
values for the margins when I am done writing and ready to submit or
print so that the text nicely fits the page, since I think it looks
more &ldquo;complete&rdquo; and planned out that way. Otherwise I just write
plainly in org-mode, using footnotes for citations.
</p>
</div>
<div id="outline-container-group-work" class="outline-3">
<h3 id="group-work">Group work</h3>
<div class="outline-text-3" id="text-group-work">
<p>
I do not have a good system for incorporating this to group work,
since most people do not know org-mode (or even markdown!) and
collaboration in real-time can be tricky. If I worked with technically
minded people I might use <code>git</code>, but even it requires some setup and
work. Instead I use — and would recommend others do too — Typst, and
its corresponding web app <a href="https://typst.app/">typst.app</a>. It has easy collaboration,
beautiful real-time previews for all users and most importantly of
all, a markup that is far nicer than latex&rsquo;s. I used it for my
<i>gymnasiearbete</i> (diploma project) and found it to be a lovely
experience. I would recommend anyone thinking about using overleaf or
the like to instead use typst. The only reason I don&rsquo;t do the same is
because I still prefer the syntax-light approach of org-mode.
</p>

<p>
For presentations I am a fan of suckless&rsquo; <a href="https://tools.suckless.org/sent/">sent</a>, both because it places
emphasis on me as the presenter but also because you can create
presentations ludicrously fast. That allows me to iterate quickly and
spend more time thinking about the actual content rather than fiddling
with what&rsquo;s going to be on the screen behind me.
</p>
</div>
</div>
</div>
<div id="outline-container-conclusion" class="outline-2">
<h2 id="conclusion">Conclusion</h2>
<div class="outline-text-2" id="text-conclusion">
<p>
Emacs is a tremendously useful tool, and I hope that this either
serves as a motivation for beginning to use Emacs (showing of what can
be done in it) or to inspire someone else to take inspiration in their
own daily activities. I was prompted to writing this by Daniel
Pinkston&rsquo;s talk at <a href="https://emacsconf.org/2024/talks/students/">EmacsConf 2024</a>, and saw an earlier version of
myself in him. I particularly want to emphasize that one approach does
not fit all, not even when it comes to personal preference. Some
lifestyles/subjects require different techniques, and so you should
both experiment and iterate continuously to see what works for
you. This is in-line with the Emacs philosophy of complete and instant
extensibility, and so I therefore could not imagine a better platform
to be writing or taking notes in. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
What-you-see-is-what-you-get 
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Are you someone who does this? Feel free to email me about this
and tell me about your workflow, I am always interested in hearing how
other people perform these tasks.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Like Marxism! Is there any field where there hasn&rsquo;t been an
attempt at the application of Marxism? There&rsquo;s even <a href="https://en.wikipedia.org/wiki/Mathematical_manuscripts_of_Karl_Marx">Marxist
mathematics</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Each entry does however have an org-id so that it can link and be
linked to by other org-roam nodes.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[university]]></category>
  <category><![CDATA[emacs]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/notes.html</link>
  <guid>https://joarvarndt.se/notes.html</guid>
  <pubDate>Mon, 10 Feb 2025 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Colophon]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<nav id="table-of-contents" role="doc-toc">
<h2>Table of Contents</h2>
<div id="text-table-of-contents" role="doc-toc">
<ul>
<li><a href="#philosophy">Philosophy</a></li>
<li><a href="#fonts">Fonts</a></li>
<li><a href="#inspirations">Inspirations</a></li>
<li><a href="#static-website-generation">Static website generation</a>
<ul>
<li><a href="#sidenotes">Sidenotes</a></li>
<li><a href="#small-caps">Small caps</a></li>
</ul>
</li>
<li><a href="#hosting">Hosting</a></li>
</ul>
</div>
</nav>
<hr>

<p class="dcap">
Writing a <a href="https://en.wikipedia.org/wiki/Colophon_(publishing)">colophon</a> for a website is somewhat different from a book or
other printed work. A website or digital work does exist as a finished
product, but it is also something that can continuously evolve and
develop throughout time. This kind of colophon should therefore not
just include the reasoning behind why and how certain choices were
made.
</p>

<p>
I think every personal blog that is somewhat custom built should have
documentation written on its design philosophy and implementation. I
see this as an extension of the free-software ideal; you should not
only be <i>allowed</i> but also <i>able</i> to extent and modify another program to
your needs. It is also useful as a way to discover other peoples&rsquo;
inspirations and influences, as well as finding unique sources of
inspiration for your own website.
</p>
<div id="outline-container-philosophy" class="outline-2">
<h2 id="philosophy">Philosophy</h2>
<div class="outline-text-2" id="text-philosophy">
<p>
This site exists in the overlap between a landing page, a traditional
blog, a <i>hypomnemata</i>, and what is called a &ldquo;digital garden&rdquo;. I
originally used the domain merely to host services and small programs
over the open internet, and to have a place to point to and say &ldquo;this
is where you can find me online&rdquo;. I started writing things because I
found that certain topics kept coming up in discussion with the people
around me, and I wanted to summarise my thoughts on them. A website
was the perfect place for that.
</p>

<p>
I write many pieces concurrently, and publish them either when I feel
they are finished or when my motivation has drained and I feel like I
need to &ldquo;just get it out there&rdquo;. In some cases I also get a large
boost of energy and write a post in even just a day or two, although I
often try and stop myself from publishing immediately in order to let
my thoughts simmer for a bit.
</p>

<p>
I then expand on topics if I come up with new perspectives or need to
respond do a new development. In this way posts exist in a space
between being mere ephemeral blog posts that were written at a given
time and a continually rewritten and updated page. I try to avoid
changing the main theses of a post after initial publication — even if
I have come to disagree with myself over time — and so they still
reflect the version of myself when they were first written.
</p>

<p>
The website is written in <a href="https://www.gnu.org/software/emacs/"><span class="small-caps">gnu</span> Emacs</a> and in <a href="https://orgmode.org/">org mode</a>, because I find the
markup to be intuitive, natural, and easy.<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>
</p>

<p>
The website does deliberately not use any analytics or track you in
any way, for both yours and my sake. I used to use <a href="https://tinylytics.app/">tinylytics</a><sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup> for
simple hit-counters and amusing statistics on what countries my
readers came from, but I have since removed it. This is partly because
I do not want to contribute to a culture of mass data collection and
partly because of the impacts it had on my mind itself. Seeing what
received clicks shaped my writing priorities away from what I myself
actually wanted to write about. This may well be useful for those
wanting to make money from their writing, but that is not what this
website is intended to do.
</p>
</div>
</div>
<div id="outline-container-fonts" class="outline-2">
<h2 id="fonts">Fonts</h2>
<div class="outline-text-2" id="text-fonts">
<p>
The primary font used is Sabon. Code uses the <a href="https://connary.com/fonts/cartograph/">Cartograph</a> font. The
headers are all typeset in the beautiful <a href="https://www.virgileflores.com/davinci">DaVinci</a> by the <span class="small-caps">nyc</span> creative
bureau <i>Virgile Flores</i>. For 中文 (and other <span class="small-caps">cjk</span> languages) I use <a href="https://fonts.adobe.com/fonts/adobe-kaiti">Kai Ti</a>
since the default Noto font installed on many devices clashed quite a
lot with the thin serif fonts I otherwise use.
</p>

<p>
Optimizing font delivery is one of the largest performance
improvements you can make to a static website like this, and
unfortunately requires some quite ugly solutions. For example, each
initial character (the fancy <code>I</code> at the start of this post) is supplied
as its own font file because the intricate designs are quite large
when packed together. The <span class="small-caps">cjk</span> font is also huge due to the large
numbers of character that it contains — a full collection with
packaged in the older <code>.ttf</code> format is a whopping 12 <i>Megabytes</i>. I
therefore have an elaborate and ugly script that I run periodically to
create a font file containing only the characters used on the website.
Doing that manages to bring the size down to just 22 kilobytes,<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup> a
reduction of roughly 99.8%!
</p>

<p>
I jump quite often between fonts, especially for the serif font for
body text. In this way having a website is quite useful; it allows me
to experiment widely with design in an actual production environment.
</p>
</div>
</div>
<div id="outline-container-inspirations" class="outline-2">
<h2 id="inspirations">Inspirations</h2>
<div class="outline-text-2" id="text-inspirations">
<p>
I generally took a lot of inspiration from others using the same
tooling as me, as well as from <a href="https://gwern.net">Gwern</a>, <a href="https://maggieappleton.com/">Maggie Appleton</a> and various
other blogs and homepages I have read over the years. The colour
scheme is a slightly adapted version of Protesilaos Stavrou&rsquo;s <a href="https://protesilaos.com/emacs/modus-themes">modus
themes</a> (for the light theme) and the <a href="https://github.com/paradise-theme/paradise">paradise theme</a> (for the
dark). I find them visually pleasing, and the Modus theme is very
accessible to those with impaired vision. I have used them in Emacs
for a long time, and so they fit nicely on my desktop when looking at
my site.
</p>

<p>
The one-rule <span class="small-caps">css</span> implementation of the drop caps is taken from <a href="https://michal.sapka.pl/">Michał
Sapka</a>, while the font files were downloaded from Gwern using a quick
<code>curl</code>-script I had an <span class="small-caps">llm</span> write.<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup> They are however &ldquo;raised&rdquo; above the
expected height of the characters, and so I had to lower them a bit to
fit properly. The font is &ldquo;Baroque Initials&rdquo;, more information <a href="https://joarvarndt.se/latex">here</a>.
The indented paragraphs were inspired by <a href="https://miroallard.com">Miró Allard</a>.
</p>

<p>
The little arrows following external links (of which there have been
quite a lot in this section) are from <a href="https://alexwennerberg.com/">Alex Wennerberg</a>, whose simple
design I find admirable. Using email as a comment system was taken
from <a href="https://marcel.io/posts/new-blog-features-hover-cards-comments-library-improvements">Marcel Wichmann</a>.
</p>
</div>
</div>
<div id="outline-container-static-website-generation" class="outline-2">
<h2 id="static-website-generation">Static website generation</h2>
<div class="outline-text-2" id="text-static-website-generation">
<p>
The blog is generated using Bastian Bechtold&rsquo;s <a href="https://github.com/bastibe/org-static-blog">org-static-blog</a>. I have
an <code>elisp</code> file that runs the necessary configuration code and acts like
a declarative configuration for the deployment of the static site. It
looks like this:
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-publish-title <span class="org-string">"Joar von Arndt"</span>)
(<span class="org-keyword">setq</span> org-static-blog-publish-url <span class="org-string">"https://joarvarndt.se/"</span>)
(<span class="org-keyword">setq</span> org-static-blog-publish-directory <span class="org-string">"~/Documents/blog"</span>)
(<span class="org-keyword">setq</span> org-static-blog-posts-directory <span class="org-string">"~/Documents/blog/posts/"</span>)
(<span class="org-keyword">setq</span> org-static-blog-drafts-directory <span class="org-string">"~/Documents/blog/drafts/"</span>)
(<span class="org-keyword">setq</span> org-static-blog-enable-tags t)
(<span class="org-keyword">setq</span> org-static-blog-enable-og-tags t)
(<span class="org-keyword">setq</span> org-static-blog-image <span class="org-string">"./vonArndtCrestWhite.png"</span>)
(<span class="org-keyword">setq</span> org-static-blog-use-preview t)
(<span class="org-keyword">setq</span> org-static-blog-no-comments-tag <span class="org-string">"nocomment"</span>)
(<span class="org-keyword">setq</span> org-static-blog-enable-tag-rss t)
(<span class="org-keyword">setq</span> org-static-blog-index-length 3)
(<span class="org-keyword">setq</span> org-static-blog-preview-link-p t)
(<span class="org-keyword">setq</span> org-static-blog-preview-ellipsis <span class="org-string">"&lt;span class=\"ellipsis\"&gt;Continue Reading &#8594;&lt;/span&gt;"</span>)
</code></pre>
</div>

<p>
These are all simple configuration values that are unique to
<code>org-static-blog</code>, and where most of the values are themselves unique to
this blog specifically.
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-enable-social t
      org-static-blog-social-nick <span class="org-string">"Joarxpablo"</span>
      org-static-blog-social-description <span class="org-string">"The hypomnemata and blog of Joar von Arndt"</span>
      org-static-blog-social-avatar <span class="org-string">"https://joarvarndt.se/social.png"</span>)
</code></pre>
</div>

<p>
The configuration for integrating the blog with the <a href="https://org-social.org/">Org Social</a>
decentralized social media network. If you use org-social, simply add
the following to your <code>social.org</code> file:
</p>

<div class="org-src-container">
<pre class="src src-org"><code><span class="org-org-meta-line">#+FOLLOW: Joarxpablo <a href="https://joarvarndt.se/social.org">https://joarvarndt.se/social.org</a></span>
</code></pre>
</div>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-export-with-toc t)
(<span class="org-keyword">setq</span> org-export-with-broken-links t)
(<span class="org-keyword">setq</span> org-export-with-smart-quotes t)
(<span class="org-keyword">setq</span> org-export-with-section-numbers nil)
(<span class="org-keyword">setq</span> org-image-actual-width nil)
(<span class="org-keyword">setq</span> org-html-stable-ids t)

<span class="org-comment-delimiter">;; </span><span class="org-comment">For syntax highlighting of code (Like this).
</span>(<span class="org-keyword">setq</span> org-src-fontify-natively t)
(<span class="org-keyword">setq</span> org-html-htmlize-output-type 'css)
(<span class="org-keyword">setq</span> org-src-preserve-indentation t)
</code></pre>
</div>

<p>
<code>org-static-blog</code> uses org-mode&rsquo;s built-in <span class="small-caps">html</span> export functionality for
much of the &ldquo;dirty work&rdquo;, and these variables are used for all
org-mode exports. The latter part allows Emacs to transform its own
syntax highlighting into <span class="small-caps">css</span> classes that I can then highlight with
<span class="small-caps">css</span> variables depending on dark/light theme. This is all done at the
rendering stage, meaning things like <a href="https://highlightjs.org/">highlight.js</a> are unnecessary.
Without setting these variables Emacs will hard-code the current Emacs
theme colours into the <span class="small-caps">html</span>. <code>org-html-stable-ids</code> is a bit of a special
case, coming from an <a href="https://jeffkreeftmeijer.com/ox-html-stable-ids/">external package</a>, that turns the randomly
generated header ids into deterministic <code>kebab-case</code> ones that do not
pollute the git history.
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-display-git-date t)
(<span class="org-keyword">setq</span> org-static-blog-title-link nil)
(<span class="org-keyword">setq</span> org-static-blog-add-initial t)
(<span class="org-keyword">setq</span> org-static-blog-index-tag <span class="org-string">"essay"</span>)

(<span class="org-keyword">setq</span> org-static-blog-hidden-directory <span class="org-string">"~/Documents/blog/hidden/"</span>)

(<span class="org-keyword">setq</span> org-static-blog-generate-og-images t)
(<span class="org-keyword">setq</span> org-static-blog-og-image-directory <span class="org-string">"post-images/"</span>)
(<span class="org-keyword">setq</span> org-static-blog-og-image-font <span class="org-string">"ACaslonPro-Regular"</span>)
</code></pre>
</div>

<p>
These are variables used in my own <a href="https://codeberg.org/Joar/org-static-blog">custom fork</a> of
<code>org-static-blog</code>. This toggles the display of the &ldquo;last edited&rdquo; date at
the top of the post page, derived from when the <code>.org</code>-file was last
changed. All the original org-mode files are uploaded to the website,
and can be accessed by navigating to
&ldquo;<a href="https://joarvarndt.se/posts/postname.org">https://joarvarndt.se/posts/postname.org</a>&rdquo;.
</p>

<p>
By default <code>org-static-blog</code> renders the post title of each page as a
link pointing to itself. I found this quite distracting as it means
displaying responsive changes whenever the title is hovered over. This
variable thus disables that functionality.
</p>

<p>
<code>org-static-blog-index-tag</code> allows me to add a specific tag on the index
page, in this case posts tagged with <code>essay</code>.
</p>

<p>
The hidden directory acts as a sort of middle-ground between drafts
and posts; I have the drafts directory marked in the <code>.gitignore</code> file
and can therefore not use git to track changes made to files in that
directory, but I do not want pages like <a href="https://joarvarndt.se/subscribe">subscribe</a>, <a href="https://joarvarndt.se/about">about</a>, or the <a href="https://joarvarndt.se/links">link
page</a> to show up in the archive page as a proper &ldquo;post&rdquo;. For this I
use the hidden directory.
</p>

<p>
The last three options are all related to the automatic generation
of unique <a href="https://ogp.me/">Open Graph</a>-images for each post using Imagemagick.<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup>
Images are only generated if they do not already exist, and so do not
significantly impact build time.
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-preview-source 'paragraph
      org-static-blog-preview-start <span class="org-string">"&lt;p class=\"dcap\"&gt;"</span>)
</code></pre>
</div>

<p>
I have added the ability use the <code>#+description:</code> parts of posts as the
summaries, and changing the value of <code>org-static-blog-preview-source</code> to
<code>'description</code> enables this behaviour instead of the default of using
<code>*-preview-start</code> and <code>*-preview-end</code>.
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-page-header
      <span class="org-string">"&lt;meta name=\"Joar von Arndt\" content=\"Joar von Arndt\"&gt;
       &lt;meta name=\"referrer\" content=\"no-referrer\"&gt;
       &lt;meta name=\"viewport\" content=\"initial-scale=1,width=device-width,minimum-scale=1\"&gt;
       &lt;link rel=\"describedby\" href=\"./llms.txt\"&gt;
       &lt;link rel=\"preload\" href=\"static/style.css\" as=\"style\"/&gt;
       &lt;link href=\"static/style.css\" rel=\"stylesheet\" type=\"text/css\" /&gt;
       &lt;link rel=\"icon\" href=\"static/favicon.ico\"&gt;
       &lt;link href=\"./public-key.asc\" rel=\"pgpkey\" type=\"text/plain\"&gt;
       &lt;link rel=\"me\" href=\"https://github.com/JanJoar\" /&gt;
       &lt;link rel=\"me\" href=\"https://gravatar.com/speedilyrunaway0201f99245\" /&gt;
       &lt;link rel=\"me\" href=\"https://vonarndt.se/@joarxpablo\"&gt;
       &lt;link rel=\"pgpkey\" href=\"/key.pub\"&gt;
       &lt;link rel=\"webmention\" href=\"https://webmention.io/joarvarndt.se/webmention\" /&gt;
       &lt;script src=\"static/sidenotes.js\" async&gt;&lt;/script&gt;
       &lt;script src=\"static/comments.js\" async&gt;&lt;/script&gt;
       &lt;link rel=\"stylesheet\" href=\"https://cdn.jsdelivr.net/npm/katex@0.16.33/dist/katex.min.css\" integrity=\"sha384-fgYS3VC1089n2J3rVcEbXDHlnDLQ9B2Y1hvpQ720q1NvxCduQqT4JoGc4u2QCnzE\" crossorigin=\"anonymous\"&gt;
       &lt;script defer src=\"https://cdn.jsdelivr.net/npm/katex@0.16.33/dist/katex.min.js\" integrity=\"sha384-YPHNAPyrxGS8BNnA7Q4ommqra8WQPEjooVSLzFgwgs8OXJBvadbyvx4QpfiFurGr\" crossorigin=\"anonymous\"&gt;&lt;/script&gt;
       &lt;script defer src=\"https://cdn.jsdelivr.net/npm/katex@0.16.33/dist/contrib/auto-render.min.js\" integrity=\"sha384-JKXHIJf8PKPyDFptuKZoUyMRQJAmQKj4B4xyOca62ebJhciMYGiDdq/9twUUWyZH\" crossorigin=\"anonymous\"
       onload=\"renderMathInElement(document.body);\"&gt;&lt;/script&gt;"</span>)

(<span class="org-keyword">setq</span> org-static-blog-post-comments
      <span class="org-string">"&lt;div class=\"comment-by-email\"&gt;
         &lt;form class=\"comment-by-email-form\"&gt;
           &lt;textarea id=\"comment-by-email-textarea\"
             placeholder=\"Write a comment\"&gt;&lt;/textarea&gt;
           &lt;button type=\"submit\"&gt;Send&lt;/button&gt;
         &lt;/form&gt;
       &lt;/div&gt;"</span>)
</code></pre>
</div>

<p>
This is quite self-explanatory, it formats the header for each page so
that the correct <span class="small-caps">css</span>, javascript, favicons <i>et cetera</i> are loaded. It
also includes various <code>rel="me"</code> links that are used to form a web of
authorship proving that I am the owner of this website and those
accounts. The <code>rel="pgpkey"</code> points to my public key in plain text
format.
</p>

<p>
While the website does make use of javascript I have as an utmost
priority that it should be accessible and readable without it. There
are really only three elements that require javascript:
</p>

<ol class="org-ol">
<li>Comments, who quite simply creates a <code>mailto:</code> -link that is filled
in with the appropriate information (including recipient, subject
header, and content inserted on the website). All of this can of
course be done manually by emailing me the old-fashioned way.</li>
<li>Client-side \(\LaTeX\) rendering using \(\KaTeX\). This should be
possible to render server-side and therefore remove, but I have yet
to build a way to do so using my <span class="small-caps">ssg</span>. A project for the future.</li>
<li>Sidenotes. I cover this further down.</li>
</ol>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-page-preamble <span class="org-string">"&lt;div class=\"header\" role=\"banner\"&gt;
                                     &lt;a href=\"./index.html\" class=\"home-link\"&gt;&lt;img id=\"themeImageHeader\" src=\"vonArndtCrestBlack.png\" class=\"header-img\" alt=\"Family arms\" aria-label=\"Primary navigation\" width=\"50\"&gt;&lt;/a&gt;

&lt;input type=\"checkbox\" id=\"menu-toggle\" class=\"menu-toggle\"&gt;

&lt;label for=\"menu-toggle\" class=\"menu-button\" aria-label=\"Open menu\"&gt;
  &lt;span&gt;&lt;/span&gt;
  &lt;span&gt;&lt;/span&gt;
  &lt;span&gt;&lt;/span&gt;
&lt;/label&gt;

&lt;nav class=\"menu-panel\"&gt;
  &lt;ul&gt;
    &lt;li&gt;&lt;a href=\"./archive.html\"&gt;Archive&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./tags.html\"&gt;Tags&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./subscribe.html\"&gt;Subscribe&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./website.html\"&gt;Colophon&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./links.html\"&gt;Your next stop&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./now.html\"&gt;Now&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./contact.html\"&gt;Contact&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href=\"./about.html\"&gt;About&lt;/a&gt;&lt;/li&gt;
  &lt;/ul&gt;
&lt;/nav&gt;


&lt;/div&gt;"</span>)

(<span class="org-keyword">setq</span> org-static-blog-page-postamble
      (format
       <span class="org-string">"&lt;div class=\"footer\" role=\"contentinfo\"&gt;
       &lt;div class=\"footer-upper\"&gt;
       &lt;img loading=\"eager\" class=\"footer-img\" id=\"themeImageFooter\" src=\"Ship-5.svg\" alt=\"A sailing ship\"&gt;
       &lt;copyright&gt;&#169; %s &lt;span class=\"small-caps\"&gt;ad&lt;/span&gt; / &lt;a href=\"https://en.wikipedia.org/wiki/French_Republican_calendar\"&gt;%s &lt;span class=\"small-caps\"&gt;ar&lt;/span&gt;&lt;/a&gt; Joar von Arndt&lt;/copyright&gt;
        &lt;/div&gt;
        &lt;div class=\"footer-lower\"&gt;
        &lt;nav&gt;
          &lt;ul&gt;
            &lt;li&gt;&lt;a href=\"./about.html\"&gt;About&lt;/a&gt;&lt;/li&gt;
            &lt;li&gt;&lt;a href=\"./archive.html\"&gt;Archive&lt;/a&gt;&lt;/li&gt;
            &lt;li&gt;&lt;a href=\"./links.html\"&gt;Your next stop&lt;/a&gt;&lt;/li&gt;
            &lt;li&gt;&lt;a href=\"./website.html\"&gt;Colophon&lt;/a&gt;&lt;/li&gt;
          &lt;/ul&gt;
        &lt;/nav&gt;

        &lt;nav&gt;
          &lt;ul&gt;
            &lt;li&gt;&lt;a href=\"./now.html\"&gt;Now&lt;/a&gt;&lt;/li&gt;
            &lt;li&gt;&lt;a href=\"./subscribe.html\"&gt;Subscribe&lt;/a&gt;&lt;/li&gt;
            &lt;li&gt;&lt;a href=\"./contact.html\"&gt;Contact&lt;/a&gt;&lt;/li&gt;
            &lt;li&gt;&lt;a href=\"https://webmention.io/joarvarndt.se/webmention\"&gt;Webmentions&lt;/a&gt;&lt;/li&gt;
          &lt;/ul&gt;
        &lt;/nav&gt;
    &lt;script src=\"static/theme.js\" defer&gt;&lt;/script&gt;
    &lt;/div&gt;&lt;/div&gt;"</span>
       (format-time-string <span class="org-string">"%Y"</span>)
       (calendar-french-date-year)))
</code></pre>
</div>

<p>
The header and footer of each page. The header contains two things;
the heraldic achievement that acts as a &ldquo;home&rdquo; link and &mdash; on mobile
devices — an easy navigation menu. The table of contents that appears
on some pages (including this one) is a part of the post itself and is
generated by org-mode&rsquo;s export functionality. It simply moves to the
top of the page using <span class="small-caps">css</span> and is not part of the header.
</p>

<p>
The footer has comparatively quite a lot going on. Its multi-column
design was inspired principally by <a href="https://www.jonashietala.se/">Jonas Hietala</a>, from whom I was also
partly inspired by the choice of using <code>git</code> to track post changes
(although the idea of tracking changes to a post came from Appleton&rsquo;s
&ldquo;planted X time ago&rdquo;). I also chose to prominently display webmentions
as a technology since they are used by an unfortunately few number of
people, and I myself often forget to check if a site does or not when
linking to them.
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-index-front-matter <span class="org-string">"&lt;index&gt;&lt;site-intro&gt;
&lt;i&gt;Joar Alexander Pablo von Arndt&lt;/i&gt;.
&lt;hr&gt;
&lt;p&gt; This site is my place for experimentation
  in writing, development, and the exploration of different ideas; my
  hypomnemata. &lt;/p&gt;

&lt;nav class=\"index-nav\"&gt;
 &lt;ul class=\"link-ul\"&gt;
   &lt;li&gt;&lt;a href=\"./archive.html\"&gt;All posts&lt;/a&gt;&lt;/li&gt;
   &lt;li&gt;&lt;a href=\"./about.html\"&gt;About&lt;/a&gt;&lt;/li&gt;
   &lt;li&gt;&lt;a href=\"./food/index.html\"&gt;What I am having&lt;/a&gt;&lt;/li&gt;
   &lt;li&gt;&lt;a href=\"./subscribe.html\"&gt;Subscribe&lt;/a&gt;&lt;/li&gt;
   &lt;li&gt;&lt;a href=\"./contact.html\"&gt;Contact&lt;/a&gt;&lt;/li&gt;
 &lt;/ul&gt;
  &lt;picture&gt;
   &lt;source
    type=\"image/webp\"
    srcset=\"leaf-174.webp 174w, leaf-256.webp 256w, leaf-512.webp 512w, leaf-1024.webp 1024w\"
    sizes=\"12rem\"&gt;
   &lt;img
    src=\"leaf-174.png\"
    srcset=\"leaf-174.png 174w, leaf-256.png 256w, leaf-512.png 512w, leaf-1024.png 1024w\"
    sizes=\"12rem\"
    width=\"174\"
    height=\"153\"
    alt=\"A leaf.\"
    class=\"pictograph\"&gt;
  &lt;/picture&gt;
 &lt;/nav&gt;
&lt;/site-intro&gt;
&lt;div class=\"essays\"&gt;&lt;h1&gt;Essays&lt;/h1&gt;"</span>)

(<span class="org-keyword">setq</span> org-static-blog-index-end-matter
      <span class="org-string">" &lt;a href=\"./tag-essay.html\" class=\"archive-link\"&gt;All Essays&lt;/a&gt;  &lt;/div&gt;&lt;/index&gt;"</span>)
</code></pre>
</div>

<p>
This is the hand-crafted <span class="small-caps">html</span> for the index page, that itself has no
corresponding org-mode file. It is generated on each rebuild with this
introduction and a series of posts governed by
<code>org-static-blog-index-length</code>.
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">setq</span> org-static-blog-archive-front-matter <span class="org-string">"&lt;picture&gt;
        &lt;source srcset=\"https://joarvarndt.se/bird-butterfly.webp\" type=\"image/webp\"&gt;
        &lt;source srcset=\"https://joarvarndt.se/bird-butterfly.png\" type=\"image/png\"&gt;
        &lt;img src=\"./bird-butterfly.png\"
          alt=\"A small bird resting amongst the branches, gazing at a flying butterfly.\"
          class=\"pictograph\"&gt;
      &lt;/picture&gt; &lt;hr&gt;"</span>)
</code></pre>
</div>

<p>
Finally another custom-fork-feature; archive front matter! This can be
used to display anything on the page listing all of the posts, but
here I use it to insert a beautiful illustration that I got from <a href="https://tomchalky.com/">Tom
Chalky</a>.<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup>
</p>

<div class="dinkus">
⁂
</div>

<p>
The above lisp code is not just a series of example code snippets, it
is directly the code that is used to build the website!  The text you
are reading right now is written as an org-mode document, and the code
blocks above are exported into a corresponding Emacs lisp file and run
as part of the build process. Because it became annoying to manually
evaluate the above code block every time I wanted to export I wrote a
quick build script, whose contents can easily be embedded<sup><a id="fnr.7" class="footref" href="#fn.7" role="doc-backlink">7</a></sup> into this
post like this:
</p>

<pre class="example">
#+INCLUDE: "../build" src emacs-lisp
</pre>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>#!/usr/bin/env -S emacs -x

<span class="org-comment-delimiter">;;; </span><span class="org-comment">Code:
</span>
(package-initialize)
(message <span class="org-string">"Initialized package.el"</span>)

(<span class="org-keyword">require</span> '<span class="org-constant">org</span>)
(<span class="org-keyword">require</span> '<span class="org-constant">cal-french</span>)
(<span class="org-keyword">require</span> '<span class="org-constant">htmlize</span>)
(<span class="org-keyword">require</span> '<span class="org-constant">exec-path-from-shell</span>)
(<span class="org-keyword">require</span> '<span class="org-constant">ox-html-stable-ids</span>)

(org-html-stable-ids-add)
(exec-path-from-shell-initialize)
(exec-path-from-shell-copy-env <span class="org-string">"PATH"</span>)

(message <span class="org-string">"Loaded libraries"</span>)

(load-file <span class="org-string">"~/programming/org-static-blog/utils.el"</span>)
(load-file <span class="org-string">"~/programming/org-static-blog/org-static-blog.el"</span>)

(org-babel-tangle-file <span class="org-string">"~/Documents/blog/posts/website.org"</span>)
(load-file <span class="org-string">"~/Documents/blog/posts/website.el"</span>)

(org-static-blog-publish)

<span class="org-comment-delimiter">;;; </span><span class="org-comment">build ends here</span>
</code></pre>
</div>

<p>
This makes use of the very underused scripting capabilities of Emacs
(<code>#!/usr/bin/emacs -x</code>), allowing you to use the power of lisp combined
with Emacs&rsquo; extensive libraries. It also loads my personal <a href="https://codeberg.org/Joar/org-static-blog">fork of
org-static-blog</a> that makes some small opinionated changes (like the
git-edit and french republican dates). The french republican dates are
one of the clearest examples of the usefulness of Emacs as a standard
library — Emacs ships with a library to translate to and from the
french republican calendar.
</p>

<p>
I am a big fan of org-static-blog due to its simplicity<sup><a id="fnr.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>,
extensibility (it is just a simple <span class="small-caps">html</span> static site generator) and
obvious org-mode support. That I wrote my own fork is testament to the
great work done by Bechtold. It is incredibly featureful, simple to
read and to modify. If you ever wonder how a given piece of <span class="small-caps">html</span> is
generated you can quickly <code>C-s</code> around in the source code (all of which
is in a single file) between function definitions and implementations.
</p>

<p>
It is also quite fast — the majority of the build script is usually
just start-up time from Emacs loading libraries — but not fast enough
to offer anything like real-time previews. Unless
<code>org-static-blog-publish</code> is called with a prefix argument<sup><a id="fnr.9" class="footref" href="#fn.9" role="doc-backlink">9</a></sup> it will
only re-render those files that have actually changed and thus doesn&rsquo;t
take very long to re-render the site. Only when tinkering with
site-wide <span class="small-caps">html</span> changes (such as for the footer) do I need to re-render
everything, and even then it just takes a few seconds.
</p>

<p>
I used to use <a href="https://gohugo.io/">Hugo</a>, a widely praised static website generator, but it
only has nominal org-mode support and requires a special non-org-mode
<span class="small-caps">yaml</span> frontmatter that I really dislike. When writing a post, I prefer
to leave formatting mostly out of it, and with my main focus on
text. Tinkering with the website&rsquo;s appearance is great fun of course,
but I like to keep the two as separate activities. Keeping them
separate means that if I improve the appearance of a new post all
previous posts also benefit. Writing any sort of special syntax also
brings me out of the experience, and that is partly why I wrote my own
javascript to create sidenotes out of basic pandoc (and therefore
org-mode) style footnotes instead of using tufte-<span class="small-caps">css</span>.
</p>
</div>
<div id="outline-container-sidenotes" class="outline-3">
<h3 id="sidenotes">Sidenotes</h3>
<div class="outline-text-3" id="text-sidenotes">
<p>
The sidenotes are heavily inspired by <a href="https://gwern.net/sidenote">Gwern</a> and <a href="https://edwardtufte.github.io/tufte-css/">Tufte <span class="small-caps">css</span></a>, but the
Gwern <code>sidenotes.js</code> is not portable and seems way too complex for my
needs (it is 1150 lines long!!). In comparison, <a href="https://github.com/JanJoar/pandoc-html-sidenotes">here</a> is the the script
that creates sidenotes. It is merely 70 lines long, including
whitespace and comments. It also allows for easy reading on mobile,
vertical monitors, and <span class="small-caps">js</span>-free browsers, since if the dimensions are
not adequate for displaying sidenotes or the javascript does not run
the content does not disappear and is presented as simple
footnotes.
</p>

<p>
Tufte <span class="small-caps">css</span>&rsquo; sidenotes also appear strange when viewed through
<span class="small-caps">rss</span>-readers or text-based browsers like <a href="https://joarvarndt.se/eww">eww</a>. Moving the text only when
javascript is available preserves the structure of the raw <span class="small-caps">html</span>
documents when viewed without javascript. That Tufte <span class="small-caps">css</span> does not make
use of javascript in the first place is quite admirable, but it is a
shame that doing so breaks many of the applications where javascript
is not available. This is then a deliberate choice of using javascript
to <i>improve</i> accessibility. I could have used pure <span class="small-caps">css</span>/<span class="small-caps">html</span> sidenotes,
but doing so would likely break many non-traditional browsers.
</p>

<p>
I have however taken the liberty of inspiration from Tufte <span class="small-caps">css</span> in the
<span class="small-caps">css</span> of sidenotes and margin notes. Margin notes are written in the
form of an org-mode export block, and so have to be located at the
beginning or end of paragraph.
</p>

<div class="marginnote">
<p>
This is how I write a margin note!
</p>

</div>

<pre class="example">
#+begin_marginnote
This is how I write a margin note!
#+end_marginnote
</pre>

<p>
I can do this since org treats &ldquo;special blocks&rdquo; as a <code>&lt;div&gt;</code> with a
synonymously named <code>marginnote</code> class when exported to <span class="small-caps">html</span>. This can
then be styled however you want using <span class="small-caps">css</span>. Margin notes are usually
not as critical in my mind as foot/sidenotes, since they serve merely
as a general guide to the text rather than an explicit pointed
&ldquo;reference&rdquo;<sup><a id="fnr.10" class="footref" href="#fn.10" role="doc-backlink">10</a></sup>. That&rsquo;s why margin notes are not displayed on mobile
devices. This is an opinionated change from Tufte <span class="small-caps">css</span>&rsquo; approach, where
margin notes are instead treated as unnumbered sidenotes when there is
no margin to display them in. Margin notes are best considered as a
sort of &ldquo;scribble&rdquo; in the margin, and attaching them to any specific
point in the text makes them merely inferior sidenotes.
</p>
</div>
</div>
<div id="outline-container-small-caps" class="outline-3">
<h3 id="small-caps">Small caps</h3>
<div class="outline-text-3" id="text-small-caps">
<p>
It is typographical best practice to typeset segments of capitalised
text in &ldquo;small caps&rdquo; that are the same height as lowercase text. (<span class="small-caps">like</span>
<span class="small-caps">this</span>). If you have a keen eye you will no doubt have noticed this this in the many acronyms used throughout this colophon.<sup><a id="fnr.11" class="footref" href="#fn.11" role="doc-backlink">11</a></sup> This is provided by a <span class="small-caps">css</span> option:
</p>

<div class="org-src-container">
<pre class="src src-css"><code><span class="org-css-selector">span.small-caps</span> {
    <span class="org-css-property">font-variant</span>: small-caps;
}
</code></pre>
</div>

<p>
But how do we apply this element to segments of text? Org-mode&rsquo;s
syntax does not provide for any shorthand for this sort of text, and
really we would prefer not to apply such a formatting to our beautiful
plain text. There is also the added downside of in that case having to
make changes to the large number of acronyms used in all previous
posts.
</p>

<p>
But we can instead do this using the Emacs build process. This Emacs
lisp function wraps all series of capitalised text (<span class="small-caps">a-z</span>) greater than
2 in the small-caps <code>span</code> element:
</p>

<div class="org-src-container">
<pre class="src src-emacs-lisp"><code>(<span class="org-keyword">defun</span> <span class="org-function-name">org-static-blog--wrap-acronyms</span> (html)
  <span class="org-doc">"Wraps sequences of multiple uppercase letters in HTML in a small-caps span.
Looks like &lt;span class=\"small-caps\"&gt;.  Does not wrap acronyms inside
href attributes or code blocks."</span>
  (<span class="org-keyword">let</span> ((case-fold-search nil))
    (<span class="org-keyword">let*</span> ((href-result (org-static-blog--protect-attribute html <span class="org-string">"href"</span> <span class="org-string">"xhref"</span>))
           (result (car href-result))
           (href-values (cadr href-result))
           (class-result (org-static-blog--protect-attribute result <span class="org-string">"class"</span> <span class="org-string">"xclass"</span>))
           (result (car class-result))
           (class-values (cadr class-result))
           (code-result (org-static-blog--protect-code-blocks result))
           (result (car code-result))
           (code-values (cadr code-result)))
      (<span class="org-keyword">setq</span> result (replace-regexp-in-string
                    <span class="org-string">"</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">(</span></span><span class="org-string">[A-Z]</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">(?:</span></span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">(?:</span></span><span class="org-string">&amp;</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">(?:</span></span><span class="org-string">amp;</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">)</span></span><span class="org-string">?</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">|</span></span><span class="org-string">[.-]</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">)</span></span><span class="org-string">?[A-Z0-9]</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">)</span></span><span class="org-string">+</span><span class="org-string"><span class="org-regexp-grouping-backslash">\\</span></span><span class="org-string"><span class="org-regexp-grouping-construct">)</span></span><span class="org-string">"</span>
                    (<span class="org-keyword">lambda</span> (match)
                      (concat <span class="org-string">"&lt;span class=\"small-caps\"&gt;"</span> (downcase (match-string 1 match)) <span class="org-string">"&lt;/span&gt;"</span>))
                    result t))
      <span class="org-comment-delimiter">;; </span><span class="org-comment">Restore all protected content
</span>      (<span class="org-keyword">setq</span> result (org-static-blog--restore-protected result code-values <span class="org-string">"xcode"</span>))
      (<span class="org-keyword">setq</span> result (org-static-blog--restore-protected result href-values <span class="org-string">"xhref"</span>))
      (<span class="org-keyword">setq</span> result (org-static-blog--restore-protected result class-values <span class="org-string">"xclass"</span>))
      result)))
</code></pre>
</div>

<p>
It is quite long and complicated merely because there are a few major
edge cases (that are handled in two different helper functions) that
need to be addressed, such as acronyms used within the <code>href</code> part of
links (that would otherwise break) and acronyms like <span class="small-caps">r&amp;d</span>, <span class="small-caps">e2ee</span>, <span class="small-caps">f-150</span>,
or <span class="small-caps">ww1</span> that do not consist of simple all-caps letters.
</p>

<p>
This means that I can write in all-caps in the plain-text document and
have it <span class="small-caps">rendered</span> <span class="small-caps">using</span> <span class="small-caps">small</span> <span class="small-caps">caps</span> automatically. It is also backwards
compatible with everything that I have written previously, it merely
requires a re-rendering of the <span class="small-caps">html</span>.
</p>
</div>
</div>
</div>
<div id="outline-container-hosting" class="outline-2">
<h2 id="hosting">Hosting</h2>
<div class="outline-text-2" id="text-hosting">
<p>
The website used to be hosted on my own server at home, on an Intel
<span class="small-caps">nuc</span> machine, running at first <span class="small-caps">nginx</span> and then Caddy.<sup><a id="fnr.12" class="footref" href="#fn.12" role="doc-backlink">12</a></sup> After I
experienced a 25 day long downtime in June 2025 when I was <a href="https://joarvarndt.se/chinese_phenomenology.html">traveling
in China</a> I however decided to not host the public-facing blog from
home. These types of downtimes are not acceptable to me and my
residential internet connection is simply too unreliable to maintain a
high uptime anyways. For that reason I have moved the blog to <a href="https://www.netlify.com/">Netlify</a>
but still retain the server for hosting personal services and
experiments.
</p>

<p>
Unfortunately this means that I can not fully control the hosting, and
this does have many downsides. One of them is that I must rely on
Netlify&rsquo;s servers not using renewable energy, and so this means that
reading my website has an increased carbon footprint. Nevertheless, I
have tried to make it as lean (for reasons of both ethics and speed)
as I reasonably can:
</p>

<div id="wcb" class="carbonbadge"></div>
<script src="https://unpkg.com/website-carbon-badges@1.1.3/b.min.js" defer></script>

<p>
Netlify requires a git repository at one of a small list of git
forges, so I have a private repository of the blog on Github that is
automatically pushed to from the main repository <a href="https://codeberg.org/Joar/blog/">on Codeberg</a>.
</p>

<p>
I use <a href="https://www.loopia.se/">loopia</a> as my domain registrar, primarily due to having been
recommended them from someone I trust, however I have made no
significant research into alternatives myself.
</p>

<p>
I use <code>magit</code> to interact with git and push changes to the blog to a
remote repository that then causes netlify to update. ❦
</p>
</div>
</div>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Why would any markup not use &ldquo;<code>//</code>&rdquo; to <i>italicise</i> text? Markdown&rsquo;s
use of just asterisks is admirable, but unintuitive for reading in
plaintext (Does two asterisks mean italic or bold?). Org mode&rsquo;s choice
of using <code>__</code> to <span class="underline">underline</span> text is similarly elegant.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
If you do feel a need to use analytics software, I can heartily
recommend tinylytics as an easy-to-use, privacy friendly, simple, and
low-maintenance hosted analytics service.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
That is in combination with using the more modern <code>.woff2</code> format.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><div class="org-src-container">
<pre class="src src-sh"><code><span class="org-builtin">set</span> -euo pipefail

<span class="org-variable-name">BASE</span>=<span class="org-string">"https://gwern.net"</span>
<span class="org-variable-name">DESTDIR</span>=<span class="org-string">"~/Documents/blog/static/fonts/"</span>
mkdir -p <span class="org-string">"$DESTDIR"</span>

<span class="org-keyword">for</span> L<span class="org-keyword"> in</span> {A..Z}; <span class="org-keyword">do</span>
    <span class="org-variable-name">FILE</span>=<span class="org-string">"Yinit-${L}.ttf"</span>
    <span class="org-variable-name">URL</span>=<span class="org-string">"${BASE}/static/font/dropcap/yinit/${FILE}"</span>
    <span class="org-builtin">echo</span> <span class="org-string">"Downloading $FILE..."</span>
    curl --fail --location --show-error --silent --retry 3 --retry-delay 2 <span class="org-sh-escaped-newline">\</span>
         -o <span class="org-string">"${DESTDIR}/${FILE}"</span> <span class="org-string">"$URL"</span> <span class="org-sh-escaped-newline">\</span>
        &amp;&amp; <span class="org-builtin">echo</span> <span class="org-string">"Saved ${DESTDIR}/${FILE}"</span> <span class="org-sh-escaped-newline">\</span>
            || <span class="org-builtin">echo</span> <span class="org-string">"Failed to download $URL"</span>
<span class="org-keyword">done</span>
</code></pre>
</div></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
For example, <a href="https://joarvarndt.se/post-images/website.png">this</a> is the Open Graph image generated for this
post.
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Many of the illustrations used on this website are from them,
including the bird on the <a href="https://joarvarndt.se/about">about page</a> and the ship in the footer.
</p>

<p class="footpara">
Regarding about-page-bird, it is inserted using an org-mode
<code>#+begin_export html</code> block. It is a showcase of how powerful relying on
org-mode is, when one can directly describe things both in the light
syntax of org-down and at the same time directly access the export
language.
</p></div></div>

<div class="footdef"><sup><a id="fn.7" class="footnum" href="#fnr.7" role="doc-backlink">7</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Embedding another file like this means that I do not have to keep
track of if it is &ldquo;up to date&rdquo; in the same way as I do not have to
keep the site configuration up to date with this documentation; this
is the configuration!
</p></div></div>

<div class="footdef"><sup><a id="fn.8" class="footnum" href="#fnr.8" role="doc-backlink">8</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
From the repository:
</p>

<blockquote>
<p>
Above all, I tried to make org-static-blog as simple as
possible. There are no magic tricks, and all of the source code is
meant to be easy to read, understand and modify.
</p>
</blockquote></div></div>

<div class="footdef"><sup><a id="fn.9" class="footnum" href="#fnr.9" role="doc-backlink">9</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Either by running <code>C-u M-x org-static-blog-publish</code> or calling it
through Emacs lisp like this (in the build script for example):
</p>

<div class="org-src-container">
<pre class="src src-lisp"><code>(org-static-blog-publish t)
</code></pre>
</div></div></div>

<div class="footdef"><sup><a id="fn.10" class="footnum" href="#fnr.10" role="doc-backlink">10</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Even if it is not a literal reference, but it may often be,
especially when it comes to my <a href="https://joarvarndt.se/tag-university.html">academic writings</a>.
</p></div></div>

<div class="footdef"><sup><a id="fn.11" class="footnum" href="#fnr.11" role="doc-backlink">11</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Like in <span class="small-caps">css</span>, <span class="small-caps">html</span>, <span class="small-caps">js</span>, <span class="small-caps">gnu</span> <i>et cetera</i>
</p></div></div>

<div class="footdef"><sup><a id="fn.12" class="footnum" href="#fnr.12" role="doc-backlink">12</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
I can highly recommend using Caddy as your web server; you are
going to want to use <span class="small-caps">https</span> and setting it up with <span class="small-caps">nginx</span> or Apache is
just an annoying step to have to go through. Using Caddy as a reverse
proxy is also stupidly simple.
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[technology]]></category>
  <category><![CDATA[website]]></category>
  <category><![CDATA[emacs]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/website.html</link>
  <guid>https://joarvarndt.se/website.html</guid>
  <pubDate>Mon, 30 Dec 2024 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[A Historical Perspective on Strategic Resources: Techniques and Strategies Regarding Strategic Resources]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle">Techniques and Strategies Regarding Strategic Resources</h2>
<div class="intro">
<p>
This text was originally written as an examination at the Swedish
Defense University (Försvarshögskolan) for the course in <i>Economic
Security in Competition, Conflict and War</i> and is therfore available as
a <span class="small-caps">pdf</span> <a href="https://joarvarndt.se/StrategicResources.pdf">here</a>.
</p>

</div>

<p class="dcap">
Throughout the history of human civilization, the characteristics of
strategic resources and the methods of dealing with them have changed
considerably. But as our economy becomes more and more complex, and
the number of materials increases together with this complexity, the
application of any single material represents a smaller and smaller
portion of economic activity. For this reason, the impact of any
single resource on the world&rsquo;s supply chains is unlikely to have as
significant of an impact as they might have had in the past.  It is
interesting however to observe how nations have dealt with the issue
of strategic resources in the past and to learn how those techniques
may be used in the future to protect critical industries. Historically
energy has been the principal strategic resource, but in recent time
the prodution of computing machines and information processing has
become increasingly important.
</p>


<p>
For almost all of human history, the labour of mankind was almost
entirely devoted to the production of food.  Major disasters such as
the collapse of Bronze Age civilizations three thousand two hundred
years ago did not have insufficient bronze supply as sole cause, even
if it may have contributed to the crisis<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup>.  Iron age societies were
more self-sufficient, as iron is relatively plentiful around the world
compared to the long and delicate trade networks bronze age
civilizations required to obtain tin.  It really took until the age of
discovery for the empires of Portugal, Spain, and eventually the
Netherlands and their attempt to dominate Southeast Asian spice
production for a precursory form of the strategic resource to appear.
This grew to become the world&rsquo;s most important trade<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>, as the basic
production of foodstuffs was still largely limited to subsistence
farming and was therefore only locally disrupted by rare events like
droughts<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>.  Spice production and trade fueled Europe&rsquo;s burgeoning
empires.  But by and large, since so much of the economy was
distributed and focused on local matters, no resource managed to be
impactful enough to accurately be described as a strategic resource.
</p>



<p>
With the advance of industrial manufacturing, more effective
agriculture, and rapid urbanization, and most of all the use of
sources of energy not reliant on human or animal labour led to the
rise in complex supply chains and the use of rarer and more advanced
materials.  Following the demise of the Dutch Republic, the Spanish
American Wars of Independence and the Napoleonic Wars, the United
Kingdom of Great Britain and Ireland emerged as the preëminent leader
in the world.  It did so partly on the back of Watt&rsquo;s steam engine
from the late eighteenth century, it in turn fueled by long since
exploited high-quality British coal.  Other European great powers such
as France, Prussia, and later Germany were all fueled by the large
consumption of coal<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>, partly becoming the reason those powers
eclipsed their rivals such as Russia<sup><a id="fnr.4.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>, the Habsburg Monarchy<sup><a id="fnr.5" class="footref" href="#fn.5" role="doc-backlink">5</a></sup>,
and Italy<sup><a id="fnr.6" class="footref" href="#fn.6" role="doc-backlink">6</a></sup>.  The later use of steamships required an extensive
system of coaling stations and collier ships to facilitate global
trade networks that became ever more interconnected during the first
globalisation.  As the nineteenth-century economist <span class="small-caps">w.s</span>. Jevons wrote
in 1865:
</p>

<blockquote>
<p>
Coal in truth stands not beside but entirely above all other
commodities.  It is the material energy of the country — the universal
aid — the factor in everything we do.  With coal almost any feat is
possible or easy; without it we are thrown back into the laborious
poverty of early times. <sup><a id="fnr.7" class="footref" href="#fn.7" role="doc-backlink">7</a></sup>
</p>
</blockquote>

<p>
Coal thus became the world&rsquo;s first true strategic resource, vital to
not just the income of those who traded it, but critical to the
stability of the entire nation&rsquo;s economic health.  Any nation,
regardless of their location in the world or state of development,
needed to acquire a steady and reliable supply of coal to avoid being
&ldquo;thrown back into the laborious poverty of early times&rdquo;.  But the
eventual replacement of the steam engine by the internal combustion
engine meant that the Europeans could no longer rely on domestic
sources of energy but had to import foreign oil.
</p>



<p>
The start of the oil industry has its origins in Titusville,
Pennsylvania, where the very first oil well was drilled six years
before Jevons described coal as the universal aid.  Oil was at first
not a critical resource because it was almost entirely a product for
illumination, competing with coal-based &ldquo;town gas&rdquo; and blubber from
whales hunted at sea<sup><a id="fnr.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  Pennsylvania was the Saudi Arabia of its
time, and the United States produced the lion&rsquo;s share of the world&rsquo;s
petroleum.  But production soon started in other places around the
world, and the Russian (today Azerbaijani) city of Baku became the
primary supplier to European kerosene.  The state of highly-developed
globalisation that occurred in the late nineteenth century meant that
large multinational companies could easily operate world-spanning
distribution networks, and companies such as Royal Dutch, Shell
Transport and Trading, and largest of them all the Standard Oil
Company of New Jersey dominated the global oil industry<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  This
meant that while the <span class="small-caps">uk</span> had some presence in the logistical and
distribution areas of the oil industry (so-called mid- and downstream
in industry terminology) it did not possess any major oil fields known
to the world at the time (and so did not have an <i>upstream</i> presence).
This first became an issue when Winston Churchill (then the First Lord
of the Admiralty, the political head of the Royal Navy) pushed for the
transition from coal to fuel oil for the Navy&rsquo;s ships.  This was a
strategically difficult decision, but needed to counter the German
investment into their <i>Hochseeflotte</i>, as oil-fueled ships were
technologically superior to steam powered ones<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.
</p>



<p>
While Shell was a British company, it was dominated by the 60/40
merger with Royal Dutch in 1907 and was therefore chiefly in the
control of foreign interests in the view of the British government,
especially as Anglo-German relations grew more amicable at the turn of
the century<sup><a id="fnr.9" class="footref" href="#fn.9" role="doc-backlink">9</a></sup>.  To create an entity that would prioritize the fleet
in the event of a conflict the British government bought a controlling
share in the struggling Anglo-Persian Oil Company that had used up
nearly all of its capital exploring for oil in Iran.  Anglo-Persian
would operate as a privately owned company in practice, but would
through its state-owned nature prioritize British customers, primarily
those of interest to the security of the empire<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  This is a very
clear example of the state intervening to protect its position in a
sector it deems as vital to the national interest.  This arrangement
had its obvious benefits, but was largely unnecessary. Royal Dutch
Shell ended up being the primary supplier to the British during the
first world war, and with the entry of the United States into the war
the Entente oil supply represented close to all of global
production<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  While oil was useful during the great war, it had not
yet reached its peak of usefulness in military strategy.
</p>



<p>
The rise of mechanized warfare and aviation that got its start during
the first world war but really took off in the interwar period and
during the second world war meant that oil became a truly critical
commodity.  The rise of the internal combustion engine and the mass
production of the car at the turn of the century, meant that the oil
industry had grown considerably.  It had also saved it from the rise
in electrical lighting during the same period that caused a severe
decrease in kerosene revenues<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  The Second World War cemented its
status as the world&rsquo;s most vital strategic resource. The German
<i>Blitzkrieg</i> strategy, which relied heavily on mechanized units, was
directly dependent on fuel supplies.  This was the main driver for
<i>Fall Blau</i> whose objective was securing the oil fields of the Caucasus.
Writing on his experience on the African theatre of the war, the
German field marshal Erwin Rommel said the following:
</p>

<blockquote>
<p>
The bravest men can do nothing without guns, the guns nothing without
plenty of ammunition, and neither guns not ammunition are of much use
in mobile warfare unless there are vehicles with sufficient petrol to
haul them around.<sup><a id="fnr.10" class="footref" href="#fn.10" role="doc-backlink">10</a></sup>
</p>
</blockquote>

<p>
Likewise, Japan’s expansion in the Pacific was driven by its need to
secure raw materials, especially oil, as its own domestic supplies
were virtually nonexistent.  After the United States sanctioned Japan
following its invasion of China, denying it the ability to buy oil,
Japanese strategic planning became centred on the security of its oil
supplies.  Even after the conquest of the Dutch East Indies
(modern-day Indonesia) the Japanese remained afraid of American
capabilities to intercept shipments of petroleum on their way back to
the Japanese home islands.  This was a core reason for the attacks at
Pearl Harbour that brought the Unites States into the war.  Even
during the war, oil supplies were a constant struggle for the Japanese
military. Despite attempts to make aviation fuel out of pine cones on
massive scales, the Japanese air force was forced to carry out its
famous <i>kamikaze</i> attacks principally due to shortage of fuel<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.
</p>



<p>
Both during and following the war, large supplies of oil had been
found in Arabia and in other places around the world.  But despite the
fact that oil had been proven to be perhaps <i>the</i> most important
resource for mobile warfare, neither of the two superpowers saw oil
supply as particularly worrying.  This is because they both possessed
some of the world&rsquo;s largest supply and the nations where these new
supplies were being discovered were either neutral or somewhat aligned
with the two superpowers (Venezuela and the Soviet Union, the United
States and Saudi Arabia<sup><a id="fnr.11" class="footref" href="#fn.11" role="doc-backlink">11</a></sup>).  Thus the question of fuel became
more of a logistical challenge rather than where control of oil fields
would be the objective of the war.  The new petrostates saw oil
instead as deeply critical to the economic health of their nations,
and fought a long battle with the large Anglo-American oil companies
(the so-called Seven Sisters) over the revenue split from the sale of
oil.  The Iranian nationalisation of the Anglo-Persian oil company,
now renamed Anglo-Iranian, prompted the intervention of the British
and American governments to topple the Iranian government
in 1953. This was intended to maintain both adequate levels of supply
to the west, as well as avoid a cascading effect of state seizure of
Anglo-American oil companies around the Persian Gulf<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  This
shows one of the possible methods of action that larger states can use
to secure the supply of strategic resources in foreign countries;
exploiting the internal power struggles of different interest groups.
This does however risk the ire of those groups you helped overthrow,
and this was partly the reason for the Islamic Republic&rsquo;s belligerent
foreign policy toward the Anglo-Saxon nations, especially toward the
United States.
</p>



<p>
But despite this lack of strategic interest oil&rsquo;s significance only
seemed to grow.  Petroleum not only powered the world&rsquo;s cars,
airplanes, industry, and electrical generation, but was also being
used in an ever increasing number of products on larger and larger
scales in every sector from construction, to plastic packaging, to
pharmaceuticals.  This increase in demand coincided with a increase in
the share of <span class="small-caps">u.s</span>. oil that was imported from foreign countries.  This
was exploited by the major Arab oil-exporting nations, who were
aggravated by staunch western and <span class="small-caps">u.s</span>. support to the State of Israel
during the 1973 Yom Kippur War<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.  They, through the Organisation of
Petroleum Exporting Countries (<span class="small-caps">opec</span>) and Organization of Arab
Petroleum Exporting Countries (<span class="small-caps">oapec</span>), refused to export oil to those
nations who supported Israel.  This led to an unprecedented rise in
the price of crude oil and caused a global economic recession.
However, while the Arab nations were successful in their use of
tactics, their overall strategy failed.  <span class="small-caps">opec</span> has not been able to
control the world oil market in the same way since, owing to factors
such as the increased fungibility of oil, diversification of
supply<sup><a id="fnr.12" class="footref" href="#fn.12" role="doc-backlink">12</a></sup>, and cheating by <span class="small-caps">opec</span> members on production quotas<sup><a id="fnr.8.8" class="footref" href="#fn.8" role="doc-backlink">8</a></sup>.
Since market economies are so resilient the effectivity of these
instruments naturally decrease after they have been proven possible,
as the actors implement de-risking and diversification strategies to
limit the damage that they could potentially suffer.
</p>



<p>
The primary instrument created by the oil-importing industrial nations
to tackle the immediate hold over the oil markets that <span class="small-caps">opec</span> had was
the creation of the <i>International Energy Agency</i> and a system of oil
reserves held by its member states that can be emptied as a reaction
to jumps in the price of oil.  Largest of these is the American
<i>Strategic Petroleum Reserve</i>, which holds up to 714 million barrels of
crude oil<sup><a id="fnr.13" class="footref" href="#fn.13" role="doc-backlink">13</a></sup> and can be used at the discretion of the American
president.  These global reserves of oil are not a substitute for
domestic production, but they allow for increased mobility within the
international system for the industrial nations and gives them the
ability to punish nations that temporarily lower production.  Oil can
be stored quite cheaply within impermeable salt domes for a long time,
connected to a preëxisting network of pipelines to quickly increase
supply; it is a resource that is logistically very easy to store. As
oil production became ever more decentralized and the amount of
control individual actors decreased, the days of John D. Rockefeller
setting prices across the world was long gone, oil became less and
less strategic as supply disruptions still meant that it could be
bought from somewhere else, even if at a slightly higher price.
</p>



<p>
It was during this period that oil started to take a back seat to the
increasingly sofisticated computer industry.  During the late 20th
century the commodification of information, and the machines that
processed it, became increasingly valuable.  The invention of the
transistor in 1947, the metal–oxide–semiconductor field-effect
transistor (<span class="small-caps">mosfet</span>) in 1955, and later the integrated circuit (<span class="small-caps">ic</span>) in
1959 allowed the mass production of computing machines on an
unprecedented scale.  Moore&rsquo;s law and Dennard scaling meant that
computers not only became cheaper, they also became faster and used
less power as the size of transistors decreased exponentially <sup><a id="fnr.14" class="footref" href="#fn.14" role="doc-backlink">14</a></sup>.
Like oil, this industry is very capital-intensive and is used in every
facet of the economy.  Unlike the oil industry however, a nation does
not need to posses any special resources to compete in the <span class="small-caps">ic</span> supply
chain.  This aspect was very attractive to some nations.
</p>



<p>
Critical to this nascent industry was the location of these companies
to both acquire expertise and reduce labour costs. The early
semiconductor was centred on &ldquo;Silicon&rdquo; Valley after Shockley
Semiconductor Laboratory and its descendent Fairchild Semiconductor
had pioneered the silicon transistor and integrated circuit,
respectively.  Since these early chips were more reliable due to their
solid-state nature, their first large customer was the American
military for use in the Minuteman-<span class="small-caps">ii</span> <span class="small-caps">icbm</span>.  As the semiconductor
industry grew, <span class="small-caps">ibm</span> emerged as the juggernaut.  But the American
dominance of the semiconductor industry was not to last.  American
efforts to offshore the &ldquo;packaging&rdquo; of chips meant that knowledge was
continuously transferred overseas, particularly to the Four Asian
Tigers of the Republic of Korea, Republic of China (<span class="small-caps">roc</span>), Hong Kong,
and Singapore; but also to the Philippines and especially Japan.  The
Japanese market was large and possessed a large number of companies
manufacturing <span class="small-caps">ic</span>s and semiconductor components.  The ruling Liberal
Democratic Party (<span class="small-caps">ldp</span>) wanted to maintain Japanese competitiveness to
American penetration into their market by keeping up with the
developments in &ldquo;Very Large Scale Integration&rdquo; (<span class="small-caps">vlsi</span>) technology that
was needed for the ever increasing number of components used in any
given <span class="small-caps">ic</span><sup><a id="fnr.14.14" class="footref" href="#fn.14" role="doc-backlink">14</a></sup>.
</p>



<p>
The <span class="small-caps">ldp</span> thus had a sophisticated plan to maintain the Japanese <span class="small-caps">ic</span>
industry. To accelerate <span class="small-caps">vlsi</span> development the Japanese Ministry of
International Trade and Industry (<span class="small-caps">miti</span>) incentivized the otherwise
intensely competing companies through free government loans that
represented a much larger <span class="small-caps">r&amp;d</span> expenditure than what any single
Japanese company could afford, though much smaller than what the major
American companies were investing in <span class="small-caps">vlsi</span> <span class="small-caps">r&amp;d</span><sup><a id="fnr.15" class="footref" href="#fn.15" role="doc-backlink">15</a></sup>.  Mark Shephard, the
then chairman of Texas Instruments, commented on the funding of the
<span class="small-caps">vlsi</span> project: &ldquo;We can afford to bear, and do bear, such expenditure
alone&rdquo;<sup><a id="fnr.15.15" class="footref" href="#fn.15" role="doc-backlink">15</a></sup> showing how the amount of capital employed was not a
critical reason of success in and of itself, but rather its effect of
forcing the companies to coöperate was tantamount.  The effect of the
money was instead was a willingness to coöperate, to obtain <span class="small-caps">r&amp;d</span>
funding, rather than bolstering the amount of resources that the
project had.  The project had both experienced administrative and
technical personnel, researchers from different companies all worked
collaboratively in the same facilities on technologies that they would
all benefit from, with a clear deadline and goal; to achieve Japanese
<span class="small-caps">vlsi</span> capabilities before <span class="small-caps">ibm</span> computers utilizing the technology
entered the Japanese market at the latest of 1980<sup><a id="fnr.15.15" class="footref" href="#fn.15" role="doc-backlink">15</a></sup>.  The project was
wildly successful and put Japan on parity with, if not ahead of, the
United States in the fabrication of <span class="small-caps">ic</span>s<sup><a id="fnr.15.15" class="footref" href="#fn.15" role="doc-backlink">15</a></sup>. It is worth noting that
the identically named &ldquo;<span class="small-caps">vlsi</span> Project&rdquo; that started two years after the
Japanese one in the <span class="small-caps">u.s</span>. that was also very successful focused on
largely different challenges with <span class="small-caps">vlsi</span> and could perhaps be the reason
for American dominance in software today, spawning things such as the
Berkley Software Distribution (<span class="small-caps">bsd</span>)<sup><a id="fnr.16" class="footref" href="#fn.16" role="doc-backlink">16</a></sup>, 32-bit workstations, and
the <span class="small-caps">cad</span> tools leading to the founding of companies such as
Synopsis<sup><a id="fnr.17" class="footref" href="#fn.17" role="doc-backlink">17</a></sup>.
</p>



<p>
The approach taken by the Japanese <span class="small-caps">vlsi</span> project shares some
similarities with the recommendations made by Malmberg et al.<sup><a id="fnr.18" class="footref" href="#fn.18" role="doc-backlink">18</a></sup>.
While there was state expertise and resources employed in the project
the main resources applied were private. This shows how the guiding
hand of the state can effectivize the resources of private industry
and also guide them into strategically important reasons for the
state. Another, perhaps more famous, example is the founding of Taiwan
Semiconductor Manufacturing Company (<span class="small-caps">tsmc</span>). While the <span class="small-caps">roc</span> had already
been instrumental in the creation of another major semiconductor
manufacturer seven years earlier, United Microelectronics Corporation
(<span class="small-caps">umc</span>), <span class="small-caps">umc</span> was not fully prepared for the change in business model
that was quickly becoming apparent<sup><a id="fnr.19" class="footref" href="#fn.19" role="doc-backlink">19</a></sup>. <span class="small-caps">tsmc</span> was the first in was is
now a series of companies in the &ldquo;pure-play foundry&rdquo; model. As the <span class="small-caps">ic</span>
fabrication facilities (fabs) became more and more expensive and
required higher and higher utilization rates newer design firms opted
to pay larger companies, who had their own fabs<sup><a id="fnr.20" class="footref" href="#fn.20" role="doc-backlink">20</a></sup> to make their
designs. But these companies were of course unprioritized as the
companies preferred to make their own products. <span class="small-caps">tsmc</span> would never
compete with their customers and did the job cheaper and better than
the large <span class="small-caps">ic</span> companies did. While the government never held an
outright majority in the stake of the newly founded company, it was
and is the largest shareholder, contributing key capital and support
at the beginning of the firm&rsquo;s existence. The <span class="small-caps">roc</span> also helped secure a
technology transfer agreement with the major Dutch electronics
manufacturer Phillips and ministers personally called wealthy
Taiwanese businessmen to convince them to invest in this new
venture. <span class="small-caps">tsmc</span> was neither a project purely created by the state nor a
mere corporate enterprise. Rather it was a project of the Taiwanese
society whose success or failure involved both state planning and
vision as well as private sector expertise and resources.
</p>



<p>
This dominance in a critical industry is useful in achieving
foreign-policy goals. <span class="small-caps">roc</span> control of this middle ground in the <span class="small-caps">ic</span>
supply chain meant that the they could use this choke point to
plausibly deter a forceful reunification by the People&rsquo;s Republic of
China (<span class="small-caps">prc</span>). Since dominance in <span class="small-caps">ic</span> manufacturing does not hinge on the
control of a strategic geographic location, but rather delicate
high-tech fabs and an equally brittle system of supply chains, an
armed conflict could easily result in the destruction of these
facilities and bring about large economic damages to both nations
involved as well as the larger global economy. <span class="small-caps">ic</span>s are also much
harder to store than oil as they are continuously updated and
improved, with much of the knowledge not even written down but passed
around through tradition and experience. Avoiding the upset of this
thin balance is in the interest of every major economy on the planet
today, and exerts enormous pressure on the actors involved. The <span class="small-caps">prc</span>&rsquo;s
recent attempts at cornering the market for rare metals, particularly
rare-earth metals, shares this strategic thinking. Rather than being
able to completely stop production of advanced technology in hostile
countries, a practical impossibility owing to the small volumes of
these materials, the <span class="small-caps">prc</span> uses increased economic inefficiency as a
weapon to deter countries from intervening it what it deems critical
foreign policy objectives (Such as the status of Formosa). The failure
of economic warfare on impacting the overall quality of war
materiel<sup><a id="fnr.21" class="footref" href="#fn.21" role="doc-backlink">21</a></sup> means that the shock tactics employed by China will do
little other than undermine its monopoly in the event of a war over
the Taiwan strait, like what happened with <span class="small-caps">opec</span> after 1973. Even those
fearful of China&rsquo;s ability to use these materials through coërcive
means will admit that illicit trade and extraction of rare metals even
directly with the <span class="small-caps">prc</span>, not counting possible routes through
third-party countries, is very possible<sup><a id="fnr.11.11" class="footref" href="#fn.11" role="doc-backlink">11</a></sup>. So while these resources
are critical for certain industries and perhaps even the economy as a
whole, it is unlikely that the targeted embargo of these resources
would cause wide-spread economic collapse like that seen in 1973 or
spark some sort of military intervention like in 1991.
</p>



<p>
As technology advances, so too will the division of resources and
techniques employed. The days when foraging, hunting, and fishing was
all that humanity did to sustain itself at the dawn of humanity has
long since passed, and with it the hope of complete self-reliance. The
ever increasing list of goods seen as critical to the economy, like
that published by the European Commission<sup><a id="fnr.22" class="footref" href="#fn.22" role="doc-backlink">22</a></sup> or the United States
Department of the Interior<sup><a id="fnr.23" class="footref" href="#fn.23" role="doc-backlink">23</a></sup>, shows how belief on how supply
disruptions of specific goods can have outsized effects on the
security of nations is widespread. This belief is not new, Jevons
pointed this out in regards to coal in the middle of the 19th century,
however the scale of those materials involved and the number of
discrete ones is unprecedented. It is on such a level that any one
nation or actor can not expect to control all sources of supply, but
should rather attempt to specialize in a certain focus of industries
in an attempt to maintain other countries&rsquo; willingness to trade, as
the <span class="small-caps">prc</span> has done with rare-earth metals. To maximize possible damage
to a hostile actor, countries should aim to dominate industries that
represent a large share of a country&rsquo;s imports, either in terms of
tonnage or dollars, since they would be difficult to replace. Since
low-value manufacturing and primary resources are largely fungible, it
is best to target high value-add technology sectors or services, as
these have historically had an outsized importance compared to the
resources ventured.
</p>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Kemp, L., &amp; Cline, E. H. (2022). <i>Systemic Risk and Resilience:
The Bronze Age Collapse and Recovery.</i> In A. Izdebski, J. Haldon, &amp;
P. Filipkowski (Eds.), Perspectives on Public Policy in
Societal-Environmental Crises: What the Future Needs from History
(pp. 207–223). <a href="https://doi.org/10.1007/978-3-030-94137-6_14">https://doi.org/10.1007/978-3-030-94137-6_14</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Laurea, T. (2021) <i>Spices, Exotic Substances and Intercontinental
Exchanges in Early Modern Times</i>. Venice: Università Ca&rsquo; Foscari
Venezia. <a href="http://dspace.unive.it/handle/10579/19714">http://dspace.unive.it/handle/10579/19714</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Snyder-Reinke, J. (2009) <i>Dry Spells: State Rainmaking and Local
Governance in Late Imperial China</i>. Cambridge: Harvard University Asia
Center.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Fernihough, A., &amp; O’Rourke, K. H. (11 2020). <i>Coal and the
European Industrial Revolution</i>. The Economic Journal, 131(635),
1135–1149. <a href="https://doi.org/10.1093/ej/ueaa117">https://doi.org/10.1093/ej/ueaa117</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.5" class="footnum" href="#fnr.5" role="doc-backlink">5</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Gross, N. T. (1971). <i>Economic Growth and the Consumption of Coal
in Austria and Hungary 1831- 1913</i>. The Journal of Economic History,
31(4), 898–916. <a href="http://www.jstor.org/stable/2117215">http://www.jstor.org/stable/2117215</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.6" class="footnum" href="#fnr.6" role="doc-backlink">6</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Bardini, C. (1997) Without Coal in the Age of Steam: A
Factor-Endowment Explanation of the Italian Industrial Lag Before
World War I. The Journal of Economic History, 57(3),
633–653. <a href="https://doi.org/10.1017/S0022050700113397">https://doi.org/10.1017/<span class="small-caps">s0022050700113397</span></a>
</p></div></div>

<div class="footdef"><sup><a id="fn.7" class="footnum" href="#fnr.7" role="doc-backlink">7</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Jevons, <span class="small-caps">w.s</span>. (1865). <i>The Coal Question; An Inquiry concerning the
Progress of the Nation, and the Probable Exhaustion of our
Coal-mines</i>. London: Macmillian and Co. 2nd edition. pp. 14.
</p></div></div>

<div class="footdef"><sup><a id="fn.8" class="footnum" href="#fnr.8" role="doc-backlink">8</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Yergin, D. (1990) <i>The Prize: The Epic Quest for Oil, Money and
Power</i>. New York: Free Press.
</p></div></div>

<div class="footdef"><sup><a id="fn.9" class="footnum" href="#fnr.9" role="doc-backlink">9</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Sterenborg, <span class="small-caps">p.j.c</span>. (2016) <i>The Netherlands and Anglo-German
Relations</i>. Utrecht University.
</p></div></div>

<div class="footdef"><sup><a id="fn.10" class="footnum" href="#fnr.10" role="doc-backlink">10</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Lidell-Hart, B. (1953). <i>The Rommel Papers</i>. New York: De Capo
press. pp 342.
</p></div></div>

<div class="footdef"><sup><a id="fn.11" class="footnum" href="#fnr.11" role="doc-backlink">11</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Rossbach, N. (2023) <i>Sällsynta metaller och stormaktsrivalitet: En
översikt om nya strategiska resurser och risken för
råvarukonflikter</i>. Totalförsvarets förskningsinstitut.
</p></div></div>

<div class="footdef"><sup><a id="fn.12" class="footnum" href="#fnr.12" role="doc-backlink">12</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The share of <span class="small-caps">opec</span> oil production has been eroded by the
introduction of new producers or increased production in the North sea
(the United Kingdom and Norway), the Canadian oil sands, the southern
and eastern coasts of Brazil, as well as fracking in the United
States.
</p></div></div>

<div class="footdef"><sup><a id="fn.13" class="footnum" href="#fnr.13" role="doc-backlink">13</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Office of Cybersecurity, Energy Security, and Emergency
Response. (2024-10-21) <i>Strategic Petroleum Reserve</i>. Department of
Energy. <a href="https://www.energy.gov/ceser/strategic-petroleum-reserve">https://www.energy.gov/ceser/strategic-petroleum-reserve</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.14" class="footnum" href="#fnr.14" role="doc-backlink">14</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Miller, C. (2022). <i>Chip War: The Fight for the World&rsquo;s Most
Critical Technology</i>. Scribner.
</p></div></div>

<div class="footdef"><sup><a id="fn.15" class="footnum" href="#fnr.15" role="doc-backlink">15</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Sakakibara, K. (1993). <i><span class="small-caps">r&amp;d</span> cooperation among competitors: A case
study of the <span class="small-caps">vlsi</span> semiconductor research project in Japan</i>. Journal of
Engineering and Technology Management, 10(4),
393–407. <a href="https://doi.org/10.1016/0923-4748(93)90030-M">https://doi.org/10.1016/0923-4748(93)90030-M</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.16" class="footnum" href="#fnr.16" role="doc-backlink">16</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
The ancestor of today&rsquo;s Open<span class="small-caps">bsd</span>, Free<span class="small-caps">bsd</span>, DragonFly <span class="small-caps">bsd</span>, and
Net<span class="small-caps">bsd</span>.
</p></div></div>

<div class="footdef"><sup><a id="fn.17" class="footnum" href="#fnr.17" role="doc-backlink">17</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
One of the companies creating the modern-day duopoly in <span class="small-caps">ic</span> design,
the other being Cadence.
</p></div></div>

<div class="footdef"><sup><a id="fn.18" class="footnum" href="#fnr.18" role="doc-backlink">18</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Malmberg, P. et al. (2024) <i>En ny beredskapssektor - för ökad
försörjningsberedskap</i> Statens offentliga utredningar 2024:19.
</p></div></div>

<div class="footdef"><sup><a id="fn.19" class="footnum" href="#fnr.19" role="doc-backlink">19</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Hu, J. (2024) <i>Taiwan&rsquo;s transformation into global semiconductor
leadership and future challenges</i>. DigiTimes Asia. <a href="https://www.digitimes.com/news/a20240225PR200/taiwan-semiconductor-industry-subsidy-tsmc-umc-pure-play-foundry.html">https://www.digitimes.com/news/a20240225<span class="small-caps">pr200</span>/taiwan-semiconductor-industry-subsidy-tsmc-umc-pure-play-foundry.html</a>
</p></div></div>

<div class="footdef"><sup><a id="fn.20" class="footnum" href="#fnr.20" role="doc-backlink">20</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
&ldquo;Real men have fabs&rdquo; was a common saying at the time.
</p></div></div>

<div class="footdef"><sup><a id="fn.21" class="footnum" href="#fnr.21" role="doc-backlink">21</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Mulder, N. (2022) The Economic Weapon: The Rise of Sanctions as a
Tool of Modern War. Yale University Press: 27-108.
</p></div></div>

<div class="footdef"><sup><a id="fn.22" class="footnum" href="#fnr.22" role="doc-backlink">22</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
European Commission. (2011). <i>Tackling the Challenges in
Commodity Markets and on Raw Materials</i>. 
</p></div></div>

<div class="footdef"><sup><a id="fn.23" class="footnum" href="#fnr.23" role="doc-backlink">23</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Applegate, J. D. (2022) <i>2022 Final List of Critical Minerals</i>.
<span class="small-caps">u.s</span>. Geological Survey, Department of theInterior.
<a href="https://d9-wret.s3.us-west-2.amazonaws.com/assets/palladium/production/s3fs-public/media/files/2022%20Final%20List%20of%20Critical%20Minerals%20Federal%20Register%20Notice_2222022-F.pdf">https://d9-wret.s3.us-west-2.amazonaws.com/assets/palladium/production/s3fs-public/media/files/2022%20Final%20List%20of%20Critical%20Minerals%20Federal%20Register%20Notice_2222022-F.pdf</a>
</p></div></div>


</div>
</div>
]]></description>
  <category><![CDATA[oil]]></category>
  <category><![CDATA[history]]></category>
  <category><![CDATA[university]]></category>
  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/StrategicResources.html</link>
  <guid>https://joarvarndt.se/StrategicResources.html</guid>
  <pubDate>Wed, 30 Oct 2024 00:00:00 +0800</pubDate>
</item>
<item>
  <title><![CDATA[Writing About Jacques Ellul]]></title>
  <description><![CDATA[
 <h2 class="post-subtitle"></h2>
<p class="dcap">
I am by no means an expert on Ellul, I have merely read three of his
books (<i>Presence in the Modern World</i>, <i>The Technological Society</i>, and
<i>The Meaning of the City</i>) But in trying to communicate his influence on
my thinking, I have inadvertently written many times <i>about</i> him, albeit
at an all too basic level. There are many theories claiming to explain
all of human history, or at least the structure of our current
society, but Ellul&rsquo;s <i>technique</i> works because of its simplicity and
deliberate vagueness. It is however this quality that makes explaining
Ellul to others so challenging. Here is one example of an attempt made
by me to quickly summarise the central ideas of Ellul&rsquo;s technique.
</p>

<blockquote>
<p>
The technical concept can be briefly summarized as a conglomerate of
thoughts, methods, and approaches considered to be objectively the
best for achieving a purpose. It is important to distinguish this
concept from technology, such as computers, engines, weaving machines,
and so on. Technology is merely a consequence of technique, not the
cause. People in modern society can no longer imagine life in the way
that prehistoric and medieval populations lived. Almost all problems
are expected to have technical solutions; if the solution to a problem
requires something to be done, then the problem is technical. This
seems almost tautological — if nothing needs to be done, is there
really a problem?  However, problems often arise from attempts to
improve the situation, and technique always demands solutions to
increasingly complex problems.
</p>
</blockquote>

<p>
This is by no means a short summary, it is longer than the
introductory paragraph. But to compress it inevitably means allowing
for serious misinterpretation, and readers are not often familiar with
an obscure post-war anarchist Christian sociologist. This is made even
more difficult owing to the fact that technique is applicable to such
a wide number of disparate fields. It is for this reason that
explaining Ellul has become dreadfully boring, despite the fact that I
recognise Ellul as a figure that would bring enormous comfort — I
almost dare to say <i>enlightenment</i> — to a great number of people. But I
feel compelled to do so, again and again, because I too am a member of
our technical society. Just like Kaczynski<sup><a id="fnr.1" class="footref" href="#fn.1" role="doc-backlink">1</a></sup> I feel compelled to
utilize technique against itself despite being fully aware of the
fruitlessness of doing so.
</p>

<p>
Ellul naturally takes inspiration from Marx&rsquo; historical materialism as
well as Hegel&rsquo;s idea of <i>Geist</i>. The main difference is that where Marx
and Hegel both see an end point, a perfect communist society and
<i>Absolute knowledge</i> respectively, Ellul instead sees technique as an
ever-expanding — being driven only be a need to encompass every facet
of human society. Technique per definition can have no limit because
when it reaches absolute mastery over any one idea it will simply move
on to greater and greater scales. Only something like the <a href="https://www.decisionproblem.com/paperclips/">paperclip
maximizer</a> converting all of the mass-energy in the universe would ever
reach a hard limited; technical society however still hopes for a
continued <a href="http://www.thelastquestion.net/">advancement after that</a>.
</p>

<p>
Since technique dominates every area of society, it has become
relevant for an untold number of discussion I have come across. For
example, in an <a href="https://www.gurwinder.blog/p/tiktok-may-be-a-chinese-bio-weapon?utm_source=publication-search">article</a> about the possibly planned use of TikTok by the
<span class="small-caps">ccp</span> to destroy western civilization, Gurwinder effectively makes clear
how Wang Huning describes America&rsquo;s crisis of technology, and how it
shares similarities with Nick Land&rsquo;s view of accelerationism (all in
attempt to expose a <span class="small-caps">ccp</span> accelerationist plot). I see Gurwinder&rsquo;s
thesis as fundamentally incorrect, the moral decline of western
civilisation is not to be solved through any return to &ldquo;traditional
moral values&rdquo;, technique only moves forward, though it very well might
be marketed as such a return<sup><a id="fnr.2" class="footref" href="#fn.2" role="doc-backlink">2</a></sup>. Gurwinder quotes Land&rsquo;s <i>A
Quick-and-Dirty Introduction to Accelerationism</i>:
</p>

<blockquote>
<p>
The point of an analysis of capitalism, or of nihilism, is to do more
of it. The process is not to be critiqued. The process is the
critique, feeding back into itself, as it escalates. The only way
forward is through, which means further in.
</p>
</blockquote>

<p>
Land is entirely correct in his description of the symptom, but
misattributes the cause. Capitalism is not a driving force of
anything, it is simply a state of affairs itself caused by
technique. As I write in my essay on <a href="https://joarvarndt.se/blog/NuclearPhilosophy.html">the philosophy of nuclear
weapons</a>, technique is inherently alienating and a cause for nihilism,
as Land has realized. But capitalism is not the cause of this; Soviet
socialism is an even purer form of technique<sup><a id="fnr.3" class="footref" href="#fn.3" role="doc-backlink">3</a></sup>. The planned economy
requires a constant need for things to be done, for organisational
meetings and for statistics to be collected so that more accurate and
<i>better</i> choices can be made, even at exorbitant costs. Why socialism
ceased in the <span class="small-caps">ussr</span> and China was because of a technical choice that
free-market capitalism was <i>more efficient</i>, and it was this decision
that Fukuyama described as his end of history; the triumph of free
market liberal democracy as the most efficient mode of societal
organisation. This does not mean that it will remain so forever of
course, but that it is simply meaningless to discuss the issue, for
when something more efficient comes along, it will simply be done.
</p>

<p>
Just like populism technique lacks any ideological motive. There is no
serious ideology or movement that seeks to constrain to reduce
technique, as doing so is seen as foolish. Ideas such as free-market
libertarianism, anti-<span class="small-caps">ai</span> protestors, and environmentalism all want to
use technique to offset its limitations. Libertarians want to move
technical applications to private actors for <i>efficiency</i> gains, anti-<span class="small-caps">ai</span>
protestors want to impose <i>rules</i> to guide <span class="small-caps">ai</span> development, and
environmentalists want to build and expand renewable energies and
recycling infrastructure to offset the negative effects of
industrialization. These are all respectable in certain ways of
course, but it showcases how even radical unorthodox ideas are really
conforming to the mainstream <i>more</i> than any form of conservatism<sup><a id="fnr.4" class="footref" href="#fn.4" role="doc-backlink">4</a></sup>. ❦
</p>
<div id="footnotes">
<h2 class="footnotes">Footnotes: </h2>
<div id="text-footnotes">

<div class="footdef"><sup><a id="fn.1" class="footnum" href="#fnr.1" role="doc-backlink">1</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Kaczynski was also a reader of Ellul, and found that his
experience of reading <i>La Technique</i> hugely influential.
</p></div></div>

<div class="footdef"><sup><a id="fn.2" class="footnum" href="#fnr.2" role="doc-backlink">2</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Things like the Glorious Revolution, the rise of Napoleon, and the
Treaty of Versailles were all seen as a return to the normalcy of
things and to the romanticised idea of the times that came before, but
they were all of a fundamentally progressive nature in their
consequences.
</p></div></div>

<div class="footdef"><sup><a id="fn.3" class="footnum" href="#fnr.3" role="doc-backlink">3</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
In fact, the soviet establishment discusses the concept of
Taylorism to a great extent, pursuing an ideal of industrial
management that disregards the individual organic connections and
methods practiced throughout most of human history. Taylorism in its
goal is a clear example of large-scale technique.
</p></div></div>

<div class="footdef"><sup><a id="fn.4" class="footnum" href="#fnr.4" role="doc-backlink">4</a></sup> <div class="footpara" role="doc-footnote"><p class="footpara">
Another example: &ldquo;The paradox of Soviet communism was that it was
really conservative&rdquo;.
</p></div></div>


</div>
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  <category><![CDATA[notes]]></category>
  <link>https://joarvarndt.se/ellul.html</link>
  <guid>https://joarvarndt.se/ellul.html</guid>
  <pubDate>Sat, 17 Aug 2024 00:00:00 +0800</pubDate>
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